Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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The final episode in Cinema Junkie's Giving Thanks to Film Editors trilogy. This time I speak with Oscar-nominated film editor Paul Machliss. He has had a wildly creative and innovative partnership with director Edgar Wright on films such as "Baby Driver" and "Scott Pilgrim Vs. the World." He talks about having to edit on the set for "Baby Driver" and then has some surprising recommendations for films that highlight diverse editing styles.
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On the last episode of Cinema Junkie I kicked off a trio of podcasts that give thanks to film editors. I started with an interview with Tatiana S Riegel, the Oscar-nominated film editor of "I, Tonya." Now I speak with Stephen Mirrione who has worked repeatedly with Steven Soderbergh and Alejandro Gonzales Innaritu, and won an Oscar for his editing on "Traffic." He provides insights into the craft of film editing and recommends what films you need to watch to appreciate how an editor can impact cinematic storytelling.
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Join me in a three-part tribute to film editors. Most people can name a film's director and maybe even its writer, cinematographer or composer but far fewer can name editors. But film editors can alter performances, determine pace, and affect cinematic storytelling in so many ways. To kick off this three-part series is Tatiana S. Riegel, Oscar-nominated editor of "I, Tonya."
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This episode of Cinema Junkie serves up a Halloween Double Dare, playwright Michael Mizerany and I dare you to listen to a pair of his one-act horror plays. So turn out the lights, put on some headphones and enjoy an audio treat while sheltering at home this Halloween. Please note the plays contain explicit language and mature content. "Johnny and Babs Versus the Apocalypse" by Michael Mizerany Babs: Sydney Joyner Johnny: Marc Caro Stage Directions: David Janisch Inspired by the film "Night Of The Living Dead," "Johnny and Babs Versus the Apocalypse" chronicles a terror-filled evening replete with COVID chaos, civil unrest, flesh eating zombies. and sibling bickering. "Die Already!" by Michael Mizerany Branigan: Tyler Lloyd Chase: Quincy Bazen Jordan: Kevin Phan Gary: SeeJay Lewis Stage Directions: David Janisch A spoof of every horror film ever made where the killer just won’t stay dead, "Die Already!" tells the bloody tale of a one-night stand gone horribly, horribly wrong. Music for both plays was composed by Phil Nenna, who also created the Cinema Junkie theme music.
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San Diego Asian Film Festival's artistic director Brian Hu gives Cinema Junkie a preview of the most exciting films from Johnnie To's new boxing romance to Lav Diaz' epic Philippine melodrama to zombies in the Taiwan parliament. Festival runs Oct. 23 through 31 with Mystery Kung Fu Theater streaming live on Twitch!
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Can films help us remember history so that we don't repeat it? That's the question Cinema Junkie poses to Kimber Quinney, professor of history at Cal State San Marcos, and Antonio Iannotta, artistic director of the San Diego Italian Film Festival. We look at the rise of fascism in Italy in the 1920s, 30s and 40s to see what lessons we might be able to learn that might apply to the U.S. right now. We discuss films such as "Rome, Open City," "Anni Difficilli," "The Garden of the Finzi-Continis," and "Christ Stopped at Eboli."
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The 27th Annual San Diego Latino Film Festival streams its first virtual edition now through Sept. 27 and the film choices push the envelope in terms of diversity and cinematic styles. I speak with festival founder/executive director Ethan Van Thillo about the challenges of moving the event online and with exhibitions manager Moises Esparza about showcasing emerging filmmakers drawn to themes of unrest and revolution.
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As the real world feels scarier each day with a pandemic in full swing, police brutality and people just behaving badly filling social media, and a president fanning the flames of hate and unrest, the horror genre has had to adjust. This year's Horrible Imaginings Film Festival has had to move online for its annual showcase of horror, sci-fi and fantasy. Festival founder and executive director Miguel Rodriguez says that the films this year serve up less gore and tales of physical harm and instead focus on horror relating to undefined dread, to not being able to distinguish what's real from what's not, and to stories where you just can't figure out what it is that is trying to hurt you. We discuss the diverse array of shorts, features and documentaries available through Sept. 7 as well as discuss the role horror can play in a world that makes us increasingly anxious.
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"Madagascar: Escape 2 Africa" is one of the best films I've seen this year. It features our four favorite New York zoo animals -- Alex, Marty, Gloria and Melman-- finding themselves on yet another epic adventure in a foreign land. This time our friends are stranded in Africa, which at first seems like a wasteland, but soon becomes a long lost paradise.
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"Madagascar 2; Escape 2 Africa" is a story of four animal friends -- Alex, Marty, Melvin and Gloria -- attempting to go back to New York and to their old lifestyle of living within the zoo. Unfortunately, on their way over to New York, their plane experiences some techinical difficulties and four infamous and mischievous penguins discover that the plane has run out of fuel. Their solution: Crashlanding in Africa.
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"Role Models" is a story about two friends, Danny (Paul Rudd) and Wheeler (Seann William Scott), who work together advertising an energy drink and end up conducting wild behavior. Their punishment: Work off 150 hours of commmunity service hours in a Big Brother program mentoring kids.
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Kristen Scott Thomas is turning into a far more interesting actress than I ever thought she would be. I first noticed her when she did "Four Weddings and a Funeral" and "The English Patient" because those films were such hits. She was good in those films, but not particularly interesting. Yet now that she's in her late 40s, she is taking on more interesting roles in foreign films -- not unlike what fellow British actress Charlotte Rampling has done. This year she had a supporting role in the thriller "Tell No One" and she has a starring role in "I've Loved You So Long."
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"Pineapple Express" opens today so I thought it would be appropriate to run a highlight from the panel at this year's Comic-Con. Producer Judd Apatow moderated and actror-writer Seth Rogen, actor James Franco, and indie director David Gordon Green were on hand to answer questions about their "weed action comedy." They sneaked about ten minutes of the film at the panel. You can also check out the official trailer from Sony below.
Stripper Energy just received an Emmy for Journalistic Enterprise, you can watch the six-part video podcast now.