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  • Sponsored by UC San Diego's Department of Visual Arts and Film Studies Program. "The specific work in question is Wharton’s novel 'The Age of Innocence' (published 1920, set in the 1870s). But Steve Fagin does not set out to adapt this novel in any way, shape or form. To address it, yes. To circle it. Surround it. Question it. Stalk it, even. To treat it as a cultural site (across, literally, its many editions) and also, in a virtual-cubistic sense, an imaginary space that one can inhabit and poke around in. To unsettle its foundations, its comfortable drift into history, including media history."
– Adrian Martin Steve Fagin is an American artist and former professor of Visual Arts at the University of California, San Diego. He has produced a series of feature length videos, including "The Amazing Voyage of Gustave Flaubert and Raymond Roussel," "The Machine That Killed Bad People" and "TropiCola" (the latter produced in collaboration with some of the most important theatre actors and producers in Havana). RSVP: https://www.eventbrite.com/e/515273576137
  • A 125-million-year-old fossil from the early Cretaceous shows the skeletons of a smaller mammal biting a larger horned dinosaur, suggesting a much more complex ancient food web.
  • The children were converted by their father after the parents divorced. The case has thrown into sharp relief the ethnic and religious identity markers that form the bedrock of Malaysian policy.
  • Beneath the 8 million stories in the culture's birthplace lies a bigger one: the story of American Blackness, which crystallized in a music that can't and won't stop growing.
  • Nora Roberts, Viet Thanh Nguyen, Michael Chabon and Margaret Atwood are among those signing an Authors Guild letter asking artificial intelligence companies to get permission or offer compensation.
  • Jesse Watters, who has worked, smirked, and opined for Fox his entire professional career, takes the reins on Monday of Fox News' 8 p.m. weekday show, permanently replacing fired star Tucker Carlson.
  • For nearly four decades, the band has terrorized planet Earth with its raucous stage shows, raunchy metal songs and grotesque satire. GWAR finally came to destroy the Tiny Desk, once and for all.
  • Award-winning novelist Victoria Amelina, who retrained as a war crimes researcher to document Russian atrocities and preserve Ukrainian culture, has met a tragic end.
  • Turns out wireless networks aren't wireless at all. And light pulses in fiber optic cables carry your voice around the world. A new exhibition explains the science you hold in your hand every day.
  • Can I quote song lyrics in my manuscript? Or talk about how much my main character enjoys eating at McDonalds (TM)? What if I want to write about real people? Can I be sued for defamation? And what about publishing contracts? Are there red flags I should look out in contracts with agents and publishers? This session will answer these questions and more, in a user-friendly accessible manner. You will learn what to worry about and more importantly what NOT to worry about, and when (and how) to find affordable legal assistance if you need it. You will be emailed the Zoom link 24 hours before the start of class. If you sign up less than 24 hours before the start of the class, please email Kristen at programs@sandiegowriters.org for your link. Jacqui Lipton is a publishing attorney, literary agent and law professor who specializes in the law and business of publishing. She is the author of Law and Authors: A Legal Handbook for Writers (UC Press, 2020) as well as the popular “On the Books” blog at Luna Station Quarterly. She previously penned the “Legally Speaking” column at Catapult and the “Legally Bookish” column for the SCBWI Bulletin. More information about Jacqui is available on her website: jdlipton.com. PLEASE NOTE: It is best to register at least a week before the start of a class to help our instructors prepare and ensure that a class does not get canceled or rescheduled. Policies on registration, refunds, cancellations, etc. can be found on our class policy page.
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