Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
Watch Live

Search results for

  • The story of the 1971 Women's Soccer World Cup, a tournament that has been written out of sporting history - until now. Join us for one of two showings on Fridays. Screening times are offered at 4 p.m. & 7 p.m. in order to accommodate more patrons. Doors open at 3:30 p.m. Films will be shown in original language with English subtitles. Visit: https://library.carlsbadca.gov/Home/Components/Calendar/Event/13476/17770
  • A group of women take on Fox News head Roger Ailes and the toxic atmosphere he presided over at the network. Back by popular demand! Join us for one of two showings on Wednesdays. Screening times are offered at 4 p.m. & 7 p.m. in order to accommodate more patrons. Doors open at 3:30 p.m. Films will be shown in original language with English subtitles. Visit: https://library.carlsbadca.gov/Home/Components/Calendar/Event/13446/17770
  • The iconic San Diego venue, known for championing foreign and independent films, screens its last movie on Jan. 5.
  • Grammy Award-winning guitar virtuoso John Jorgenson, known for his exquisite guitar techniques and world-class musicianship, leads his instrumental gypsy jazz quintet in this not-to-be missed concert. Making a rare stop in So. California, the renowned ensemble performs the unique swing style sounds of the melodic music of Django Reinhardt in a mix of soulful romance and rollicking celebration. John Jorgenson, possibly one of the best jazz guitarists alive, is known for his mastery of a broad musical palette and is leaving a lasting legacy in the art of guitar performance. The group’s style has been called gypsy jazz after the dynamic string-driven swing created in 1930’s Paris – but their compositions draw in elements of Latin, Romanian, Classical, Rock and Greek music, so perhaps a more apt description is “21st Century World Music.” This show is golden. The music soars! Visit: John Jorgenson Quintet John Jorgenson on Facebook
  • Join us May 10th & 11th, 10 a.m. - 5 p.m., for our 48th Annual Spring Arts and Crafts Fair, a San Diego tradition for the whole family! A truly All-Artisan fair, where all the works are hand-crafted and sold by the artists and crafters themselves. Fair FAQ's: -Over 125 Hand-picked vendors from across Southern California, with everything from handmade jewelry, soaps, paintings and sculpture, local honey, clothing, pottery, items for the home and garden and much more! -Outside wine bars are located throughout the winery grounds -Grab and go Italian fare from the Kitchen restaurant in the courtyard. There will also be a food court located on the East side of the fair -The permanent winery village shops are also open during the fair, -Manzanita Roasting Co coffee shop open at 8 a.m. -Please do not attend the fair if you are ill. -Plenty of seating is available for enjoying wine and food across the winery. -Admission is free. Families are welcome! -No pets are permitted on winery grounds. No exceptions. ADA recognized service dogs (not ESD's) that are trained to aid a disabled person are welcome. -No outside food and beverage are permitted on the winery grounds. -We have parking onsite but carpooling is recommended. -Bring cash for vendors that do not accept credit cards. There are no ATM's on the winery grounds. -Comfortable shoes and sun hats are recommended! -Non-alcoholic beverages, coffee, sodas, water and other drinks are sold on the winery grounds and in the coffee shop. The Bernardo Winery is family-owned and has the right to refuse service. Visit: https://www.bernardowinery.com/ Bernardo Winery on Instagram and Facebook
  • A deep dive on gossip. Revolutionary history. A meditation on muscle. A closer look at the color blue. And memoirs galore. There's something for everyone on this nonfiction summer reading list.
  • An eighth grader at Bright Horizon Academy in San Diego advanced to the fifth round of the Scripps National Spelling Bee Wednesday in National Harbor, Maryland by correctly spelling shinplaster, a piece of privately issued paper currency especially one poorly secured and depreciated in value.
