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The North Coast Symphony Orchestra presents "Voices of Spring", a program of operatic favorites, on Saturday, May 17 at 2:30 p.m. at the San Dieguito United Methodist Church, 170 Calle Magdelena, Encinitas. The performance features Katherine Polit (soprano), Sarah-Nicole Ruddy-Carter (mezzo soprano), Aaron Humble (tenor), and Michael Sokol (baritone) and includes selections from operas by Delibes, Saint-Saens, Donizetti, Verdi, Offenbach, and Wagner. The orchestra will also premiere the orchestrated version of “A Long Trip,” a 17-minute opera by its conductor Jordan Kuspa. Visit: https://www.northcoastsymphony.com/concertstickets.html North Coast Symphony Orchestra on Facebook

Many of President Trump's nominal media allies are breaking with him over his backing of Israel, arguing it will lead to a wider war.

Kevin Inman Wednesday, April 2 from 2–5 p.m. (1 day, 3 total hours of instruction) On location in Balboa Park This plein air painting class is taught on location in beautiful San Diego. Paint the peaceful oasis of the Alcazar Garden, a formal garden with seasonal plantings in San Diego’s beautiful Balboa Park. Painting outdoors gives the artist the opportunity to experiment with light, color, and atmosphere. Work with San Diego landscape painter Kevin Inman to learn how to paint spontaneously, simplify a complex subject, and enjoy the moment. Topics include color mixing, design, and how to let go of your inner critic. Materials: Recommended oil or acrylic colors (Gamblin and Rembrandt paints): Limited palette: Alizarin Crimson Permanent, Cadmium Yellow Medium, Ultramarine Blue, Titanium White. This palette saves money but limits your options in advanced painting techniques. Basic palette: Cadmium Yellow Medium (or Hue), Cadmium Yellow Deep (or Hue), Cadmium Red Medium (or Hue), Alizarin Crimson Permanent, Ultramarine Blue, Cerulean Blue Hue, Titanium White, Burnt Umber, or preferred alternatives. Recommended but optional palette: Ivory Black, Burnt Sienna, Yellow Ochre. Brushes: a range of brushes from #2 on up. I prefer hog bristle flats and filberts. Other: cup or jar for solvent; paper towels; palette or paper palette pad; Gamsol or Turpenoid; linseed oil or Gamblin Solvent-free Gel; sketchbook; pencil; vine charcoal; palette knife; gloves; travel easel or pochade box; hat and sunscreen. Supports: stack of inexpensive materials for quick studies and exercises, such as a five-pack of Blick canvas boards, size 8” x 10” or 11” x 14”, an Arches oil paper pad, or a canvas pad. Two larger canvas boards or stretched canvases, 11” x 14” to 16” x 20”, for longer projects. Athenaeum Music & Arts Library on Instagram and Facebook

A landmark of independent cinema, "Compensation" is Zeinabu irene Davis’s moving, ambitious portrait of the struggles of Deaf African Americans and the complexities of loving relationships at the bookends of the twentieth century. In extraordinary dual performances, Michelle A. Banks and John Earl Jelks play Malindy and Arthur, a couple in 1910 Chicago, as well as Malaika and Nico, a couple living in the same city almost eighty years later. Their stories are deftly interwoven through the creative use of archival photography, an original score featuring ragtime and African percussion, and an editing style both lyrical and tender. Malindy, an industrious, intelligent dressmaker, falls for Arthur, an illiterate migrant from Mississippi, along the shore of Lake Michigan. On the same beach in the present, Malaika, an inspired and resilient graphic artist, softens before a brash yet endearing children’s librarian, Nico. Each pair faces the obstacles of their time as Black Americans, including structural racism and emerging pandemics. "Compensation" remains a groundbreaking story of inclusion and visibility that bears witness to the social forces and prejudices that stand in the way of love. Join us for a special post-screening Q&A with "Compensation" filmmakers Zeinabu irene Davis and Marc Chéry after the 4 p.m. screening on Saturday, May 3, 2025. Presentation of the film includes Open Captions. Digital Gym Cinema on Facebook / Instagram

"One Pie at a Time" is a theatrical dance production created by local San Diego artists Tina Carreras & Erin Kracht for the 2025 San Diego International Fringe Festival. This production centers around relevant and diverse feminized perspectives and experiences in our patriarchal society. This work specifically explores themes around the objectivity of the male gaze, body image, assumed gender roles, and the pressures of impossible beauty standards. Dancers include Tem Albright, Tina Carreras, Madelyn Embry, Erin Kracht, Alexa Lopez Plush, Kamil Richardson, Samara Rodriguez, and Lisa Strickland *Some suggestive themes and dialogue are explored 1.Buy a $7 fringe tag: Required to attend any fringe show The TAG is a one-time purchase and is essential for producing the festival, as 100% of ticket sales go directly to the artists. 2. Buy tickets: sdfringe.org/tickets25/ ● Single Tickets: $13 ●Multi-Show Passes: ○ 3 Shows $33 ○ 5 Shows $55 ○ 10 Shows $104 ○ TICKETS: 2025 Tickets ○ Plus (outside fees); ADMINISTRATIVE & FACILITY FEES - applicable to all ticketing options.

Un tribunal federal de apelaciones de Estados Unidos parecía el martes estar dispuesto a mantener al presidente Donald Trump en control de los soldados de la Guardia Nacional de California después de que fueran desplegados tras las protestas en Los Ángeles por las redadas de inmigración.

Ancient Greek and Roman statues didn't originally look like they do now in museums. A new study says they didn't smell the same, either.

35 House members said they are troubled by the Agriculture Department's plans to collect personal data from people who applied for federal food assistance, and urged the effort to "immediately cease."

Amalia Ulman's new film Magic Farm follows an American TV crew chasing a viral story that, through a series of misunderstandings, ends up in the wrong town in the wrong country.

Author Andrea L. Rogers and artist Rebecca Lee Kunz met by chance at the Cherokee National Holiday. Then they won the 2025 Caldecott Medal for their story about a helpful little boy named Chooch.