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  • Republicans spent the nearly six-hour-long hearing interrogating Attorney General Merrick Garland over the agency's investigations into Hunter Biden and former President Donald Trump.
  • Taylor Sheesh, the Philippines' top Taylor Swift impersonator, has set out on her own tour across the country in a bid to get the global superstar's attention.
  • The show has always been the biggest dedicated stage for hip-hop. In the year of its 50th anniversary, with chatter of its demise looming, how do those in the building see things?
  • The Professional Pickleball Association's PPA Tour has grown in the last four years. Tickets to a tournament last week in Orange County sold out.
  • For more than three decades, conguero Poncho Sanchez has stirred up a fiery stew of straightahead jazz, gritty soul music, and infectious melodies and rhythms from a variety of Latin American and South American sources. Throughout his career Sanchez has held aloft the torch lit by such innovators as Mongo Santamaria, Tito Puente and Cal Tjader, embraced by each of those icons and entrusted to carry forward the traditions of Latin Jazz. Sanchez’s influences are numerous, and his catalogue is rich with his homages to several of his mentors – Santamaria, Puente and Tjader among them. But alongside those Latin pioneers, among the more prominent figures that inform his music is the iconic saxophonist John Coltrane. On his latest album Trane’s Delight, Sanchez pays tribute to the late jazz legend with Latin-tinged reimaginings of Coltrane classics as well as new pieces composed in honor of the tenor titan. Trane’s Delight continues Sanchez’s remarkable 37-year relationship with Concord, a rich legacy that has now yielded 27 albums. The album features the conguero alongside his longtime band; trombonist and musical director Francisco Torres, trumpet and flugelhorn master Ron Blake, saxophonist Robert Hardt, pianist Andy Langham, bassists Rene Camacho and Ross Schodek, and percussionists Joey DeLeon and Giancarlo Anderson. The album provides a direct link from the 67-year old conguero to his 11-year old self, who spent his own money on an album for the first time when he bought the 1962 classic Coltrane. Ultimately, Trane’s Delight offers a tribute not only to the stellar music and influence of the great John Coltrane, but a spotlight for the myriad ways that the tenor giant’s explorations have fueled courageous artists like Poncho Sanchez. The results, as on this passionate new album, would no doubt delight Trane’s searching spirit. Although born in Laredo, Texas, in 1951 to a large Mexican-American family, Sanchez grew up in a suburb of Los Angeles, where he was raised on an unusual cross section of sounds that included straightahead jazz, Latin jazz and American soul. By his teen years, his musical consciousness had been solidified by the likes of John Coltrane, Miles Davis, Cal Tjader, Mongo Santamaria, Wilson Pickett and James Brown. Along the way, he taught himself to play guitar, flute, drums and timbales, but eventually settled on the congas. At 24, after working his way around the local club scene for several years, he landed a permanent spot in Cal Tjader's band in 1975. "I learned a great deal from Cal," says Sanchez, "but it wasn't as though he sat me down and taught me lessons like a schoolteacher. Mostly it was just a matter of being around such a great guy. It was the way he conducted himself, the way he talked to people, the way he presented himself onstage. He was very elegant, very dignified, and when he played, he played beautifully. The touch that he had on the vibes – nobody has that sound. To me, he was – and is, and always will be – the world's greatest vibe player." Sanchez first formed his own group in 1980, leading his ensemble during Tjader's vacation periods and recording two albums for Discovery. The conguero remained with Tjader until the bandleader's death in 1982. That same year, he signed with Concord for the release of Sonando, an album that marked the beginning of a musical partnership that has spanned nearly four decades and yielded more than two dozen recordings. Trane’s Delight is the latest installment in that ongoing partnership. After more than two decades in music, Sanchez's efforts paid off when his album Latin Soul received a Grammy award as Best Latin Album of 1999. Throughout the next decade, Sanchez continued to record, releasing such albums as 2000's Soul of the Conga, 2001's Latin Spirits, 2003's Out of Sight!, 2005's Do It!, 2007's Raise Your Hand, and 2009's hard bop-influenced Psychedelic Blues. In 2011, he paid tribute to the innovative Afro-Cuban recordings of Dizzy Gillespie and Chano Pozo by teaming up with trumpeter Terence Blanchard for Chano y Dizzy! Sanchez followed that up with a vibrant concert set with his Latin Jazz Band entitled Live in Hollywood. With Trane’s Delight, Poncho Sanchez continues to honor the giants whose music has helped shape his own, while building upon the rich legacy they’ve left behind. As this celebratory and heartfelt album exemplifies, he’s long since joined the ranks of the luminaries to whom he pays such profound tribute. Sanchez’s deeply personal reimagining of the jazz canon, as well as his own spirited original compositions, affirm his place at the forefront of Latin Jazz’s trailblazers. Social Media Facebook | Instagram | Twitter
  • We ranked our 50 favorite records of the year, from hip-hop to classical and everything in between.
  • About this event The Suraj Israni Center for Cinematic Arts is pleased to invite you to the screening of Selections from San Diego Underground Film Festival on Saturday, November 5, 2022 at 6 p.m. at the Mosaic 113 Auditorium in the North Torrey Pines Living and Learning Neighborhood. About the Program San Diego Underground Film Festival (SDUFF) has quickly risen the ranks to become one of the nation's most challenging, nurturing, and down to earth film festivals. Known for taking risks on young talent alongside showcasing legendary filmmakers, SDUFF prides itself on being a festival by and for disciples of the moving image. Their curator, Ryan Betschart (class of 2009), has programmed a special selection of films from their upcoming 2022 festival. Location The Mosaic 113 Auditorium is located in the Suraj Israni Center for Cinematic Arts at UC San Diego (Mosaic Building). Parking The closest visitor parking is located in the Scholars Parking underground parking structure. Weekend parking is $2/hour. Questions Email surajisranicenter@ucsd.edu. By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.
  • In his Oval Office speech, President Biden reiterated his strong support for Israel in the wake of a deadly attack by Hamas. But it isn't making political waves in a deeply divided America.
  • The first Alaska Native to serve in Congress and first woman to hold Alaska's House seat, Peltola beat Republicans Sarah Palin and Nick Begich in ranked choice election results announced Wednesday.
  • The Florida governor's wife, Casey DeSantis, further teased the likely run on Twitter with a video showing DeSantis taking to a stage with an American flag backdrop.
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