Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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At a time when much of Hollywood's award hopefuls feel familiar in their storytelling formula, it's refreshing to find films like "Waves" and the upcoming "A Hidden Life" from Terrence Malick that speak in an audaciously cinematic language that is pure visual poetry. "Waves'" filmmaker Trey Edward Shults grabbed my attention two years ago for "It Comes At Night," an unconventional horror film that was poorly served by its misleading ad campaign. I had the opportunity to speak to Shults back in 2017 when "It Comes At Night" opened. With his new film in theaters I thought it would be fun to revisit his interview.
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It's the holidays and I'm feeling sentimental. My dad died on Aug. 23 this year and he's the person responsible for making me fall in love with movies. So for my holiday edition of Cinema Junkie I give thanks to my dad for passing on his passion for movies to me and I highlight some of my favorite movie memories I shared with my dad. So it's a personal edition of the show and you'll get some insights into why I became a film critic.
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It's crazy gearheads to crazy rich Asians as Cinema Junkie goes from the Le Mans track to debating the best in Asian American films from the past two decades. First up, director James Mangold discusses his new film "Ford v Ferrari," about the showdown between the two car icons in 1966 at the 24-hour Le Mans race. It may be called "Ford v Ferrari" but the story is really more about American car designer Carroll Shelby and driver Ken Miles who collaborated on designing and racing the car. Then San Diego Asian Film Festival artistic director Brian Hu talks about the L.A. Times list he helped curate of the 20 best Asian American films of the past 20 years. "Better Luck Tomorrow" topped the list but you might be surprised by some of the other films in the canon.
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Two films that will make my ten best list are arriving in theaters: "The Lighthouse" and "Jojo Rabbit" so I'm thrilled to be able to highlight both films with interviews. I speak with filmmaker Robert Eggers (who previously directed "The Witch") about his new film "The Lighthouse" starring Willem Dafoe and Robert Pattinson and set in an 1890s remote New England lighthouse. And then I talk with actor Stephen Merchant who enlightens us about how to tackle playing a Nazi for laughs in Takia Waititi's anti-hate satire "Jojo Rabbit."
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Eddie Murphy stars in the Netflix film "Dolemite is My Name." The film introduces audiences to singer, musician, stand up comic, actor and film producer Rudy Ray Moore. Moore found success in the 1970s with a string of Blaxploitation films that began with the 1975 film "Dolemite." I speak with award-winning comic book writer David Walker, who knew the real Rudy Ray Moore, as well as with independent filmmakers Sanns Dixon and Dante Moran about the dual legacies of Moore and Murphy. This podcast includes explicit language.
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With AMC's "NOS4A2" renewed for a second season Cinema Junkie digs into the archives for a 2013 interview with author Joe Hill at the KPBS studios. He talks about his best-selling novel, horror, and comics. Plus he reads a selection from his novel and we'll hear from fans about what they love about his writing.
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John Waters' Odorama has inspired filmmaker JC Calciano to make his new film "Steam Room Stories: The Movie" in Cinema Scent. I talk with Calciano about scratch 'n' sniff cards, going from YouTube to feature films, and working with Traci Lords.
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Horrible Imaginings Film Festival celebrates its tenth anniversary this Labor Day Weekend at the Frida Cinema so that is the perfect excuse to speak with the festival's founder and executive director Miguel Rodriguez about all things horror. We will discuss trends as well as some of the standout films from the festival.
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"Bedtime Stories" (opening December 25 throughout San Diego) is an excellent movie. It's the kind of movie where you can have a family outing and everyone can enjoy the film. It is about this guy who owns a hotel and sells it to another guy named Naughtingham under one condition: his son is to run the hotel when he is older. Little does he know that his son Skeeter (Adam Sandler) would be running repairs instead of the actual hotel. Some years later when Skeeter and his sister are fully grown and his sister has two children, Skeeter is asked to babysit his niece and nephew. They have been deprived of almost everything that makes life fun by their mother and it is up to Skeeter to correct that. He feeds them junk food and lets them watch TV. They have a pet guinea pig with ridiculously huge eyes that seems to be the main point of almost all the jokes. When the first night is coming to a close Skeeter decides that he should tell the kids a good story to finish the day. He comes up with a story that basically narrates his own life and how it is going down hill. The kids chime in every now and then with their own little twists, like having it rain gumballs or that he will save a damsel in distress. Skeeter soon finds out that everything that the children say will come true. He has all sorts of fun with this like trying to get himself a bright red Ferrari for free but because they don't say so, it never happens. Unfortunately Skeeter's boss is going to tear down the kid's elementary school to build his new hotel. So Skeeter tries to get the kids to help him with his ideas to save the day.
