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Proposition 28, which would require arts education funding for all, was overwhelmingly approved by voters

Curated by Beth Smith, Oceanside Museum of Art's latest exhibition, "Storyteller," showcases the work of San Diego sculptor James E. Watts. Watts' work is immensely character-driven and inspired by beloved and monstrous characters in literature and pop culture. His figurative sculptures are eye-stopping and abstract, and his panel or flat works — generally constructed from reclaimed wood and tin — are jam packed with intricate details. Opens Apr. 2 and is on view through Jul. 17, 2022. About the artist: James E. Watts thinks of his studio as a sanctuary. He named it The James Watts Institute for Artistic Behavior. Located at street level in the Gaslamp Quarter of San Diego, he welcomes people who walk by and pause to look in the window. Watts’s sculpture is often inspired by classic literature such as The Hunchback of Notre Dame and Don Quixote. Characters from books are transformed as Watts carves, hammers, fastens, and bolts pieces of salvage and scrap metal. He is known for repurposing metal lunch boxes, cookie tins, and assorted metal ephemera. Curated by Beth Smith, this exhibition sees Watts’s personality in every figure, a light-hearted mix of humor and social commentary. Read more at the OMA website here. Related links: OMA visiting information and hours OMA on Instagram OMA on Facebook James E. Watts on Instagram

Atypical of inspirational weight-loss books, Fatty Fatty Boom Boom by Rabia Chaudry — an advocate of Serial podcast subject Adnan Syed — is a love letter to the author's native cuisine.

NPR checks in on a woman in Ukraine, six months after her town was liberated from Russian occupation.

Michigan faces a key vote on abortion rights as patients travel there from other states. At a clinic near Detroit, many women share what abortion access means for their own lives and futures.

Anyone who's online and shares information plays some role in shaping whether falsehoods gain traction. Here's some advice on how to share responsibly.

Join music, art, literary, and dance historian Victoria Martino in a five-week lecture series, celebrating the 150th anniversary of Diaghilev by rediscovering and redefining the scope of his immeasurable influence on modern culture. Who was Sergei Diaghilev? What did he do? Condemned by his own country as the ultimate exemplar of bourgeois decadence and depravity, he was excised from Soviet cultural history. Yet, in the international world of art, music, dance, and theater, he was revered, even idolized, as the greatest impresario of all time. Creator, critic, curator, Diaghilev played all these roles, defining for many the very meaning of contemporary art in the 20th century. In his role as founder and director of the legendary Ballets Russes, Diaghilev commissioned and patronized a veritable lexicon of artists, choreographers, composers, dancers, and designers: from Matisse to Picasso, Fokine to Massine, Debussy to Stravinsky, Nijinsky to Pavlova, Bakst to Chanel. Date | Tuesday, May 10, 2022 at 7:30pm Location | Athenaeum Music and Arts Library Purchase tickets here! Member admission: $16 Non-member admission: $21 There are no physical tickets for these events. Your name will be on an attendee list at the front door. Seating is first-come; first-served. For further information on this event please visit the website: https://www.ljathenaeum.org/events/martino-22-0510

Join music, art, literary, and dance historian Victoria Martino in a five-week lecture series, celebrating the 150th anniversary of Diaghilev by rediscovering and redefining the scope of his immeasurable influence on modern culture. Who was Sergei Diaghilev? What did he do? Condemned by his own country as the ultimate exemplar of bourgeois decadence and depravity, he was excised from Soviet cultural history. Yet, in the international world of art, music, dance, and theater, he was revered, even idolized, as the greatest impresario of all time. Creator, critic, curator, Diaghilev played all these roles, defining for many the very meaning of contemporary art in the 20th century. In his role as founder and director of the legendary Ballets Russes, Diaghilev commissioned and patronized a veritable lexicon of artists, choreographers, composers, dancers, and designers: from Matisse to Picasso, Fokine to Massine, Debussy to Stravinsky, Nijinsky to Pavlova, Bakst to Chanel. Date | Tuesday, May 24, 2022 at 7:30 pm Location | Athenaeum Music and Arts Library Purchase tickets here! Member admission: $16 Non-member admission: $21 There are no physical tickets for these events. Your name will be on an attendee list at the front door. Seating is first-come; first-served. For further information on this event please visit the website: https://www.ljathenaeum.org/events/martino-22-0524

Join music, art, literary, and dance historian Victoria Martino in a five-week lecture series, celebrating the 150th anniversary of Diaghilev by rediscovering and redefining the scope of his immeasurable influence on modern culture. Who was Sergei Diaghilev? What did he do? Condemned by his own country as the ultimate exemplar of bourgeois decadence and depravity, he was excised from Soviet cultural history. Yet, in the international world of art, music, dance, and theater, he was revered, even idolized, as the greatest impresario of all time. Creator, critic, curator, Diaghilev played all these roles, defining for many the very meaning of contemporary art in the 20th century. In his role as founder and director of the legendary Ballets Russes, Diaghilev commissioned and patronized a veritable lexicon of artists, choreographers, composers, dancers, and designers: from Matisse to Picasso, Fokine to Massine, Debussy to Stravinsky, Nijinsky to Pavlova, Bakst to Chanel. Date | Tuesday, May 17, 2022 at 7:30pm Location | Athenaeum Music and Arts Library Purchase tickets here! Member admission: $16 Non-member admission: $21 There are no physical tickets for these events. Your name will be on an attendee list at the front door. Seating is first-come; first-served. For further information on this event please visit the website: https://www.ljathenaeum.org/events/martino-22-0517

Join music, art, literary, and dance historian Victoria Martino in a five-week lecture series, celebrating the 150th anniversary of Diaghilev by rediscovering and redefining the scope of his immeasurable influence on modern culture. Who was Sergei Diaghilev? Condemned by his own country as the ultimate exemplar of bourgeois decadence and depravity, he was excised from Soviet cultural history. Yet, in the international world of art, music, dance, and theater, he was revered, even idolized, as the greatest impresario of all time. Creator, critic, curator, Diaghilev played all these roles, defining for many the very meaning of contemporary art in the 20th century. In his role as founder and director of the legendary Ballets Russes, Diaghilev commissioned and patronized a veritable lexicon of artists, choreographers, composers, dancers, and designers: from Matisse to Picasso, Fokine to Massine, Debussy to Stravinsky, Nijinsky to Pavlova, Bakst to Chanel. Date | Tuesday, May 3 at 7:30 p.m., doors open at 7 p.m. Location | The Athenaeum Music & Arts Library Register here! Member admission: $16 Non-member admission: $21 There are no physical tickets for these events. Your name will be on an attendee list at the front door. Seating is first-come; first-served. For more information, please visit ljathenaeum.org/events/martino-22-0503 or call (858) 454-5872.