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  • The Republican nominee's remarks come days after a joke about Puerto Rico as a "floating island of garbage" at his New York rally prompted backlash.
  • Two politically pointed statues have mysteriously appeared in the nation’s capital in the leadup to the election: a pile of poop on the former House speaker's desk and a hand holding a tiki torch.
  • Meet on Thursdays — 9 a.m. to 11 a.m. - Sept 5th, Sept, 12th, Sept 19th, Sept 26th, Oct 3rd Join us in our 6-Week Copperplate Calligraphy workshop for beginners. Copperplate is the most commonly recognized traditional calligraphy script, making it a must-have for every calligrapher. Even if you are a lover of Modern calligraphy, learning Copperplate will help you to develop your own style! Space is limited, so be sure to register early. Instructor: Claudia Strenger Class Size: 8 students Who should attend? This class is encouraged for students of all levels, including someone who has never taken a calligraphy class before. Modern calligraphers who want to learn the basics of Traditional Copperplate calligraphy Lefties are welcome :) In this 6-week session, we will cover The basics of pointed pen calligraphy. How to create thick and thin strokes with a pointed pen. Step-by-step instructions on the Copperplate alphabet, both uppercase and lowercase. Materials included Beginner calligraphy pen Calligraphy nibs Sumi ink Workbook/practice sheets Cancellation Policy All workshops are non-refundable. However, tickets can be easily transferred to another person by emailing the name and email address of the new participant to design@strengerstudio.com. This is a Weekly Recurring Event Runs from Sep 5, 2024 to Oct 3, 2024 and happens every: Thursday: 9 a.m. - 11 a.m. Visit: https://www.strengerstudio.com/product/intro-to-copperplate-calligraphy-6-week-class-sept-5-/316?utm_source=Vesta&utm_medium=Referral Strenger Studio on Instagram and Facebook
  • Stream now with KPBS Passport / Watch Wednesday, Oct. 15, 2025 at 8 p.m. on KPBS TV / Encores Sunday, Oct. 26 at 8 p.m. on KPBS 2 + Thursday, Oct. 30 at 7 p.m. on KPBS 2. Discover Transylvania, a mystical region in central Romania where its mountain ranges, vast ancient forests and medieval villages are a sanctuary for wolves, lynxes, brown bears, bats and more.
  • Over 200,000 people canceled their subscriptions in the first few days following news that The Washington Post would not endorse any presidential candidate.
  • The man was detained on suspicion of fraud by false representation and handling stolen goods in the theft of roughly 48,500 pounds of the high-value cheddar.
  • Dustin Kjersem was found dead in his tent earlier this month of what was first thought to be a possible bear attack. Investigators have ruled it a homicide, saying he died of "multiple chop wounds."
  • Two Morning Edition teams drove hundreds of miles around the state to gauge how residents in this critical swing state feel about VP Harris and former President Donald Trump. Here’s what they told us.
  • Talisay, about 43 miles south of Manila, was one of several towns ravaged by Tropical Storm Trami, the deadliest of 11 storms to hit the Philippines this year.
  • July 13 - August 17 Opening reception: 5 - 8 p.m. Saturday, July 13.Gallery hours:11 a.m. to 4 p.m. Tuesday through Friday From the gallery:BEST PRACTICE is excited to announce the opening of and Elsewhere, the first exhibition of the work of Tigercrow Collective (Cat Gunn, Kirstyn Hom, Heige Kim, Jun!yi Min, and naomi nadreau). While the images, videos and sculptures included in this presentation all originate from each artist’s studio, the margins between these works blur opening up occasions for collaboration in the gallery.About the exhibition:'and Elsewhere' is Tigercrow Collective’s first exhibition together, which ruminates on experiences of longing for home. The word home is not particular, but home is always with elsewhere. Simultaneously specific and ambiguous, “elsewhere” invokes the notion of a place anywhere and here, recalling displacement, precarity, and Asian diasporic memory. Utilizing singular and collaborative artworks, the collective seeks places of refuge through objects that hold memory, materials that preserve touch, and references to ever-changing landscapes. The installation begins to connect these points of belonging to trace a transitory narrative together.
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