Search results for

Returning with their award-winning Americana folk fusion, The Susie Glaze New Folk Ensemble is bringing a new and exciting show this year, featuring diamonds in the rough and hidden gems from some of the best songwriters in the world. With tunes by Steve Earle, John Prine, Linda Thompson, Gillian Welch, John Lennon, and many others, this show promises to be a powerful experience in songs of heartbreak and revelation. Country classics from Dolly Parton and the band’s own originals from songwriter Rob Carlson will round out this truly eclectic sound. Named the BEST NEW FOLK artist by LA Weekly in May of 2019! Award-winning vocalist Susie Glaze, mandolinist Steve Rankin, fiddler Mark Indictor, and bassist Fred Sanders are The Susie Glaze New Folk Ensemble, the newest version of the acclaimed Los Angeles-based new folk Americana fusion band, presenting gorgeous eclectic blends of mountain folk and exciting new grassy and Celtic-inspired originals, all with the remarkable voice of Susie Glaze. “If there were a word to describe this fine band, it would be sophisticated. They draw influences from disparate sources to meld their sound. The level of musicianship is exemplary.… display a great range of prowess and work as a tight unit.” – Bluegrass Unlimited “…one of the finest and most original Americana groups in California (or in the country for that matter).” – No Depression Augmenting their sound is the lush, Celtic sounds of Rankin’s bouzouki, the mountain sounds of Susie’s Appalachian dulcimer and traditional autoharp, with Mark Indictor’s virtuoso fiddling, and Fred Sanders’ remarkable bass work rounding out the orchestral nature of this amazing quartet. Susie Glaze has been honored to be included on the newly-released Compass Records tribute album, Dear Jean – Artists Celebrate Jean Ritchie, alongside such artists as Judy Collins, Pete Seeger, Janis Ian, Tim O’Brien, John McCutcheon, Robin and Linda Williams, and many more. Visit: www.susieglaze.com

Thursdays, 9:30 a.m. – 12:30 p.m. January 16–March 6 (8 weeks, 24 total hours of instruction) La Jolla Studio Still-life painting is the study of everyday objects that take on a new life, tell a story and can act as a portal to another place or time. Emphasis in this class will be on an impressionist technique of painting using an “alla prima” (wet into wet) style of painting, keeping loose brushwork, thick paint, and eliminating detail. We will cover composition, color, form, and lighting. There will be a setup for each class along with photo images to create from. I do a painting demonstration in each class. One of our exercises will be a personal still-life using objects that have meaning to us. The best part is that we will have fun as we share our discoveries together. Come join us! I cannot wait to see what you will create. This class is for all levels of painters, both beginning and experienced. You are also welcome to do your own work. This is a good place to be with other talented artists and enjoy the creative atmosphere here at the Athenaeum. Please let me know if you have any questions. I am happy to help. sharoncaroldemery@gmail.com Materials: Paints: Your preference of paints: oil, acrylic, watercolor, gouache … you name it! Please include Titanium White, Cadmium Yellow Light (cool yellow), Cadmium Yellow (warm yellow), Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cerulean Blue, Viridian Green or Phthalo Green. Plus any colors of paint that you would like to use. Brushes: Bring a variety of brushes for your choice of paints that include #2, #4, #6, #8. Good quality brushes make a difference. Other materials: 12” x16” paper palette pad; odorless Turpenoid and linseed oil for oils; soft vine charcoal; 1.5- or 2-inch palette knife; paper towels; two small jars with lids; spray bottle for acrylic painters; sketchbook; color pencils; four canvas or canvas boards, 11” x 14” or your preference. Good quality watercolor paper for watercolor painters. Suggested items: Masterson Sta-Wet Palette Seal to keep paints moist; glass palette to go inside the box making paint easier to mix; Silicoil jar with spring in the bottom to clean brushes; two tall containers to hold clean and used brushes at your station in the studio. Max students: 12 Visit: https://www.ljathenaeum.org/classes/9 Athenaeum Music & Arts Library on Instagram and Facebook

The Palomar Concert Band presents Symphony of Colors. Join the instrumentalists as they create pictures through sound and color. Musical compositions such as Hazo’s “Blue and Green Music” will have you seeing the colors of music. Visit: https://www.onthestage.tickets/show/palomar-performing-arts/66db83c357fcf510d85d4d7e Palomar Performing Arts on Instagram and Facebook

