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  • California’s estimated 100,000 undocumented college students are grappling with President Trump’s plans of mass deportations. Dream centers on many campuses are stepping in to provide guidance and meet the skyrocketing demand for legal services from students.
  • Huge flocks of migrating geese, swans and other birds swoop into the lake for a rest on their long migration from as far south as Mexico to summer and nest in the Arctic Circle.
  • Playboi Carti's supersized blockbuster MUSIC holds at No. 1 in its second week of release. Elsewhere, Kendrick Lamar's "Luther (feat. SZA)" holds at No. 1and Morgan Wallen charts a fifth top 10 hit from an album that isn't even out yet.
  • An unknown number of fired CDC workers got their jobs back this week. Among them was Bri McNulty, who had shared her story with NPR.
  • Five weeks in, there's an emerging pattern in how the Trump administration moves to target federal employees. And it begins with Elon Musk bringing in tactics he's employed at his various businesses.
  • The Count gets a comic makeover to die for.
  • People without legal status in the U.S. are fearful about ramped up immigration enforcement. But when they check social media for immigration news, they're also likely to see false alarms and hoaxes.
  • The detainees were part of a group of some 300 Uyghurs who fled China and were arrested in Thailand in 2014. Thailand deported more than 100 of them to China in 2015, drawing condemnation.
  • What would happen if you blocked the internet from your cellphone for two weeks? A bunch of millennial researchers wanted to answer that question. Here's what they found.
  • Bringing their recent debut to San Diego for two nights only, Seattle duo Jenny Peterson and Kaitlin McCarthy present a dance work of horror, humor, and friendship. Told through their distinctive aesthetic of the unhinged and uncanny, "DRIVE WOLVES MAD" tracks the aftermath of an inciting event and ambiguous line between victim and perpetrator. A musical score by Jenny Peterson riffs on predatory pop songs, altering and abstracting them as an act of reclamation. Peterson/McCarthy’s journey seeks to transcend archetypes authored by men, finding their way to a place of survival and remediation–a way to exist in a context of their own creation. Through the dance they move from a place of dissociation into states of empowerment–which sometimes looks like camaraderie, sometimes wild physical abandon, and sometimes a complete release of the societal obligation to be a palatable, consumable feminine entity. Featuring original costume design by Kaitlin McCarthy, this physical and vulnerable dance work culminates a decade of development in the duo’s most ambitious and risky performance to date! Visit: https://www.drivewolvesmad.com/
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