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  • In this talk, scholar Che Gossett focuses on Kiyan Williams’s performance and sculpture especially: "Unearthing" (2016), Trash and Treasure" (2014) "Meditations on the Making of America" (2019), "Ruins of Empire II or The Earth Swallows the Master’s House" (2024). In Williams’s work, anti-black and racial capitalist World is negated and abolished — in its ruination new critical forms crystallize and figurations of the flesh emerge, reverberating and interinanimating each other. Che Gossett is a Black nonbinary femme writer and critical theorist specializing in queer/trans studies, aesthetic theory, abolitionist thought, and Black studies. Gossett’s writing appears in publications including the edited collections "Death and Other Penalties: Continental Philosophers on Prisons and Capital Punishment" (Fordham University Press, 2015), "Trap Door: Trans Cultural Production and the Politics of Visibility" (MIT Press, 2017), and "Trans Philosophy" (University of Minnesota Press, 2024). Che is co-editing, with Tavia Nyong’o, a forthcoming special issue of Social Text journal on Sylvia Wynter, culture, and technics. They are the recipient of a 2024 Creative Capital Andy Warhol Writers Grant, and are currently associate director of the Center for Research in Feminist, Queer, and Transgender Studies at the University of Pennsylvania.
  • By the time Avi Kaplan launched his solo career with 2017's "Sage and Stone", he'd already built an audience that stretched across the globe, racking up three GRAMMY Awards as a member of the platinum-selling vocal group, Pentatonix. As the group's profile continued to climb though, Avi knew he needed to return to his own artistic foundation — to the organic roots, country and soul music that had provided the soundtrack to his upbringing in rural California. Now, following 2020’s well-received EP, "I’ll Get By" and 2022’s highly acclaimed LP, "Floating On A Dream" (produced by Shooter Jennings), Avi is set to release "Feel Alright", a new 5-track EP on Fantasy Records that further showcases his extraordinary artistic ability. Produced by Kaplan along with Reid Leslie (Devon Gilfillian), "Feel Alright" blends modern sounds with classic influences into something inventive, fresh and wholly original. The new music is the start of a busy 2024 for the celebrated singer-songwriter. Between mid-May and mid-June, Avi will visit 16 cities on a tour across the U.S., with confirmed dates in the UK and Europe set for September. Guthrie Brown, a Nashville transplant by way of "old Montana" began playing the guitar at age six. By the age of seventeen, he journeyed to Nashville to pursue the dream of being a professional songwriter, recording & performing artist. After settling in Music City, he recorded and produced his first self-titled EP, which got the attention of Nashville's premiere independent radio station, WRLT Lightning 100. Capitalizing on the initial success of his debut EP, Guthrie recorded and released his second EP "Spirit of the Elk" with producer Stuart Mathis (The Wallflowers, Lucinda Williams). Following his second release, he recruited his longtime friends and musicians John Ogelby (drums), Will Honaker (bass, keys) and John McNally (guitar) to join the band. Their musical pairing has since been compared to something as strong and pure as Tom Petty and the Heartbreakers. Visit: https://musicboxsd.com/event/14299623/avi-kaplan-move-our-souls-w-guthrie-brown/ Avi Kaplan on Instagram and Facebook Guthrie Brown on Instagram and Facebook
  • Wounded Warrior Homes will provide a single-family home to a veteran woman with children while she's enrolled in one of their programs.
  • You’re invited to be among the first to go behind the scenes at the new Sharp Grossmont Hospital for Neuroscience. Date: Saturday, March 29 from 10 a.m. to 3 p.m. Location: Sharp Grossmont Hospital for Neuroscience, 5555 Grossmont Center Dr, La Mesa, CA 91942 Visit: sharp.com/neuroscienceopenhouse Free (no RSVP) Come experience San Diego County’s first comprehensive center for patients needing advanced brain and spine care before it opens to the public. · Meet the doctors and staff delivering world-class care to our region · Enjoy exclusive tours and interactive exhibits · Giveaways, music, refreshments and more Our new state-of-the-art facility will offer coordinated care and specialized treatments for patients with complex neurological conditions, including innovative procedures available nowhere else in the region — all within one integrated location. Registration is not required for this free event. Parking is free and available in Parking Structure 2, conveniently located next to the hospital.
  • This group exhibition showcases recent works by the talented faculty and staff of the Fine Art department. The artwork on display highlights the creativity and dedication of instructors and staff, who find the time to pursue their studio practice. The exhibit includes an array of traditional and contemporary media, such as painting, photography, installation, sculpture, ceramics, digital art, and more. Participating Artists: Trevor Amery, Jenny Armer, Brian Benfer, Nathan Betschart, Kraig Cavanaugh, Patricio Chavez, Christopher Ferreria, Misty Hawkins, Gosia Herc, Lisa Hutton, Wendell Kling, Chris Lahti, Georgia K. Laris, Alessandra Moctezuma, Amy Paul, Jacqueline Ramirez, Robyko, Chelsea Ruwe, Juan Carlos Toth, Sandra Wascher. Exhibit on view Feb. 10 – March 6, 2025. Join us for the reception: Wednesday, February 12, 4 - 7 pm. Art Gallery FA 103. Light refreshments. Free and open to the public. Free Parking in Lot # 1 STAFF spaces ONLY. Reception Night ONLY. Gallery Hours: 12 – 5 p.m., M-Th or by appointment. Closed Fridays, Weekends & Holidays.(closed Monday, February 17). During regular gallery hours park in the visitor spots or purchase a parking permit at the machines or via de app. Mesa College Art Gallery on Facebook / Instagram / X
  • Art historian Zaixin Hong examines the enduring significance of the soundscape of music and calligraphy. The soundscape of calligraphy and music is a hallmark of Chinese civilization. This lecture explores their intricate connections and shared purpose, exemplified by Professor Lei Liang’s award-winning “A Thousand Mountains, A Million Streams,” and delves into Chou Wen-chung’s question, “When is a line not a line?” From Confucius’ “Six Arts” to modern masters like Huang Binhong, Pan Tianshou, Zao Wou-ki and Wang Dongling, the connections across centuries between music and calligraphy have bridged tradition and contemporary expression. In the age of AI, celebrating this human spirit becomes more vital than ever. The lecture will feature a special presentation of Huang Binhong’s masterpiece “Landscapes,” shown in stunning 4K projection with original music composed by Liang. Kuiyi Shen, professor of Asian art history, theory and criticism from UC San Diego, will provide a short commentary. Please join us for these events: Lecture in English, 4–5 p.m. Reception, 5–5:30 p.m. Lecture in Chinese, 5:30–6:30 p.m. (Professor Hong will deliver the lecture again in Chinese after the reception. Bilingual audiences may opt to register for either the English or Chinese lecture.) This public lecture is co-sponsored by the 21st Century China Center (21CCC) at the UC San Diego School of Global Policy and Strategy (GPS) and Haili Foundation. For more information on China activities, please visit china.ucsd.edu. If you have any questions, please contact GPS Events Coordinator Susan Zau at jszau@ucsd.edu.
  • From AI research to historical preservation, programs funded by grants from the National Endowment for the Humanities reach every corner of the U.S. Now the government has terminated those grants.
  • The proposal would mandate proof of citizenship for voter registration and ID verification at polling places. It also calls for an extra layer of identification for mail-in ballots.
  • Chatbots may give students quick answers when they have questions, but they won’t help students form relationships that matter for college and life success.
  • It's one of a wave of legal complaints across the country claiming discrimination against a majority group.
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