Airs Friday, October 12, 2012 at 10:30 p.m. on KPBS TV
"Unfinished Spaces," an award-winning new documentary by Alysa Nahmias and Benjamin Murray, will have its broadcast premiere on PBS as part of Latino Public Broadcasting’s arts and culture series VOCES ON PBS, in conjunction with Hispanic Heritage Month.
Dancers, musicians and artists from all over the country reveled in the beauty of the schools, but as the dream of the Revolution became Sovietized, the project was suddenly denounced as bourgeois and counter-revolutionary, and construction was abruptly halted.
Using these radical, magnificent buildings as a prism through which we see the turbulent, ever-shifting history of Castro's Cuba, "Unfinished Spaces" follows the fates of the three architects, now in their 80s, who may now get a second chance to revitalize their utopian project.
ABOUT THE ARCHITECTS:
Robert Gottardi is one of Cuba’s most well-respected architects. He has lived in Havana since 1959, when he was invited to collaborate with Porro and Garatti on the design of the School of Theater at the National Art Schools complex.
After teaching architecture to generations of Cuban youth, he recently retired and his daily life is part of “la lucha,” or “the battle” fought by Cubans on a daily basis against hardships such as food shortage, blackouts, and lack of medical supplies.
Gottardi has re-drawn his plans for the completion of the School of Theater over ten times since the announcement of the restoration of the buildings in 1999. Lamentably, restoration has not yet begun in spite of his efforts and enthusiasm.
Ricardo Porro is the architect of the Schools of Plastic Arts and Modern Dance at the National Art Schools complex. A native Cuban, he participated in the early stages of the Cuban Revolution. As a student during the 1950s in Havana, Porro was so central to the student movement that he was forced to flee Cuba for Venezuela for two years prior to Castro’s coup.
Porro was a close friend of legendary Cuban painter Wilfredo Lam and a painting by Lam was the only possession Porro was permitted to take with him into exile in Paris in 1967.
Vittorio Garatti designed the Schools of Ballet and Music at the National Art Schools complex. After working in the office of Milanese architect Ernesto Rogers during the 1950s, Garatti left Italy and joined the Banco Obrero urbanist project in Venezuela. In Caracas, he met Porro and Gottardi, his future collaborators and lifelong friends.
Garatti remains dedicated to the original ideals of the Cuban Revolution and, when he visits the art schools buildings in ruins as they are today, he sees metaphors of the Revolution itself: a mixture of nostalgia and imperfect beauty.