This free art event in San Diego is part of ICA’s commitment to reduce barriers to contemporary art in our community. 4 p.m. – 6:30 p.m. | All-Ages Art Making Join us at ICA San Diego North Campus for this month’s C You Saturday. Create a collage inspired by the materials and forms used by Artists in Residence, David Peña and Ethan Chan. Reflect your unique perspective on healing through layered textures and meaningful compositions of everyday objects. 4 p.m. – 5 p.m. | Performance by Ethan Chan In this durational performance piece by Ethan Chan, Ethan replicates the setting where his father spends his time when he’s unable to go to work. Ethan dresses up in his father’s daily at-home attire and traps himself in a space with nothing but his dad’s favorite food, a microwave, and a television, set to change channels every 10 seconds. In this space, the artist does not communicate with anyone or leave the room, and his only activities are sitting, eating, and watching TV. Thinking about the act of doomscrolling as a modern outlet for loneliness and boredom, a comparison can be drawn to the earlier act of channel-surfing. Constantly flicking through TV channels every few seconds for long periods of time results in both time passing and little to no entertainment or information being absorbed. As a kid, Ethan would sit with his dad (who identifies as a workaholic) on his days off at home while he channel-surfed. When Ethan once asked him why he did that for hours on end, he responded by saying, “what else am I going to do?”. 5 p.m. – 6 p.m. | Panel Discussion feat. David Peña and Guests Mapping Loss: Interdisciplinary Perspectives on Grief and Healing Panel with David Peña, Mira Masukawa, and Selena Jong Join exhibiting artist David Peña for a special panel discussion on grief and general healing. Peña will be joined by Mira Masukawa of San Diego Grief Counseling and California Grief Therapy Center Inc., and Selena Jong, certified death doula. 6 p.m. – 7 p.m. | Music by Guest DJ Music selected by David Peña inspired by his exhibition. 4 p.m. – 7 p.m. | Food, Drinks and Socializing We hope to C you there! Visit: C You Saturday! – January 2025 ICA San Diego on Instagram and Facebook

Celebrate Valentine's Day with Seabreeze Craft Chocolates at a fun and festive chocolate-decorating class for kids! On February 8th and 9th, children ages 5+ are invited to an engaging 90-minute session where they’ll create their own Valentine’s-themed chocolate bars and Oreos. This hands-on experience includes all the materials needed for kids to design their unique, heartwarming confections while learning about chocolate-making. Every participant takes home their custom-crafted chocolates to enjoy or gift to someone special. A parent or guardian must accompany the child(ren) during the class. Adults can join the fun and decorate chocolate bars for an additional $35. Spaces are limited, so be sure to reserve your spot early by visiting Seabreeze Chocolates Chocolate Classes (www.seabreezechocolates.com/chocolate-classes). Seabreeze Craft Chocolates is San Diego’s premier bean-to-bar chocolatier, renowned for its artisanal, sustainably sourced creations. Offering everything from truffles to handcrafted chocolate bars, Seabreeze transforms cacao beans into edible works of art. Seabreeze Craft Chocolates on Instagram

In collaboration with So Say We All, the Hausmann Quartet presents "Seven Last Words," a performance of Joseph Haydn’s epic masterpiece alongside spoken word presentations of original works by the authors themselves. The texts will be inspired by the same scripture upon which Haydn based each of the movements of his monumental work, The Seven Last Words of Christ. Originally commissioned for a Good Friday service in 1783, it was adapted for string quartet by the composer and has since become a treasured Easter-time tradition around the world. Hausmann Quartet on Facebook / Instagram So Say We All on Facebook / Instagram

We invite you to attend Movement in Magnitude, a day of dance event located in Liberty Station. This full day event includes 11 master classes such as line dancing, ballet, contemporary, acro, Latin, whacking, and so much more, all taught by professional dance artists. Visit our website or social media channels to learn more about the teaching artists and class schedule. All classes are open for drop ins. Be sure to register in advance to reserve your spot. Plus save $10 when you register for the full event. Movement in Magnitude April 13, 10 a.m. - 5:30 p.m., sign up for a class or two or stay for the full day! Open to anyone ages 15+ Located in Dorthea Laub Dace Place in Liberty Station Visit: www.songinmotion.org Song In Motion on Facebook / Instagram

