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  • Self-publishing one’s photographs in an on-demand photobook is more than just a fad. For more than two decades, photographers have embraced the process of creating, designing, and outsourcing their bodies of photographic works into small-edition books using various publishing software. By moving their images from the screen to the page, to an object one can hold in their hand, share with others, and memorialize visual projects into “a thing itself,” the photobook is the new paradigm shift for the photographic medium. This online course will introduce the history of the photobook in the context of early 20th century photography to the 21st century, challenging one to ask, “Why the book?” Within this context, the purpose of one’s book will be explored. Surveying and selecting individual images within a series, then editing images into a cohesive body of photographs, will drive the design, including creating dynamic layouts and prototype mock-ups for review. Using presentation software, such as Keynote or PowerPoint, one’s first look will be to critically examine scale, sequence, the visual space of each page, text, and other construction elements to heighten the experience of one’s photographs within the flow of a book. This is not a course on how to use publishing software. As the course proceeds, various publishing sources will be introduced and scrutinized from simple construction options to complex ones. Students will compare their level of skill with these proprietary software sources, selecting the best in regard to which book format has an acceptable degree and “ease of handling.” Further considerations for a publisher will be the design options needed to communicate the book’s purpose, selection of various papers, binding, and of course what is the final cost and turnaround time to hold the book in one’s hand. Requirements for successful completion of the course: Participants need a body of photographic works to create and design their book. The selection of a book design software is cost-free, but publishing costs for one book usually start at about $25 plus shipping. Turn around times are usually 6–10 business days. The course meets online consecutively for five weeks, taking one week off to outsource to publisher. There will be a final online class meeting (6th week) to review and celebrate one’s completed book! Max students: 12 Visit: https://www.ljathenaeum.org/class/102 Athenaeum Music & Arts Library on Instagram and Facebook
  • Trump ordered his attorney general to move against state climate programs that clash with his energy agenda. Legal experts say his claims about the laws being unconstitutional are an overreach.
  • A dozen states have sued the Trump administration in the U.S. Court of International Trade to stop its tariff policy, challenging Trump's claim that he could arbitrarily impose tariffs based on the International Emergency Economic Powers Act.
  • Tariffs are roiling stock markets — but making gold hotter than ever.
  • Kamala Harris had centered her closing argument of her unsuccessful presidential campaign on the dangers posed by Trump. These were her first major remarks since he took office.
  • The U.S. Postal Service's governing board has named David Steiner, a board member of USPS competitor FedEx, to be the next postmaster general following the controversial term of Louis DeJoy.
  • Elon Musk says he'll cut back his work with the federal government to one to two days per week. He said demand for Teslas is still strong, despite protests and plunging sales.
  • For Frankie Muniz, balancing a career as a professional NASCAR driver and a TV actor isn't a fantasy; it'll be his very busy reality this upcoming year.
  • Buffering the Vampire Slayer podcasters Jenny Owen Youngs and Kristin Russo write about their community of fans, and how it help them keep working together after a split, in Slayers, Every One of Us.
  • This past summer, our host Natalie and sound designer Adrian plunged into the heart of the pop culture phenomenon known as Comic-Con, experiencing it through the eyes of its most devoted fans in Tijuana. Their journey highlighted how the event transcends the San Diego border, evolving into a cross-border celebration that has become an annual ritual for many in Tijuana. Happy Holidays & Happy New Year! Social media and contact From KPBS, “Port of Entry” tells cross-border stories that connect us. More stories at www.portofentrypod.org Facebook: www.facebook.com/portofentrypodcast Instagram: www.instagram.com/portofentrypod Support our show at www.kpbs.org/donate. Search “Port of Entry” in the gifts section to get our sling bag as a thank-you gift. If your business or nonprofit wants to sponsor our show, email corporatesupport@kpbs.org. Text or call the "Port of Entry" team at 619-500-3197 anytime with questions or comments about the show or email us at podcasts@kpbs.org. Credits Hosts: Alan Lilienthal and Natalie González Writer/Producer: Julio C. Ortiz Franco Technical Producer/Sound Designer: Adrian Villalobos Editor: Elma González Lima Brandão and Melissa Sandoval Episodes translated by: Natalie González and Julio C. Ortíz Franco Director of Audio Programming and Operations: Lisa Morrisette This program is made possible, in part, by the Corporation for Public Broadcasting, a private corporation funded by the American people
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