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  • Republicans spent the nearly six-hour-long hearing interrogating Attorney General Merrick Garland over the agency's investigations into Hunter Biden and former President Donald Trump.
  • The late pop culture icon once said he painted over 30,000 works of art in his lifetime, but it's rare for an authenticated Ross piece to come on the market, let alone one with this much history.
  • An art-school dropout seizes control of her life and livelihood by branching out into credit card fraud in this Los Angeles noir. Plaza is both vulnerable and fierce as a woman on the take.
  • With Hollywood on strike for most of the summer, we check in on the new releases for the fall. Our critics share their recommendations for more than 25 films coming out between now and Thanksgiving.
  • Jia Tolentino has a nuanced perspective on her religious upbringing and her subsequent rejection of that belief system. And then what it meant to become a parent.
  • As the world celebrates Democracy Day, we examined how some pillars of democracy are holding up in San Diego County.
  • The world premiere production of playwright Kimber Lee's new play runs at The La Jolla Playhouse through Dec. 12, 2021, exploring two mysterious years of Vincent van Gogh’s life.
  • Nominated for ”Best Rock Artist” at the San Diego Music Awards, Daring Greatly blends multiple genres including soul, rock, and Americana into a vibrant master class performance rich with incredible vocal harmonies and passion. Originally from Canada, lead vocalists and brothers Patrick and Liam Croome bring a strong familial connection to their onstage chemistry. Drummer Brayden Tario has been best friends with the Croome brothers since high school, bringing a level of comfort and camaraderie to the group. 2019 saw the addition of Lake Elsinore native David Mills on electric guitar who brings a distinct southern California edge to the band’s sound, while also contributing on the pedal steel. Matt Spatol joined on bass in 2021. The name Daring Greatly is inspired by Theodore “Teddy” Roosevelt’s “The Man in the Arena” and the writings of Brene Brown, who authored a book with the same name. Stay Connected on Social Media! Facebook | Instagram | Twitter
  • Location: Oceanside Public Library’s Civic Center Branch from April 1 to May 12, and at their Mission Branch from May 12 to June 23. Opening Reception and artist talk Apr. 8 at 5:30 p.m. From the organizers: Marisa DeLuca (She/Her) is a post-contemporary artist working in painting, drawing, and photography. Her practice examines intersections between time, memory, impermanence, and critical theory. Marisa comes from a background of community engagement through nonprofit service in the arts sector. She is founder and President of the nonprofit Artists in Solidarity, an artist collective that raises funds for migrant families through charity art auctions. Marisa is a San Diego native based in Oceanside, California and received her BA in Visual Arts (Studio) from UC San Diego in 2021. She is currently pursuing her MFA at San Diego State University's School of Art + Design. This solo exhibition is a reverent meditation on the disappearing spaces in DeLuca's home, Oceanside, CA. Originally in response to increasing gentrification in the region, these paintings have developed into an investigation of personal feelings around home, impermanence, and remembrance. An urgency to preserve that which is being lost, while paying homage to the spirits of Oceanside that fade into homogeneity, is the driving force behind this work. This exhibition is the culmination of a three-year artistic project that was intended to be shown in the community it honors. As a realization of this vision, DeLuca has chosen to show the work in its entirety at the social center of the city - the library. She hopes the community will see themselves in this work and find their own personal connections.
  • Epidemic media can range from spanking new care affordances (like test-kits or self-check devices) to sophisticated aggregative technologies (disease surveillance networks like FluNet) and pioneering medical platforms (diagnostic and prognostic). Drawing on "The Virus Touch: Theorizing Epidemic Media" (forthcoming Duke UP, 2023), Ghosh argues that high epistemic value of "new," "smart," or "sophisticated" media habitually bypasses the significance of low-tech media crucial for the regulation and control of acute infection. Often located at clinical points of care, these media appear as mundane commodities circulating within global biomedical infrastructures; there seems nothing creative or innovative about them. Focusing on "patient files" as a case in point, Ghosh theorizes the ordinary "media care" of chronic infection at two HIV/AIDS health centers—the Site B clinic Khayelitsha (Cape Town) and Sanjeevani at Humsafar Trust (Mumbai). Following Cornelia Vismann (2008), Ghosh argues that files accumulative tendency readies these technologies for tracking infection beyond clinical confines. Files attune caregivers to the "interior milieu" of an individual patient but they are baggy enough to open into the greater disease milieu. As such, these are smart epidemic media that eschew an anthropocentric approach for a multispecies politics of health. Biography: Bishnupriya Ghosh is faculty in the English and Global Studies departments at UC Santa Barbara. She has published two monographs, "When Borne Across: Literary Cosmopolitics in the Contemporary Indian Novel" (Rutgers UP, 2004) and "Global Icons: Apertures to the Popular" (Duke UP, 2011) on global media cultures. Her current work on media, risk, and globalization includes the co-edited "Routledge Companion to Media and Risk" (Routledge 2020) and a new monograph, "The Virus Touch: Theorizing Epidemic Media" (forthcoming from Duke University Press, May 2023). She is starting research on media environments of viral infection in a book of essays tentatively entitled, "Epidemic Intensities." About the Media Care Talk Series: Dozing at the movie theater, listening to the podcast on the subway, counseling via Zoom appointments, searching immigration policy on the internet…In this increasingly crumbling world, media offer maintenance and sustain our vitality while they also harm our well-being through abuse and addiction. This talk series examines the concept of care and showcases the process of knowledge production surrounding artificial care in media practice. We will browse a range of media objects and platforms - from cinema to teletherapy, from smart drugs to sleep apps - and explore the habitual, affective, and material potential of healing and solidarity within film and media theories. This series is co-organized by the Film Studies Program and the Suraj Israni Center for Cinematic Arts at UC San Diego with generous support from the following: 21 Century China Center, Department of Communication, Department of Visual Arts, Department of Literature, and the Institute of Arts & Humanities. Speaker: Bishnupriya Ghosh, professor, UC Santa Barbara Respondent: Lisa Cartwright, professor, Departments of Visual Arts and Communication, UC San Diego Hosted by Wentao Ma, Ph.D. student, Department of Literature, UC San Diego By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.
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