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  • Judge Arthur Engoron avoided holding Trump in contempt for now, but reserved the right to do so if he again violates a limited gag order barring case participants from personal attacks on court staff.
  • San Diego police did not stop enforcing juvenile curfew violations with diversion programs. They just stopped reporting it in the arrest records.
  • There was less reported violent crime across the U.S. last year after a dramatic spike in 2020. But there were more car thefts and hate crimes reported.
  • Some state and local governments have started tapping in to opioid settlement funds for law enforcement expenses. Many argue it should go toward treating addiction instead.
  • Thinking about making an altar for this year's Day of the Dead? Here are some tips on how to get started.
  • This weekend in the arts: Disco Riot's dance and karaoke night, ballet, Danielle Dean, Walter Cotten, MOPA, Globe For All's free Shakespeare, "Dr Jekyll and Mr. Hyde," Lila Downs and more.
  • President Biden is the latest in a long line of presidents to place himself in the middle of a Middle East conflict. U.S. efforts have seen failed starts, wrong turns and dead ends, but some progress.
  • Twitter, renamed ‘X’ by owner Elon Musk, has made changes that have angered scientists, who use it to share research with colleagues and the public.
  • Sparks Gallery is pleased to announce San Diego artist Kathleen Kane-Murrell’s solo exhibition, “Wayfinding in Suspended Times,” opening on May 7, 2023 in conjunction with Sparks Gallery’s annual small works show, “minis 2023.” The small works exhibition will feature over 60 works that are 12×12 inches and under; each are $500 retail or less. This exhibition is a chance to collect a small work of art from both prominent and emerging artists from California. Below is a preview of several small works that were selected for the exhibition. Kane-Murrell’s work is inspired by her observation of the interconnectivity between humans and nature, and her longing to reconnect after isolation during the pandemic. Her solo exhibition brings her perceptions and musings to life through her highly textured collage techniques. Many of her works present themselves like a miniature ecosystem; reverse-painted plexiglass panel is placed between the viewer and the textural backdrop of the work. Highly detailed renderings of butterflies, gingko leaves, and other organic elements painted on the transparent plexiglass appear to float over the materials affixed to the layer behind. Kane-Murrell’s specific style of mixed media collage both unites and contrasts familiar icons of nature with abstraction and human-designed composition. She reflects “My work is abstractly narrative. I aim between spontaneous and controlled…patinas of layered mark-making reflect my perception of light, color, and sound. When a viewer reaches to touch my work to understand what is seen, I have achieved an elusive goal.” Kane-Murrell’s work investigates the human experience as but one aspect of the natural world. With work inspired by wondrous natural phenomena that scientists are only beginning to understand, the artist explores the concept of our place in this interconnected web of life. The idea that everything is intertwined, even in ways we may not expect or be aware of, also brought Kane-Murrell comfort during the isolating time of the pandemic. Kane-Murrell holds reverence for the mycorrhizal network (in which trees communicate with each other through their underground root systems), the migration patterns of monarch butterflies, and starling “murmurations” – birds that fly together collectively in groups of seven. This philosophy is visually explored in the repeating motifs within each work; the artist repeats butterflies, leaves, or cut paper shapes across the piece, drawing attention to their similarities and mass as a group. Subtle changes in these repetitions, such as unique colors or placement, differentiate individual elements from each other. Yet the abstract work is undoubtedly unified, communicating the connectedness of every unit to the entire composition as a whole. Regular Gallery Hours: M,TH,F 10 a.m. - 6 p.m., Saturday 11a.m. - 7 p.m., Sun 11a.m. - 5 p.m. Sparks Gallery on Facebook / Instagram
  • The National Museum of Women in the Arts in Washington reopens on Oct. 21 after a two-year, $70-million renovation as a "megaphone" for equity.
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