Search results for

Thursday–Friday, 9 a.m. – 1 p.m. January 9 & 10 (2 Days, 8 total hours of instruction) On location in Balboa Park Outdoor studies are the key to painting successful landscapes in the studio. Plein air painting is an excellent way to observe color, light, and aerial perspective. This workshop focuses on composition and color mixing with a limited palette. Each day will begin with a demo and conclude with a group critique. The historic Spanish Baroque architecture and beautiful gardens of Balboa Park are an inspiring and congenial place to paint outdoors. All levels are welcome in this workshop. We will meet up in the Plaza Panama in front of the Timken Art Museum. Materials: portable easel; four 8” x 10” or 6” x 8”, good quality canvas boards; half-dozen brushes, white bristle flat or filbert, # 2, #4, #6. One medium-size steel palette knife; small, pointed round brush for detail #2–#4. Paper towels; odorless turpentine; small jar for turpentine, wood palette; oil paints: Alizarin Crimson, Cadmium Red Medium, Cadmium Yellow Medium Cadmium Lemon, Phthalo Blue, Ultramarine Blue, Permalba White, Raw Umber, Cadmium Orange. Sun hat, insect repellent, old shirt, and sturdy shoes are suggested. Max students: 12 Visit: https://www.ljathenaeum.org/classes/10 Athenaeum Music & Arts Library on Instagram and Facebook

2 Tuesdays and 1 Thursday, 6 p.m. – 9 p.m. January 7, 9, and 14 (3 days, 9 total hours of instruction) AAC Art Studio How do you like your coffee? Made with your own two hands! Let's move away from the disposable cup and make something that lasts. In this beginner-friendly course, students will learn hand-building techniques—pinch, coil, and slab—to create functional drinking vessels. We will give special attention to coffee cups to encourage students to enhance their own morning coffee rituals; however, any favorite beverage will fit. We will learn to handbuild: mugs (cups with handles) tumblers (cups without handles) espresso cups matching saucers matcha bowls pour over coffee drippers While this is a beginner-friendly course, intermediate and advanced students may join. Students will learn how to: Wedge clay Roll out slabs using a rolling pin and wooden guides Utilize hand-building techniques for form and function Use templates Compress & strengthen clay to reduce air bubbles, cracks, and warping during the drying process Make handles Trim and carve into leather hard clay Apply decoration and texture Glaze vessels and reduce mishaps Materials: Clay will be provided. Please purchase a standard-size rolling pin and beginner’s pottery tool kit. Tools can be purchased locally at Freeform Ceramics in National City. We will also learn how to improvise tools with common household items. Please bring a notebook / sketchbook to class to keep track of wonderful ideas. Max students: 12 Visit: https://www.ljathenaeum.org/classes/53 Athenaeum Music and Arts Library on Instagram and Facebook

Tuesdays, 1 p.m. – 4 p.m. January 7–February 11 (6 weeks, 18 total hours of instruction) AAC Art Studio (Includes model) This is a unique opportunity to study with two accomplished and warmhearted artist-educators in the same course. Ken and Stephanie are both well known for their ability to help each person find their own unique drawing abilities. Each week there will be a life model. On day one, Ken will introduce a simplified approach to gesture drawing and the fundamentals of figure and head construction. During Weeks 2 and 3, Ken will go deeper into the importance of gesture drawing in relation to constructing and composing longer poses. During the final three weeks, Stephanie will continue to build on Ken’s lessons but will include longer poses that will allow students time to incorporate the basics into an actual process of drawing or painting more finished figures and portraits. Materials: You do not need to buy everything on this list. Only buy materials that relate to the medium you plan to work with, or if you are more advanced, bring your own supplies. On day one you will only need newsprint, a drawing board, vine charcoal, kneaded eraser, and one colored pastel for accents. Charcoal: Soft vine charcoal; 4B charcoal pencil; kneaded eraser; smooth newsprint; drawing board; rags or paper towels. If you prefer graphite: 2B, 4B, and 6B graphite pencils; kneaded eraser; 18˝ x 24˝drawing pad or 18˝ x 24˝ smooth newsprint; drawing board. Max students: 12 Visit: https://www.ljathenaeum.org/classes/51 Athenaeum Music & Arts Library on Instagram and Facebook

The awards, which come with a $50K purse, have helped launch the writing careers of many now well-known authors, including Colson Whitehead, Ocean Vuong, Alice McDermott and Jia Tolentino.

Returning with their award-winning Americana folk fusion, The Susie Glaze New Folk Ensemble is bringing a new and exciting show this year, featuring diamonds in the rough and hidden gems from some of the best songwriters in the world. With tunes by Steve Earle, John Prine, Linda Thompson, Gillian Welch, John Lennon, and many others, this show promises to be a powerful experience in songs of heartbreak and revelation. Country classics from Dolly Parton and the band’s own originals from songwriter Rob Carlson will round out this truly eclectic sound. Named the BEST NEW FOLK artist by LA Weekly in May of 2019! Award-winning vocalist Susie Glaze, mandolinist Steve Rankin, fiddler Mark Indictor, and bassist Fred Sanders are The Susie Glaze New Folk Ensemble, the newest version of the acclaimed Los Angeles-based new folk Americana fusion band, presenting gorgeous eclectic blends of mountain folk and exciting new grassy and Celtic-inspired originals, all with the remarkable voice of Susie Glaze. “If there were a word to describe this fine band, it would be sophisticated. They draw influences from disparate sources to meld their sound. The level of musicianship is exemplary.… display a great range of prowess and work as a tight unit.” – Bluegrass Unlimited “…one of the finest and most original Americana groups in California (or in the country for that matter).” – No Depression Augmenting their sound is the lush, Celtic sounds of Rankin’s bouzouki, the mountain sounds of Susie’s Appalachian dulcimer and traditional autoharp, with Mark Indictor’s virtuoso fiddling, and Fred Sanders’ remarkable bass work rounding out the orchestral nature of this amazing quartet. Susie Glaze has been honored to be included on the newly-released Compass Records tribute album, Dear Jean – Artists Celebrate Jean Ritchie, alongside such artists as Judy Collins, Pete Seeger, Janis Ian, Tim O’Brien, John McCutcheon, Robin and Linda Williams, and many more. Visit: www.susieglaze.com

KPBS Border Reporter Gustavo Solis hosted Kathleen Bush-Joseph from the Migration Policy Institute for a brief conversation about immigration cases in the Supreme Court.

The prosecution pushed back on the defense's aggressive questioning of a former Combs employee, saying harassment of the witness might intimidate others taking the stand.

In collaboration with So Say We All, the Hausmann Quartet presents "Seven Last Words," a performance of Joseph Haydn’s epic masterpiece alongside spoken word presentations of original works by the authors themselves. The texts will be inspired by the same scripture upon which Haydn based each of the movements of his monumental work, The Seven Last Words of Christ. Originally commissioned for a Good Friday service in 1783, it was adapted for string quartet by the composer and has since become a treasured Easter-time tradition around the world. Hausmann Quartet on Facebook / Instagram So Say We All on Facebook / Instagram

The four individuals — from Ireland, Poland and the U.S. — face possible deportation but say German authorities haven't made clear what crimes they've committed. They're appealing the orders.

Interviews suggest some people swept up in Trump’s immigration crackdown are dedicated to their families and communities — not hardened criminals.