  • Self-publishing one’s photographs in an on-demand photobook is more than just a fad. For more than two decades, photographers have embraced the process of creating, designing, and outsourcing their bodies of photographic works into small-edition books using various publishing software. By moving their images from the screen to the page, to an object one can hold in their hand, share with others, and memorialize visual projects into “a thing itself,” the photobook is the new paradigm shift for the photographic medium. This online course will introduce the history of the photobook in the context of early 20th century photography to the 21st century, challenging one to ask, “Why the book?” Within this context, the purpose of one’s book will be explored. Surveying and selecting individual images within a series, then editing images into a cohesive body of photographs, will drive the design, including creating dynamic layouts and prototype mock-ups for review. Using presentation software, such as Keynote or PowerPoint, one’s first look will be to critically examine scale, sequence, the visual space of each page, text, and other construction elements to heighten the experience of one’s photographs within the flow of a book. This is not a course on how to use publishing software. As the course proceeds, various publishing sources will be introduced and scrutinized from simple construction options to complex ones. Students will compare their level of skill with these proprietary software sources, selecting the best in regard to which book format has an acceptable degree and “ease of handling.” Further considerations for a publisher will be the design options needed to communicate the book’s purpose, selection of various papers, binding, and of course what is the final cost and turnaround time to hold the book in one’s hand. Requirements for successful completion of the course: Participants need a body of photographic works to create and design their book. The selection of a book design software is cost-free, but publishing costs for one book usually start at about $25 plus shipping. Turn around times are usually 6–10 business days. The course meets online consecutively for five weeks, taking one week off to outsource to publisher. There will be a final online class meeting (6th week) to review and celebrate one’s completed book! Max students: 12 Visit: https://www.ljathenaeum.org/class/102 Athenaeum Music & Arts Library on Instagram and Facebook
  • Friday, Saturday, Sunday, 9:30 a.m. –12:30 p.m. March 14, 15, and 16 (3 days, 9 total hours of instruction) La Jolla Studio Follow your imagination and the patterns in fabric scraps as you combine them with painted paper, cutouts, and paints. This is a chance to recycle many colorful leftovers into fantasy creations. Compositional forms will be explained with a focus on movement and repetition. During the first class meeting, Susan will demonstrate techniques for preparing paper and gluing items smoothly, and she will provide some fabric scraps for your use. She will be working on a mixed-media collage while in class. The following classes will be used to complete a larger work using still life or photographs as inspiration.   Materials: Fabric scraps, paper,* acrylic paints, 11” x 14” canvas (or larger), gesso, brushes, clear acrylic medium, copies of old photos, magazines for collage, scissors. Useful additions: Rags, scraps of foam-core, corrugated cardboard, mat board, colored pencils, soft pastels, oil pastels, India ink, watercolors. *Paper for the base of the artwork needs to be at least 100 lb. Pick no smaller than 16” x 20”. Various sizes and types of art paper (Arches cover, Stonehenge, Bristol) are good. All kinds of scrap paper and wrapping paper can be used in the mixed-media art piece. Max students: 12 Visit: https://www.ljathenaeum.org/classes/16 Athenaeum Music & Arts Library on Instagram and Facebook
  • Sunday–Tuesday, 11 a.m. – 4 p.m. March 30 – April 1 (3 Days, 15 total hours of instruction) AAC Art Studio This class will focus on the basics of encaustic painting, a technique using heated beeswax mixed with pigments that allows for rich textures and vibrant colors. Beginner basics include learning to do the following: Use encaustic equipment (griddle, heat gun and torch) Fuse encaustic mediums for a smooth appearance Create depth by layering Embed small (dried) objects and collage elements Excavate to reveal underlying layers Materials: The $75 material fee includes wood-panel supports, R & F encaustic medium;, some R & F wax colors, heated palette, some brushes, heat guns, torches, some collage materials, images, things to embed; mark-making tools, gloves, scissors. Optional: you may bring to class an apron, mask for face if sensitive to the smell of heated wax, paper towels, tracing paper, your own mark-making tools, dried botanicals to embed. Visit: https://www.ljathenaeum.org/classes/59 Athenaeum Music & Arts Library on Instagram and Facebook
214 of 5,116