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  • Anyone may participate with a $30 fee, online application and a photo of their sandcastle creation. The deadline to enter is July 6. Information, instructions and application may be found at www.roundhouseaquarium.org/sandcastle. The online voting period will commence on July 9 through July 18. A donation of $10 is requested to cast a vote. The entries that garner the most votes for each of the following categories will win a prize: High Tide – Best overall sandcastle Seasational Splash – Best ocean-themed sandcastle We Otter Stick Together – Best team spirit Creative Claws – Most creative sandcastle For more information about the event and to see important dates, go here.
  • NPR has won the Pulitzer Prize for Audio Reporting for No Compromise, a podcast about the role of the far right in American gun culture, co-produced with member stations KCUR and WABE.
  • Fifteen more vaccinated California residents — including three from Los Angeles County and one each from Orange, San Diego and Riverside counties — were chosen by the state Friday to receive $50,000 prizes in a COVID-19 vaccine incentive program.
  • The latest developments on the Russia-Ukraine war.
  • Valery Gergiev, who is closely allied with Russian leader Vladimir Putin, was due to take part in a three-concert series at Carnegie Hall. Also stepping aside is Russian pianist Denis Matsuev.
  • Authors Nikole Hannah-Jones and Renée Watson discuss the importance of teaching young people about the history of slavery and racism in America with honesty and respect.
  • The six-time major winner said he "used words I sincerely regret" in an interview about a Saudi-financed golf league in which he brushed aside human rights violations by the Saudi regime.
  • Ana de Alvear (born 1962), is an artist and filmmaker from Madrid, Spain who has exhibited throughout Asia, Europe, and South America. This is her first solo exhibition in the United States. Despite seemingly traditional subject matter, the title of this exhibition invites the public to question the veracity of what they see and hear, a contemporary concern in an age of frequent misinformation. As one looks closely at her work, it becomes evident that there are layers of meanings and deceptions. What originally appear as photographs or even paintings are all achieved, in astonishing hyper-realistic detail, with the humble medium of colored pencil. This repartee with the history of art is not new; René Magritte spoke of “the treachery of images” and artists have been using trompe l ’oeil (fooling the eye) techniques in painting for years to dialogue with the reality of the image, a conversation made more acute with the advent of photography and extended further into the digital age. Yet with de Alvear’s drawings, there is no digital or mechanical process involved. Beyond this, de Alvear uses stuffed animals, knockoff porcelain, and plastic flowers and insects as her subjects to probe ironically the values of contemporary society. The compositions are inspired by European still-life paintings dating back to the seventeenth century, wherein artists painted such highly prized items as tulips, crystal, and imported porcelain, alongside insects and symbols of decay as memento mori (reminders of death). Initially appearing humorous and playful, the inclusion of toys in de Alvear’s works nevertheless also embodies darker meanings of lost childhood and trauma, while the ubiquitous presence of plastic, only visible upon close scrutiny, alludes to the current crisis of the environment and impending animal extinctions, such as the artificial bee attempting to pollinate plastic flowers. Humans’ position in the universe is laid before us as we are made more aware of our physicality and scale in the presence of two dramatic galaxy murals, each comprising fifty elaborately executed drawings. Related Programs and Events: Friday, June 18, 2021 Art Alive Members' PreviewSaturday, June 19, 2021 Art Alive Members' PreviewFriday, August 6, 2021 SDMA+ Naruwan Taiko: In the Forced VortexFriday, September 17, 2021 SDMA+ Disco Riot: Everything You See Could Be a Lie
  • Watch “The Maltese Falcon" (1941, 100 min. Not Rated) at Cinema Under The Stars. The stuff Hollywood was made of! This hard-boiled prize package features Humphrey Bogart as a private eye hot on the trail of a priceless black bird. With Peter Lorre and Mary Astor. Admission: $17 (members) $18 (non-members) $20 (with online reservations) * A unique and intimate outdoor movie theater in Mission Hills * Online reservations for members begin Monday at 9 a.m. * Online reservations for non-members begin on Tuesday at 9 a.m. * Box Office opens at 6 p.m. * Films start at 8 p.m. * Concessions are $2 each (popcorn, candy, hot & cold beverages) * Guests must follow the current health guidelines for COVID 19 * We are back to 100% capacity! We will be able to use all of our seats! For more information, please visit https://www.topspresents.com/information.php
  • Dr. Sriram Shamasunder just spent a week in Rwanda at the university co-founded by Paul Farmer — and witnessed the passion and compassion of this global health champion days before his untimely death.
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