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  • The official Mexican Independence Day is Tuesday, but multiple events will commemorate the Grito de Delores — Cry of Delores — on Saturday and Sunday.
  • Many economists and business leaders are raising alarms about falling birthrates. But advocates for lower human populations say a less crowded world will be happier and more sustainable.
  • Coffee growers are facing climate change, labor shortages and incomes below the poverty line. On International Coffee Day, we take stock of the industry behind the beverage.
  • The federal government remains shut down. The NPR Network is following the ways the shutdown is affecting services across the country.
  • Scores of students walk out of classrooms Friday, urging lawmakers to pass a bill that would hold fossil fuel companies responsible for damages caused by greenhouse gases.
  • Opening Reception | Nolan Oswald Dennis: "Demonstrations (i)": Presented with INSITE Athenaeum Music & Arts Library 1008 Wall Street La Jolla, CA 92037 October 25, 2025–January 17, 2026 Opening Reception: Friday, October 24, 5:30–8 p.m. Conversation with Nolan Oswald Dennis and critic KJ Abudu: 5:30–6:15 p.m. Joseph Clayes III & Carolyn Yorston-Wellcome Rotunda Galleries Nolan Oswald Dennis: "Demonstrations (i)" Presented with INSITE INSITE is pleased to announce Nolan Oswald Dennis: "Demonstrations (i)," opening at the Athenaeum Music & Arts Library in La Jolla, California, this October. Nolan Oswald Dennis (b. 1988, Lusaka, Zambia) is an artist based in Johannesburg, South Africa. Informed by the study of geological and planetary systems—and situated within African and diasporic relations to the land, cosmos, and anti-colonial political structures—Dennis’s work approaches the world as it is while mapping possibilities for transforming it. "Demonstrations (i)" marks the West Coast premiere of Isivivane, an ongoing project by Dennis that replicates rock specimens from geology museums and university departments in South Africa and parts of the world where the work has been shown. Originally commissioned for INSITE Commonplaces in Johannesburg in 2021, this project has since traveled to the Kunstinstituut Melly in Rotterdam, Netherlands; the Swiss Institute in New York; and Gasworks in London. Isivivane is a Zulu word which translates to a "pile of stones,” similar to a cairn, which marks a spiritually or historically significant site. Isivivane also means to make an individual contribution to a collective future. Manufactured daily by a 3D-printer on site, the new rocks become part of what the artist calls a Black Earth Library. This is an effort that has arisen from discussions with geologists and geology museum curators concerning restitution and repatriation of culturally significant objects. In asking the host institution to create digital and physical copies of more or less significant rocks, stones, and other small geological objects, Dennis suggests a geo-social system not built by a single person, but by many over time. Isivivane will be accompanied by related sculptures and drawings, and displays of rocks and minerals selected by the artist from local collections. "Demonstrations (i)" opens to the public at the Athenaeum with a reception on Friday, October 24, from 5:30 to 7:30 p.m. The closing of the exhibition on January 17 will be celebrated with the presentation of INSITE Journal__08: Reverse Forward and All at Once. The publication comprises documentation and essays related to the INSITE "Commonplaces" project curated by Gabi Ngcobo in Johannesburg, with commissioned work by participating artists Nyakallo Maleke and Nolan Oswald Dennis. Further public program announcements to follow. About Nolan Oswald Dennis Nolan Oswald Dennis is an artist based in Johannesburg, South Africa. They hold a bachelor's degree in architecture from the University of the Witwatersrand (Wits) and a master’s degree in art, culture, and technology from the Massachusetts Institute of Technology (MIT). Their work has been the subject of solo exhibitions at Kunstinstituut Melly in Rotterdam, Netherlands; Swiss Institute in New York; Zeitz MOCAA in Cape Town; and Gasworks in London. They have been featured in group exhibitions at FRONT Triennial (Cleveland), Lagos Biennial, Liverpool Biennial, MACBA (Barcelona), Palais de Tokyo (Paris), Seoul Mediacity Biennale, Shanghai Biennale, and Young Congo Biennale, among others. They are a member of the artist groups NTU and Index Literacy Program, research associate with the VIAD Research Centre at the University of Johannesburg, and a member of the Edouard Glissant Art Fund Scientific Committee. About INSITE Since 1992, INSITE has produced more than 250 artists’ projects conceived for specific sites and political-social contexts across San Diego and Tijuana, as well as in Mexico City. INSITE Commonplaces is a curatorial platform established in 2021 for producing work with artists and communities commissioned locally in different regions of the world. In addition to Johannesburg (Reverse Forward and All at Once), these long-term projects have taken place in Lima, Peru (Common Thread), and presently, the transnational region encompassing San Diego County and Baja California, Mexico (The Sedimentary Effect). The exhibition can be viewed in the Joseph Clayes III and Carolyn Yorston-Wellcome Rotunda Galleries at the Athenaeum Music & Arts Library (1008 Wall Street, La Jolla, CA 92037) during open hours, Tuesday through Saturday, from 10 a.m. to 5:30 p.m. Athenaeum Music & Arts Library on Facebook / Instagram
  • A dozen facilities saw air traffic control shortages on Monday, delaying flights at several airports. Transportation Secretary Sean Duffy blamed "a slight tick-up in sick calls" due to the shutdown.
  • Soccer is played everywhere in San Diego and Tijuana. But accessing the sport can be a financial challenge. In one San Diego park, a soccer program is supporting refugee and immigrant youth, on and off the pitch.
  • The Trump administration says it has started the process of issuing "substantial" reduction-in-force notices to federal employees. Court filings suggest around 4,200 affected so far.
  • Back by popular demand - just in time to celebrate its 100th anniversary! As the perfect event to kick off spooky season, the evening’s feature is "The Phantom of the Opera" from 1925, the first film adaptation of Gaston Leroux's 1910 horror novel. Lon Chaney’s portrayal of the titular character, a deformed virtuoso haunting the Paris Opera House, has been lauded as one of the greatest performances in horror cinema to date. The screening of "The Phantom of the Opera" will be accompanied by live organ music, creating an immersive experience that harks back to the silent film era. In 2004, renowned film critic Roger Ebert gave the film 4 out of 4 stars, saying "The Phantom is invested by the intense and inventive Lon Chaney with a horror and poignancy that is almost entirely created with body language." On the popular review forum Rotten Tomatoes, the site reads, "Decades later, it still retains its ability to scare – and Lon Chaney's performance remains one of the benchmarks of the horror genre." The film was added to the United States National Film Registry in 1998. September 29 is Silent Movie Day, when film lovers, history buffs, and organ players celebrate the incredible legacy of this art form. We're thrilled to hold an event commemorating the day! After the show All audience members are invited to stay for a post-show conversation with featured organist Russ Peck and a special guest film expert. This is just one screening in our Silent Movie Mondays series at the Balboa Theatre. Learn more and see the full lineup! San Diego Theatres on Facebook / Instagram
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