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"Bad Child" is a short documentary about the more intimate, less visible outcomes of enduring repeated childhood sexual abuse. The film focuses on one survivor's reflections while expert interviews place emphasis on the importance of parental and caregiver support. Director Nicole Mendez will discuss the film’s format and its contents, then host an interdisciplinary panel examining the impacts of sexual assault, artistic expressions of trauma, and resources available to survivors. The dialogue will present various perspectives from across campus, encouraging students to consider academic overlaps and possible opportunities for collaboration. Panelists include CSUSM faculty and staff from Student Health & Counseling Services, the Department of Psychology, the School of Arts and more. Visit: https://www.eventbrite.com/e/bad-child-film-screening-and-panel-on-sexual-assault-tickets-1096876710769?aff=oddtdtcreator

Advocates in the region are launching two new organizations to support LGBTQ+ people, a sign of the border county’s strengthening community.

Willow Winsham's new book on witches, past and present, offers a fun, fast, well researched historical summary that is also a stunning work of art.

Join resident artist Mensah Bey, along with local artists and community leaders, at the San Diego Made Factory on Wednesday, February 12, 2025, 6-8 p.m. for an insightful speaker panel exploring the intersection of creativity, community, and opportunity. Amplifying Creative Communities is a platform dedicated to identifying spaces and opportunities for artists, makers, and supporters to thrive. Through this event, participants will: Discover creative spaces where they can recharge their "creative calories" Learn about the flow of arts funding in San Diego and how to align with available opportunities Gain insights into fostering collaboration and amplifying visibility within the creative economy Mensah Bey will share personal experiences and insights on the importance of operating in spaces that inspire physical and mental freedom. Together with the panelists, attendees will uncover strategies to strengthen connections between artists and resources for long-term sustainability in the arts. Whether you’re an artist, a supporter, or simply curious about the creative landscape in San Diego, this event is your chance to learn, connect, and grow. RSVP: sandiegomade.org/impact Let’s work together to amplify creative communities and shape the future of art in San Diego.

Join us for the opening reception of 25 years of The Drawing Show, and enjoy art, a live DJ set by Itza Vilaboy, and small bites in our Valerias Sculpture Garden! A drawing's most profound potential lies in its ability to shape how we perceive and understand the world around us. Few means of expression can rival its directness. Drawing is personal, immediate, intentional, and reveals an artist’s state of mind. The Judith Harris Art Gallery at the Central Library is pleased to present The Drawing Show, a 25th anniversary exhibition championing skilled San Diego artists. The Visual Arts Program founder, Mark Elliot Lugo, curated the first inaugural Drawing Show which has included over 92 local artists in invitationals over the years. Lugo believed drawing is not just a skill, but an exercise in teaching the eye to “see” a process that transcends mere observation and encourages a deeper, more insightful perception. This year’s invitational features Celeste Byers, Hugo Crosthwaite, Steve Gibson, Amanda Kazemi, Neil Kendricks, Joshua Moreno, Annalise Neil, David Peña, Melanie Taylor, and Eden de la Vara—ten local artists who show us how they “see” through their exemplary mark making. From traditional figure renderings to imaginative constructs of landscape and abstraction, drawing remains a space of open experimentation, where the hand decides whether a piece is meant to convey deeper meaning or exist for mere play. Each mark sends a message—where past, present, and futures coexist. The Drawing Show invites the viewer to engage with drawing as more than just a tool or technique—it's a vital method of communication. A narrative serving a profound social function. The Visual Arts Program provides access and connection to the arts and culture landscape in San Diego, offering unique opportunities to local and regional artists. Exhibitions at the Central Library are made possible through a collaboration between the San Diego Public Library and the City of San Diego Commission for Arts and Culture. Gallery Hours: Monday and Tuesday, 1 p.m. – 7 p.m. Wednesday – Saturday, 12 p.m. – 5 p.m. Sunday, 1 p.m. - 5 p.m. Visit: https://sandiego.librarymarket.com/event/hold-25th-anniv-invitational-drawing-exhibition-415414

Join artist Fredric Hope for an in-gallery talk on his work, artistic practice, the roles of creativity and curiosity, and his approach to visual storytelling. Fredric Hope "Silent Storytellers" on view February 7 through June 28. Growing up by the sea and observing Southern California’s shores and seasonal cycles for decades, regional artist Fredric Hope’s work brilliantly celebrates the beauty of nature’s artistry, refracted through memory, in a unique form of visual and emotional archaeology. Hope’s distinct approach expands Southern California painting traditions that invite us to interpret silent stories, and contemplate the visual whispers of time, place, and the increasing vulnerability of coastal regions. Visit: https://library.carlsbadca.gov/Home/Components/Calendar/Event/13488/17770

It may look like a drag queen threw up in there, but "nobody leaves unhappy" from the drag palace on El Cajon Boulevard.

Formula 1 racing has a ban on cursing, with fines starting at about $46,000. NPR's Scott Simon explains why drivers are darn unhappy with that.

A young shop manager living alone in Iran's capital was panicking during the war with Israel. Her family wasn't nearby. Her therapist had fled. So she turned to an AI chat bot.

Art Nouveau, 1890–1915 Presented by Diane Kane Mondays, March 31, April 7, 14 & 21, 2025 The international art movement known as Art Nouveau flourished from the early 1890s to 1914. Rejecting historical references and traditional geometric forms, it featured florid vegetation, sinuous lines, and asymmetry. Although the design approach encompassed all visual art forms, it was most prevalent in architecture and the decorative arts. Furniture, mirrors, metalwork, art glass, carved plaster, and intricate paneling all featured the signature “whiplash” lines of Art Nouveau. Originating in Brussels, and highlighted in the Exposition Universelle of 1900 (better known in English as the 1900 Paris Exposition), the style is strongly associated with the wealthy and fashionable. Popularized in smaller cities, the style easily integrated into new building types—elegant apartments, boutique retail, brasseries, bistros, and cabarets—associated with sophisticated urbanization. In four richly illustrated lectures, this series will examine the style’s Belgian origins and its regional variations in Paris, Vienna, and Barcelona during the 1890–1915 period.