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Frank Miller and Will Eisners were friends but they also argued all the time. Miller looked to Eisner as a mentor and now he's adapting Eisner's comic The Spirit (opening Christmas Day) to the screen. Miller's own graphic novels, Sin City and 300 have been two of the best adaptations of a comic to film. One of the reasons is the cinematic nature of Miller's graphic work. That may also be the reason that Miller, who co-directed Sin City with Robert Rodriguez, is now embarking on a directing career. Eisner's The Spirit is his first solo project and here's the latest trailer courtesy of Lionsgate. Based on the trailer and the Comic-Con panels, it looks like fun.
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"The Tale of Despereaux" (opening December 19 throughout San Diego) looked promising. The trailer was amusing and took a laidback approach to selling its story rather than the usual hysterical, frantic, in your face pitch that American animation feels compelled to use. It was based on a popular and well-written children's book by Kate DiCamillo that bore the subtitle: "Being the story of a mouse, a princess, some soup, and a spool of thread." The animation looked state of the art with an appealing big-eared mouse hero. The film also boasted some talented voice actors in Kevin Kline, Matthew Broderick, Tracey Ullmann, Robbie Coltrane, Frank Langella and Dustin Hoffman. So what went wrong?
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Remember Body Heat? Remember the sweet-faced arsonist with the soft, sexy voice? That was Mickey Rourke in his breakthrough film role. But you might not recognize him in his latest film The Wrestler (opening in San Diego in January) in which he plays a beat up and tired veteran of the wrestling circuit.
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Peter Morgan's play "Frost/Nixon" premiered in London in 2006 and in what seems like a miraculously short turnaround, "Frost/Nixon" (opening December 12 in select theaters) now arrives on the big screen. The film version also turns to the original stage actors Michael Sheen and Frank Langella (who won the Tony for his performance) to reprise their roles as the British talk show host and former president. Morgan based his play and the screenplay on the series of televised interviews that former President Richard Nixon granted David Frost in 1977. The interviews famously ended with a tacit admission of guilt regarding his role in the Watergate scandal.
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Since I won't be able to review Cadillac Records this week before it opens let me at least show you the trailer. The film looks promising and I'm especially interested in seeing Jeffrey Wright play Muddy Waters. The film focuses on Chicago in the 50s, specifically looking to the rise of Chess Records and artists like Waters, Chuck Berry and Etta James. On the down side, Beyonce serves as executive producer and gives herself the role of Etta James. Beyonce may be pretty and with a pleasing voice but as an actress she's a bit vapid and bland. The rest of the cast looks good with Adrien Brody as Leonard Chess, Eric Bogosian as Alan Freed, and Mos Def as Chuck Berry. Cadillac Records opens December 5 throughout San Diego. The trailer is courtesy of Sony Pictures.
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"Four Christmases" is an amazingly funny movie. It's about this couple -- Brad (Vince Vaughn) and Kate (Reese Witherspoon) -- that has been dating for three years, yet still don't know each other as well as they think they do. Every year, they go on some vacation around the world for the holidays and make up some lame excuse to tell their families as to why.
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"Hellboy II: The Golden Army," inspired by Mike Mignola's comics and graphic novels, arrives today on DVD and Blu-ray. The film is one of my favorites from this year. The fabulous Ron Perlman returns as the big-hearted and big-fisted red demon working for a secret paranormal government agency. This time out he's trying to announce himself to the world while he fights Prince Nuada (a beautifully tragic Luke Goss) from the underground elf world. Once again, filmmaker Guillermo Del Toro creates a vivid fantasy world where we feel the greatest connection to the monsters and creatures.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!