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  • Issue 46 of McSweeney's Quarterly Concern showcases crime fiction from all over Latin America, with new stories from writers like Alejandro Zambra. Reviewer Juan Vidal calls it rousing and essential.
  • Parton plays as artfully with the notion of authenticity as just about anyone in popular music. On her 42nd album, the superstar continues to explore new ideas and classic sounds.
  • One-time bluegrass prodigies reunite with an album that plays to each musician's strengths. As always, Sara Watkins, Sean Watkins and Chris Thile balance their virtuosity with joyfulness and spunk.
  • Nicole Mones' new Night in Shanghai follows an African-American pianist making his way in the city's nightclub scene on the eve of World War II. Reviewer Alan Cheuse says the story really swings.
  • On the 300th anniversary of his birth, hear how music by Johann Sebastian's son Carl Philipp Emanuel bridged the gap between the old-fashioned Baroque and newfangled music by Haydn and Mozart.
  • When you see those graceful figure skaters perform at the Winter Games in Sochi -- with their athleticism and their big-money endorsement deals -- for better or worse, Sonja Henie paved the way.
  • The New Zealand-born author Adam Christopher has a fascination for America — his latest, Hang Wire, is a decade-jumping, character-crisscrossing urban fantasy set in San Francisco. Reviewer Jason Heller says that with Hang Wire, his fourth novel, Christopher has mastered "geek-centric weirdness and galloping, whiz-bang pace."
  • The New Orleans-based bandleader Alynda Lee Segarra talks about the wide range of political and musical inspirations — from her Puerto Rican background to the Occupy movement and women's rights in India — behind her band's new album, Small Town Heroes.
  • Industrial musicals were like Broadway shows, only written and performed for corporate sales meetings or conventions. And as ridiculous as the songs were — "My bathroom, my bathroom is a private kind of place" — they were often delivered by very talented people.
  • It was a banner year for the acoustic guitar. NPR Music partner Folk Alley presents the best the genre had to offer.
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