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  • Ukrainian musicians are turning away from Russia, and sometimes the Russian language, as they try to reassert their country's identity. Some who used to sing in Russian now only perform in Ukrainian.
  • Arctic communities have long been plagued by soot that drives snow melt and respiratory disease. Now, humans are making their mark in Antarctica.
  • Ana de Alvear (born 1962), is an artist and filmmaker from Madrid, Spain who has exhibited throughout Asia, Europe, and South America. This is her first solo exhibition in the United States. Despite seemingly traditional subject matter, the title of this exhibition invites the public to question the veracity of what they see and hear, a contemporary concern in an age of frequent misinformation. As one looks closely at her work, it becomes evident that there are layers of meanings and deceptions. What originally appear as photographs or even paintings are all achieved, in astonishing hyper-realistic detail, with the humble medium of colored pencil. This repartee with the history of art is not new; René Magritte spoke of “the treachery of images” and artists have been using trompe l ’oeil (fooling the eye) techniques in painting for years to dialogue with the reality of the image, a conversation made more acute with the advent of photography and extended further into the digital age. Yet with de Alvear’s drawings, there is no digital or mechanical process involved. Beyond this, de Alvear uses stuffed animals, knockoff porcelain, and plastic flowers and insects as her subjects to probe ironically the values of contemporary society. The compositions are inspired by European still-life paintings dating back to the seventeenth century, wherein artists painted such highly prized items as tulips, crystal, and imported porcelain, alongside insects and symbols of decay as memento mori (reminders of death). Initially appearing humorous and playful, the inclusion of toys in de Alvear’s works nevertheless also embodies darker meanings of lost childhood and trauma, while the ubiquitous presence of plastic, only visible upon close scrutiny, alludes to the current crisis of the environment and impending animal extinctions, such as the artificial bee attempting to pollinate plastic flowers. Humans’ position in the universe is laid before us as we are made more aware of our physicality and scale in the presence of two dramatic galaxy murals, each comprising fifty elaborately executed drawings. Related Programs and Events: Friday, June 18, 2021 Art Alive Members' PreviewSaturday, June 19, 2021 Art Alive Members' PreviewFriday, August 6, 2021 SDMA+ Naruwan Taiko: In the Forced VortexFriday, September 17, 2021 SDMA+ Disco Riot: Everything You See Could Be a Lie
  • NPR's team in Beijing put together moments and storylines that stuck out — including those that showed immense inner strength, athleticism and grace.
  • After 16 days and 109 events, the Winter Olympics officially ended Sunday with the traditional closing ceremony. Team U.S.A. finished with 25 medals in all.
  • After winning a silver and bronze in Beijing, the U.S. bobsledder now has five medals to her name. "It's so crazy to hear that stat and know that I'm part of a legacy that's bigger than me," she said.
  • Trump calls the ruling "a continuation of the greatest Witch Hunt in history."
  • The three-time Olympic medalist told reporters that she felt "like a joke" after failing to finish her third race of the Winter Games. Her last chance at a medal is a team competition on Saturday.
  • Canada defeated Team USA 3-2 on Thursday to win its fifth gold medal in the sport. Either Canada or the U.S. has won every gold medal since women's hockey debuted at the winter Olympics in 1998.
  • A triple jump used to be the gold standard in figure skating. Now it's the quad. For the first time at an Olympics, a woman — Russian figure skater Kamila Valieva — landed a quad in competition.
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