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  • Tony Meneses' new play "El Borracho" is now on stage at The Old Globe, featuring a family grappling with an alcoholic father on his deathbed — a story intensely personal to the playwright.
  • They swept the podium in two separate biathlon events on Tuesday and are second in the medal count. But the troubles at home are never far from their minds.
  • Anyone may participate with a $30 fee, online application and a photo of their sandcastle creation. The deadline to enter is July 6. Information, instructions and application may be found at www.roundhouseaquarium.org/sandcastle. The online voting period will commence on July 9 through July 18. A donation of $10 is requested to cast a vote. The entries that garner the most votes for each of the following categories will win a prize: High Tide – Best overall sandcastle Seasational Splash – Best ocean-themed sandcastle We Otter Stick Together – Best team spirit Creative Claws – Most creative sandcastle For more information about the event and to see important dates, go here.
  • In order to control what the Russian public knows about invasion of Ukraine, President Vladimir Putin has signed a law that imposes stiff sentences on journalists who air "false information."
  • Media consumers in Russia are losing ways to learn about what's happening in Ukraine. Russia has shut down most independent media and passed a new law criminalizing reporting on the war.
  • Veerabhadran "Ram" Ramanathan, the renowned professor and researcher in climate science at Scripps Institution of Oceanography at UC San Diego, is being honored for his work on climate change.
  • Ana de Alvear (born 1962), is an artist and filmmaker from Madrid, Spain who has exhibited throughout Asia, Europe, and South America. This is her first solo exhibition in the United States. Despite seemingly traditional subject matter, the title of this exhibition invites the public to question the veracity of what they see and hear, a contemporary concern in an age of frequent misinformation. As one looks closely at her work, it becomes evident that there are layers of meanings and deceptions. What originally appear as photographs or even paintings are all achieved, in astonishing hyper-realistic detail, with the humble medium of colored pencil. This repartee with the history of art is not new; René Magritte spoke of “the treachery of images” and artists have been using trompe l ’oeil (fooling the eye) techniques in painting for years to dialogue with the reality of the image, a conversation made more acute with the advent of photography and extended further into the digital age. Yet with de Alvear’s drawings, there is no digital or mechanical process involved. Beyond this, de Alvear uses stuffed animals, knockoff porcelain, and plastic flowers and insects as her subjects to probe ironically the values of contemporary society. The compositions are inspired by European still-life paintings dating back to the seventeenth century, wherein artists painted such highly prized items as tulips, crystal, and imported porcelain, alongside insects and symbols of decay as memento mori (reminders of death). Initially appearing humorous and playful, the inclusion of toys in de Alvear’s works nevertheless also embodies darker meanings of lost childhood and trauma, while the ubiquitous presence of plastic, only visible upon close scrutiny, alludes to the current crisis of the environment and impending animal extinctions, such as the artificial bee attempting to pollinate plastic flowers. Humans’ position in the universe is laid before us as we are made more aware of our physicality and scale in the presence of two dramatic galaxy murals, each comprising fifty elaborately executed drawings. Related Programs and Events: Friday, June 18, 2021 Art Alive Members' PreviewSaturday, June 19, 2021 Art Alive Members' PreviewFriday, August 6, 2021 SDMA+ Naruwan Taiko: In the Forced VortexFriday, September 17, 2021 SDMA+ Disco Riot: Everything You See Could Be a Lie
  • Watch “The Maltese Falcon" (1941, 100 min. Not Rated) at Cinema Under The Stars. The stuff Hollywood was made of! This hard-boiled prize package features Humphrey Bogart as a private eye hot on the trail of a priceless black bird. With Peter Lorre and Mary Astor. Admission: $17 (members) $18 (non-members) $20 (with online reservations) * A unique and intimate outdoor movie theater in Mission Hills * Online reservations for members begin Monday at 9 a.m. * Online reservations for non-members begin on Tuesday at 9 a.m. * Box Office opens at 6 p.m. * Films start at 8 p.m. * Concessions are $2 each (popcorn, candy, hot & cold beverages) * Guests must follow the current health guidelines for COVID 19 * We are back to 100% capacity! We will be able to use all of our seats! For more information, please visit https://www.topspresents.com/information.php
  • The 1909 painting was just one of a treasured art collection inherited by Robert Lewenstein and his wife Irma Klein, But the pair were forced to sell it in October 1940 as they fled the Nazis.
  • A number of Russian stars from the performing arts world are using their voices and international platforms to denounce the invasion of Ukraine and speak up against Russian President Vladimir Putin.
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