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  • The beloved, respected Americana duo, Berkley Hart, will perform original songs that evoke both smiles and tears through unforgettable musical characters. Borrowing a lyric from Jeff Berkley: “Something ‘bout this mountain feeds my soul.” If you feel the same, PLEASE TEXT CELESTE AT (619) 818-2596 FOR TICKETS & INFO! Berkley Hart on Facebook
  • From the organizers: Join the author of Time is a Mother for a reading and conversation about his writing process, his influences, and the themes behind his New York Times-bestselling, deeply intimate second poetry collection. About Ocean Vuong Ocean Vuong is the author of the New York Times bestselling poetry collection, Time is a Mother (Penguin Press 2022), and the New York Times bestselling novel, On Earth We’re Briefly Gorgeous (Penguin Press 2019), which has been translated into 37 languages. A recipient of a 2019 MacArthur “Genius” Grant, he is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize. Born in Saigon, Vietnam and raised in Hartford, Connecticut in a working class family of nail salon and factory laborers, he was educated at nearby Manchester Community College before transferring to Pace University to study International Marketing. Without completing his first term, he dropped out of Business school and enrolled at Brooklyn College, where he graduated with a B.A. in Nineteenth Century American Literature. He subsequently received his M.F.A. in Poetry from New York University. He currently lives in Northampton, Massachusetts and serves as a tenured Professor in the Creative Writing M.F.A. Program at New York University. Related links: ArtPower: website | Instagram Ocean Vuong: website | Instagram
  • The case could have big implications for what glues reality show fans to the tube. A pending ruling, whatever the outcome, would set a precedent that other unscripted TV cast members could follow.
  • Our critics scanned the broadcast and streaming horizons to find the shows you should check out in June, July and August. There's some great new TV — plus, House of the Dragon and The Bear are back.
  • Hart, known for her starring role on Sabrina the Teenage Witch, said her children attend school near Nashville's Covenant School.
  • Prime Minister Keir Starmer visited the scene of the attack in Southport as eight children and two adults remained hospitalized. Police questioned a 17-year-old suspect who was arrested.
  • Medetomidine, a chemical long used by veterinarians and doctors, is now turning up in the street drug supply and triggering a new wave of overdoses.
  • Backlash against massive solar energy farms drove strong rural turnout in Nevada may have helped flip the presidential vote there to Republican for the first time since 2004. But it's not a given Trump will derail President Biden's plans for more Nevada solar.
  • Join us on Free Third Thursday, September 19 from 11 a.m. – 8 p.m. for the free public opening of "For Dear Life: Art, Medicine, and Disability," the first exhibition to survey themes of illness and impairment in American art from the 1960s up to the COVID-19 era. Enjoy free admission, a double feature screening, and more! No reservations are required for Free Third Thursday admission. Free Public Tour: Highlights of the Exhibition 5PM: A general tour guiding visitors through "For Dear Life," focusing on key themes and highlights of the exhibition. Limited capacity. No RSVPs required. Meet in Browar Lobby. Blue/ Blue Screening: Liza Sylvestre’s Blue Description Project (2024) & Moyra Davey’s Notes on Blue (2015) 5PM: Blue/ Blue Screening in Jacobs Hall About The Blue Description Project (BDP) The Blue Description Project (BDP) (2024) is an audio description and captioning project—produced by Crip*—Cripistemology and the Arts in collaboration with Voices in the Gallery— that engages Derek Jarman's Blue (1993) via expanded and critical accessibility. As Jarman wrote in Chroma (1994): “If I have overlooked something you hold precious—write it in the margin.” BDP takes up this invitation by creating a new, experimental iteration of Blue on the 30th anniversary of its release and Jarman’s death. The BDP iteration features creative captions and audio description that have been sourced from numerous contributors. It attempts to convey, express, engage, respond, evoke, articulate, replicate, translate, transmogrify, channel, and transcend what Blue is/was/could be. Courtesy of Artist & Sarah Hayden. About Notes on Blue Moyra Davey's new 28-minute video is a lyrical film essay that interweaves various biographies-including those of Derek Jarman, poet Anne Sexton, writer Jorge Luis Borges, and the artist herself-to explore blindness, color, and identity. We encourage to come early to grab refreshments from The Kitchen before entering the museum. No RSVP needed. Entry will be first come first serve. About the exhibition In recent years, the art world has seen an explosion of activity confronting issues of illness and disability. Set in motion by disability justice movements of the twenty-first century, this development accelerated with the onset of the 2020 COVID-19 pandemic. Contemporary artists with disabilities and chronic illnesses have produced influential bodies of art, often working collaboratively with peers and institutions to highlight relations of mutual dependence and negotiate practices of care. Such artists have dramatically expanded discourse about access, while reframing disability as a refusal to conform to the pace, architecture, and economic conditions of contemporary life. "For Dear Life" explores how this turn was preceded by the work of artists and activists beginning in the 1960s and 1970s. Informed by intersecting movements that included civil rights, antiwar, women’s and gay liberation, and disability rights, artists of that era approached the body—in all its variance—as a field of inquiry. This exhibition explores artistic responses to disease, disability, and forms of unruly embodiment more broadly, tracing genealogies of art that have shaped contemporary currents. Inhabiting seven galleries at MCASD, "For Dear Life" is accompanied by a rotating program of film and video. A lavishly illustrated publication published by Marquand Books and distributed by the University of Texas Press will be available for purchase. About PST Art Southern California’s landmark arts event, PST ART, returns in September 2024 with more than 60 exhibitions from museums and other institutions across the region, all exploring the intersections of art and science, both past and present. Dozens of cultural, scientific, and community organizations will join the latest edition, PST ART: Art & Science Collide, with exhibitions on subjects ranging from ancient cosmologies to Indigenous sci-fi, and from environmental justice to artificial intelligence. Art & Science Collide will share groundbreaking research, create indelible experiences for the public, and generate new ways of understanding our complex world. PST ART is presented by Getty. For more information about PST ART: Art & Science Collide, please visit pst.art "For Dear Life: Art, Medicine, and Disability" is organized by MCASD Senior Curator Jill Dawsey, PhD, and former Associate Curator Isabel Casso. "For Dear Life" is among more than 60 exhibitions and programs presented as part of PST ART: Art & Science Collide, presented by Getty. Major funding for this exhibition is provided by the Getty Foundation and The Henry Luce Foundation. Individual support for the exhibition is provided by Brook Hartzell and Tad Freese. Financial support is also provided by the City of San Diego through the Commission for Arts and Culture. VISIT: https://mcasd.org/events/for-dear-life-opening
  • It's time to discuss one of the perennial debates of the holiday season. Are real Christmas trees or their fake counterparts more eco-friendly?
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