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Amy Sherald, who painted former First Lady Michelle Obama's portrait in 2018, has a major survey of her work opening this week at the Whitney Museum of American Art in New York.

The president underwent a comprehensive medical exam after experiencing swelling in his lower legs in recent weeks.

In this comprehensive class, students will learn the intricate art of staining porcelain and using colored clay to craft stunning patterns and one-of-a-kind pieces. The class will cover all aspects of the technique from coloring and preparing porcelain, learning how to build a variety of patterns and learning how to form and structure pieces. This course is designed for both beginners and intermediate ceramic enthusiasts incorporating a selection of hand-building techniques as well as tips for wheel-throwing with the patterns. All students receive one month of free membership at the ICA ceramics studio following the conclusion of the course. Visit: Nerikomi: Unveiling the Technique of Colored Clay Patterns (6-weeks) ICA San Diego on Instagram and Facebook

Immigration and Customs Enforcement plans to hire 10,000 employees over five years, echoing a Border Patrol expansion in the 2000s.

California lawmakers are advancing a measure that would curb journalists’ access to their home addresses and contact information through their voter registration records, an attempt watchdog groups say hinders the public’s ability to hold politicians accountable.

The Mainly Mozart All-Star Orchestra Festival returns to San Diego June 18 to June 28, 2025. The annual summer festival is a highlight of the classical music calendar and the country’s largest gathering of concertmasters and principal players from the nation’s top orchestras. Under the baton of Maestro Michael Francis, who returns for his 11th year as music director and conductor, the 2025 festival features six, unique performances at two venues, The Conrad Prebys Performing Arts Center and the UC San Diego Epstein Family Amphitheater. The festival, the largest Mozart celebration in North America, opens with a must-hear performance of Mozart’s newly discovered Serenade in C Major. Featuring musicians from top U.S. orchestras including the New York Philharmonic, Los Angeles Philharmonic, Chicago Symphony, Cleveland Orchestra, Philadelphia Orchestra and more, Mainly Mozart’s All-Star Orchestra is the only orchestra of its kind in the country. At The Conrad Prebys Performing Arts Center in La Jolla, each concert will be preceded by new Mozart-themed pre-concert talks or mini-concerts at 6 p.m. in The JAI, which will be included in the base ticket price. At the UC San Diego Epstein Family Amphitheater, attendees will now be able to bring in their own food and (non-alcoholic) beverages. Guests are also welcome to bring their own picnic spreads, with new grass-seating areas, and picnic music provided by Mainly Mozart Youth Orchestra ensembles throughout the venue. Time: All concerts start at 7 p.m. Where: June 21 and 28: Epstein Family Amphitheater | 9500 Gilman Dr, San Diego, CA 92093 June 18, 20, 24 and 26: The Conrad Prebys Performing Arts Center | 7600 Fay Ave, La Jolla, CA 92037 Cost: boxoffice@mainlymozart.org Single tickets for individual concerts at The Conrad range from $65-$149. Single tickets for individual concerts at Epstein Family Amphitheater range from $25 -$149. Ticket Link: https://www.mainlymozart.org/allstar Box office phone: (619) 955-8273 or boxoffice@mainlymozart.org Mainly Mozart on Facebook / Instagram

In this talk, scholar Che Gossett focuses on Kiyan Williams’s performance and sculpture especially: "Unearthing" (2016), Trash and Treasure" (2014) "Meditations on the Making of America" (2019), "Ruins of Empire II or The Earth Swallows the Master’s House" (2024). In Williams’s work, anti-black and racial capitalist World is negated and abolished — in its ruination new critical forms crystallize and figurations of the flesh emerge, reverberating and interinanimating each other. Che Gossett is a Black nonbinary femme writer and critical theorist specializing in queer/trans studies, aesthetic theory, abolitionist thought, and Black studies. Gossett’s writing appears in publications including the edited collections "Death and Other Penalties: Continental Philosophers on Prisons and Capital Punishment" (Fordham University Press, 2015), "Trap Door: Trans Cultural Production and the Politics of Visibility" (MIT Press, 2017), and "Trans Philosophy" (University of Minnesota Press, 2024). Che is co-editing, with Tavia Nyong’o, a forthcoming special issue of Social Text journal on Sylvia Wynter, culture, and technics. They are the recipient of a 2024 Creative Capital Andy Warhol Writers Grant, and are currently associate director of the Center for Research in Feminist, Queer, and Transgender Studies at the University of Pennsylvania.

Art historian Zaixin Hong examines the enduring significance of the soundscape of music and calligraphy. The soundscape of calligraphy and music is a hallmark of Chinese civilization. This lecture explores their intricate connections and shared purpose, exemplified by Professor Lei Liang’s award-winning “A Thousand Mountains, A Million Streams,” and delves into Chou Wen-chung’s question, “When is a line not a line?” From Confucius’ “Six Arts” to modern masters like Huang Binhong, Pan Tianshou, Zao Wou-ki and Wang Dongling, the connections across centuries between music and calligraphy have bridged tradition and contemporary expression. In the age of AI, celebrating this human spirit becomes more vital than ever. The lecture will feature a special presentation of Huang Binhong’s masterpiece “Landscapes,” shown in stunning 4K projection with original music composed by Liang. Kuiyi Shen, professor of Asian art history, theory and criticism from UC San Diego, will provide a short commentary. Please join us for these events: Lecture in English, 4–5 p.m. Reception, 5–5:30 p.m. Lecture in Chinese, 5:30–6:30 p.m. (Professor Hong will deliver the lecture again in Chinese after the reception. Bilingual audiences may opt to register for either the English or Chinese lecture.) This public lecture is co-sponsored by the 21st Century China Center (21CCC) at the UC San Diego School of Global Policy and Strategy (GPS) and Haili Foundation. For more information on China activities, please visit china.ucsd.edu. If you have any questions, please contact GPS Events Coordinator Susan Zau at jszau@ucsd.edu.

New details of the administration's budget proposal for fiscal year 2026 came after a federal judge blocked the president's efforts to close the U.S. Education Department.

As the Trump administration begins carrying out its mass deportation policy, Mexico is preparing to take in thousands of deportees, including in Tijuana. Plus, the city of San Diego is raising parking rates to help ease budget cuts. And, a beloved art wall in Southeast San Diego is having a comeback after almost 30 years.