Tuesdays, 9:30 a.m. –12:30 p.m. January 14–February 11 (5 weeks, 15 total hour of instruction) AAC Print Room Looking at a life organically: Pick a time frame or a theme: a day-in-the-life, the places where you have lived, a special trip, or significant events over a lifetime. We will map the event(s), then utilize words, text-as-image, and actual images to represent those events as a vine that winds its way through the pages of an accordion book. This organic approach uncovers the threads that connect these phenomena, as well as your thoughts about them. For the cover page, we will make a low-tech, ink self-portrait. Then, using folded paper, we will create non-adhesive hardcovers to house the accordion pages. The resulting structure will be an exploration of the twists and turns of self-reflection on our past stories and our potential future stories. Materials: Cutting knife, stylus (for scoring), sharp pencils and a good eraser (Pink Pearl is good), glue (UHU glue stick or PVA & brush or small roller), 12” ruler, scissors. Optional/recommended: 12” centering/beveled ruler, bench hook with cutting mat (9” x 12” cutting mat size is ideal), bone folder. Materials will be provided to create the book and the covers. Max Students: 8 Visit: https://www.ljathenaeum.org/classes/71 Athenaeum Music and Arts Library on Instagram and Facebook

San Diego’s community college district finds itself directly in Trump’s crosshairs: Its “pride centers” were the only items called out by name in the administration’s plan to slash more than $10 billion of federal spending on education.

Join us at Southwestern College Art Gallery for the opening of Movidas Razquaches and Other Cheap Thrills, a collection of new work by artist Perry Vásquez. The exhibition is open from February 4 - March 4, 2025. Regular Gallery hours are Monday through Thursday, 10:30 AM -2:30 PM or by appointment. ARTIST STATEMENT“As an artist I try to pay attention to things being created and consumed within my milieu along the San Diego/Tijuana boundary. I find inspiration by reframing and recontextualizing overlooked things I find here and there and on the margins. I chose Movidas Razquaches as the title for my show because I think it captures the spirit and methodology of what I want to accomplish as an artist.” – Perry Vásquez. ABOUT THE LANGUAGEAccording to Tomás Ybarra-Frausto, rasquachismo is a sensibility that gets expressed in Chicano cultural forms and practices. Ybarra-Frausto writes, “It is a sensibility that is not elevated and serious, but playful and elemental. It finds delight and refinement in what many consider banal and projects an alternative aesthetic, a sort of good taste of bad taste.” Like African-American funk, or the improvised inventions of Rube Goldberg, the emphasis is on wit, resourcefulness and working with what is at hand. The add-on word, movida, can be translated as a maneuver, or a play (as in a game). Poet Juan Felipe Herrera interprets movidas rasquaches as “cheap thrills”, linking it to a pleasurable activity open to anyone who cares to partake. While legal scholar Alfredo Mirandé offers the word “hustle,” suggesting an illicit or unethical way to make a living. Sociologist David Spener uses movidas rasquaches to describe the network of the ad hoc work-arounds and tricks employed by migrants to navigate the US/Mexico border. While no single one of these terms perfectly captures the full meaning, taken together they give a reliable framework for interpretation. ABOUT THE WORKOver the last year and a half, Vásquez has created new work that divides into four projects using different media and including collaborative and solo work. Some of the projects are well established while others are being presented to the public for the first time in this exhibition. Blankets Vásquez collects flyers advertising gardening services left on his driveway by workers seeking employment. The no-thrills graphic style and the not-so-subtle way in which they seem to copy each other caught the artist’s eye. The act of weaving the flyers into blanket designs celebrates the DIY approach while reminding us of the workers’ aspirations to provide warmth and shelter for their families. Le Voyage/El Viaje This is an AI imaging project whose goal was to rethink and replace the transactional language used to prompt and generate AI images. “The AI image making process is hyper-focused on the outcome as the only part of the process with artistic merit. The prompt itself is written to be transactional and limiting.” Vásquez turned the process of generating imagery into a Surrealist game by inserting lines from French poet Charles Baudellaire’s poem Le Voyage into the software. The resulting images were used as the basis for a series of oil paintings. Monopalms The presence of cell towers disguised as palm trees (monopalms) has become a common sight in Southern California. This series of paintings implies the link between palm trees and the myth of paradise. The paintings also offer commentary on the telecommunications industry and how it alters our perception of nature and our sense of public and private space. Mexus Nexus Fluxus Inspired by Mexican recording artist Esquivel and the German techno artist Señor Coconut, Vásquez arranged four traditional Mexican songs for the synthesizer. He then worked with visual artists Lianne Mueller-Thompson and Carlos Solorio to create video and animations for the music. The music will be presented as a video installation. RECEPTIONSSaturday February 8, 11 AM -1 PM. (free parking in Lot O for this event) Tuesday, February 11, 11 AM -1 PM.