Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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Armando Iannucci, creator of "Thick of It" and "Veep," makes his feature film writing and directing debut with "The Death of Stalin." I talk with the comic genius about the challenges of doing political satire at a time when the real world is crazier than anything he can imagine. WARNING: This podcast contains explicit, Malcolm Tucker language.
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The 90th Academy Awards are Sunday and one of the most misunderstood and least appreciated of the craft categories is film editing. So here is a trio of brilliant film editors to talk about their work on this year's Oscar-nominated films and to provide insights into just what film editors do.
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My idea of a good date movie is "Shaun of the Dead." So maybe I'm not the best person to be making Valentine's Day recommendations. But there's one contemporary filmmaker who consistently tackles love with such lush romanticism that even I swoon at his movies. That filmmaker is Wong Kar-Wai. So as much as I hate Cupid's silly holiday, here's a Valentine to Wong Kar-Wai.
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Fifty-two years ago ABC launched the TV show "Batman" and forever changed the pop culture landscape.
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Noirchaelogist, Czar of noir, host of TCM's Noir Alley, founder and president of the Film Noir Foundation... whatever title you want to refer to him by, Eddie Muller is simply the man to go to when you want to know anything about film noir.
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The holidays are upon us so what better time to think about spirituality. For some, movie theaters are like churches and the movies they screen can teach about how to live life.
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For this podcast, Arts & Culture Reporter Beth Accomando turns to her archives for an interview with David Cronenberg about his 1996 film "Crash," adapted from J.G. Ballard's controversial 1973 novel revolving around people with symphorophilia, in this case, car-crash sexual fetishism.
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It's Thanksgiving and I have a pair of films that I am feeling very thankful for right now: "Three Billboards Outside Ebbing, Missouri" and "The Shape of Water." Filmmaker Martin McDonagh talks about writing a film for Frances McDormand and Doug Jones talks about "suit acting" for Guillermo Del Toro.
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"Bedtime Stories" (opening December 25 throughout San Diego) is an excellent movie. It's the kind of movie where you can have a family outing and everyone can enjoy the film. It is about this guy who owns a hotel and sells it to another guy named Naughtingham under one condition: his son is to run the hotel when he is older. Little does he know that his son Skeeter (Adam Sandler) would be running repairs instead of the actual hotel. Some years later when Skeeter and his sister are fully grown and his sister has two children, Skeeter is asked to babysit his niece and nephew. They have been deprived of almost everything that makes life fun by their mother and it is up to Skeeter to correct that. He feeds them junk food and lets them watch TV. They have a pet guinea pig with ridiculously huge eyes that seems to be the main point of almost all the jokes. When the first night is coming to a close Skeeter decides that he should tell the kids a good story to finish the day. He comes up with a story that basically narrates his own life and how it is going down hill. The kids chime in every now and then with their own little twists, like having it rain gumballs or that he will save a damsel in distress. Skeeter soon finds out that everything that the children say will come true. He has all sorts of fun with this like trying to get himself a bright red Ferrari for free but because they don't say so, it never happens. Unfortunately Skeeter's boss is going to tear down the kid's elementary school to build his new hotel. So Skeeter tries to get the kids to help him with his ideas to save the day.
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Frank Miller and Will Eisners were friends but they also argued all the time. Miller looked to Eisner as a mentor and now he's adapting Eisner's comic The Spirit (opening Christmas Day) to the screen. Miller's own graphic novels, Sin City and 300 have been two of the best adaptations of a comic to film. One of the reasons is the cinematic nature of Miller's graphic work. That may also be the reason that Miller, who co-directed Sin City with Robert Rodriguez, is now embarking on a directing career. Eisner's The Spirit is his first solo project and here's the latest trailer courtesy of Lionsgate. Based on the trailer and the Comic-Con panels, it looks like fun.
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"The Tale of Despereaux" (opening December 19 throughout San Diego) looked promising. The trailer was amusing and took a laidback approach to selling its story rather than the usual hysterical, frantic, in your face pitch that American animation feels compelled to use. It was based on a popular and well-written children's book by Kate DiCamillo that bore the subtitle: "Being the story of a mouse, a princess, some soup, and a spool of thread." The animation looked state of the art with an appealing big-eared mouse hero. The film also boasted some talented voice actors in Kevin Kline, Matthew Broderick, Tracey Ullmann, Robbie Coltrane, Frank Langella and Dustin Hoffman. So what went wrong?
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Remember Body Heat? Remember the sweet-faced arsonist with the soft, sexy voice? That was Mickey Rourke in his breakthrough film role. But you might not recognize him in his latest film The Wrestler (opening in San Diego in January) in which he plays a beat up and tired veteran of the wrestling circuit.
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Peter Morgan's play "Frost/Nixon" premiered in London in 2006 and in what seems like a miraculously short turnaround, "Frost/Nixon" (opening December 12 in select theaters) now arrives on the big screen. The film version also turns to the original stage actors Michael Sheen and Frank Langella (who won the Tony for his performance) to reprise their roles as the British talk show host and former president. Morgan based his play and the screenplay on the series of televised interviews that former President Richard Nixon granted David Frost in 1977. The interviews famously ended with a tacit admission of guilt regarding his role in the Watergate scandal.
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Since I won't be able to review Cadillac Records this week before it opens let me at least show you the trailer. The film looks promising and I'm especially interested in seeing Jeffrey Wright play Muddy Waters. The film focuses on Chicago in the 50s, specifically looking to the rise of Chess Records and artists like Waters, Chuck Berry and Etta James. On the down side, Beyonce serves as executive producer and gives herself the role of Etta James. Beyonce may be pretty and with a pleasing voice but as an actress she's a bit vapid and bland. The rest of the cast looks good with Adrien Brody as Leonard Chess, Eric Bogosian as Alan Freed, and Mos Def as Chuck Berry. Cadillac Records opens December 5 throughout San Diego. The trailer is courtesy of Sony Pictures.
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"Four Christmases" is an amazingly funny movie. It's about this couple -- Brad (Vince Vaughn) and Kate (Reese Witherspoon) -- that has been dating for three years, yet still don't know each other as well as they think they do. Every year, they go on some vacation around the world for the holidays and make up some lame excuse to tell their families as to why.
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"Hellboy II: The Golden Army," inspired by Mike Mignola's comics and graphic novels, arrives today on DVD and Blu-ray. The film is one of my favorites from this year. The fabulous Ron Perlman returns as the big-hearted and big-fisted red demon working for a secret paranormal government agency. This time out he's trying to announce himself to the world while he fights Prince Nuada (a beautifully tragic Luke Goss) from the underground elf world. Once again, filmmaker Guillermo Del Toro creates a vivid fantasy world where we feel the greatest connection to the monsters and creatures.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!