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🎃 Join us for a Spooktacular Family-Friendly Halloween Event at The Shout! House Dueling Pianos! 📅 Date: Sunday, October 29 🚪 Doors Open: 2 p.m. 🎹 Piano Show Starts: 2:30 p.m. Get ready to put on your most creative and fun costumes because we’re turning The Shout! House into a Halloween haven for the whole family! This is a Halloween celebration like no other, where ghouls and goblins of all ages are welcome. 👗 Costume Contest: Show off your amazing Halloween costumes and stand a chance to win fabulous prizes! Whether you’re a spooky ghost, a superhero, a magical creature, or anything in between, your costume could be the star of the show. 🎹 Family-Friendly Dueling Piano Show: Our talented pianists are here to entertain you with high-energy, family-friendly music that will get everyone clapping, singing, and dancing along. Request your favorite tunes, and watch as the pianos come alive with music and laughter. 🍔 Delicious Food and Drinks: We have something for every taste bud. Perfect for both kids and adults. 🎈 All Ages Welcome: This event is designed with the whole family in mind, so no matter the age, everyone can have a blast together. We believe Halloween should be fun for everyone! 🪙 Table Reservations: Due to the popularity of our family-friendly events, we highly recommend making a table reservation in advance. Secure your spot today to ensure the best seats in the house for your family. 📍 Location: The Shout! House Dueling Pianos 655 4th Ave, San Diego CA 92101 Come in your spookiest, silliest, or most creative costumes, and let’s make this Halloween unforgettable! We can’t wait to see you there!🎃👻🎶 The Shout! House San Diego on Facebook / Instagram

Two families are battling for bragging rights as the inventor of the wildly popular dish. Will the truth come out? Or it could be there's another origin story involving ... British tastebuds?

The run-down state of the historic Black cemetery is at the center of a legal battle over who is in charge of its operation, upkeep and land.

The South Korean government is targeting a medical group, as a doctor-walkout throws the country's health care system into chaos.

It's been more than 30 years since a horror movie won an Academy Award for Best Picture. Should the Oscars rethink its approach?

Escondido has adopted a controversial new policy on homelessness. It rejects a “housing first” model and takes a "public safety first" approach.

As a social-impact organization and home to a Grammy Award-winning musical ensemble, Silkroad works to inspire collaboration in innovative ways that add more equity and justice into the world through the power of the arts. Today, under the leadership of Artistic Director Rhiannon Giddens, Silkroad reaches new heights through a commitment to new music, a re-sparked mission towards cultural collaboration, and a reinvigorated focus to high-quality arts education that both reflects its mission and the times in which we live. Silkroad’s newest initiative, American Railroad, illuminates the impact of African American, Chinese, Indigenous, Irish, and other immigrant communities on the creation of the US Transcontinental Railroad and connecting railways in North America. Exploring the dissemination of cultures across the United States, the railroad was to North America what the Silk Road was to China, the Far East and Europe. These and other immigrant populations played a fundamental role in one of America’s most important technological and economic achievements of the 19th century – and shaped its cultural identity – yet their contributions have all too often been erased from history. This performance will amplify untold stories to paint a richer, more accurate picture of the origins of the American Empire which profoundly reverberate today, and the formation of our multifaceted American identities. Led by artistic director Rhiannon Giddens, each stop on the American Railroad tour will contextualize — or rather re-contextualize — the railroad through music. Chinese traditional music on the suona and pipa are contrasted with the fiddle and banjo of Black musical traditions, or their Indigenous and Celtic counterparts. These cultural intersections reveal a thread of commonality despite their varied origins, and remind us of the intricately rich American story. As highlighted in the New York Times, Silkroad’s newest undertaking challenges modern perceptions of the American identity by highlighting stories untold and voices unheard. The program features new, original music written by Ensemble members and outside composers. About Silkroad | Yo-Yo Ma conceived Silkroad in 1998, recognizing the historical Silk Road as a model for radical cultural collaboration—for the exchange of ideas, tradition, and innovation across borders. In an innovative experiment, he brought together musicians from the lands of the Silk Road to co-create a musical language founded in difference, thus creating the foundation of Silkroad: both a touring ensemble comprised of world-class musicians from all over the globe and a social-impact organization working to make a positive impact across borders through the arts. Today, under the leadership of Artistic Director Rhiannon Giddens, Silkroad leads social impact initiatives and educational programming alongside the creation of new music by the Grammy Award-winning Silkroad Ensemble. For more information, please visit Silkroad.org. About Rhiannon Giddens | Rhiannon Giddens has made a singular, iconic career out of stretching her brand of folk music, with its miles-deep historical roots and contemporary sensibilities, into just about every field imaginable. A two-time GRAMMY Award-winning singer and instrumentalist, MacArthur “Genius” grant recipient, and composer of opera, ballet, and film, Giddens has centered her work around the mission of lifting up people whose contributions to American musical history have previously been overlooked or erased, and advocating for a more accurate understanding of the country’s musical origins through art. As Pitchfork once said, “few artists are so fearless and so ravenous in their exploration”—a journey that has led to NPR naming her one of its 25 Most Influential Women Musicians of the 21st Century and to American Songwriter calling her “one of the most important musical minds currently walking the planet.” Her third solo studio album, You’re The One, was released in August 2023 on Nonesuch Records.

Día de Muertos Celebration! La Jolla Music Society’s popular FREE Wu Tsai QRT.yrd Concerts returns this fall! Plan to meet up with friends at The Conrad and enjoy some live music—or come solo and make some new friends! Serafin Paredes established Mariachi Juvenil de San Diego in 2001 with three main goals: To have a place where his students could further their musical knowledge, continue their education after high school, and connect with their culture through music. To help achieve these goals, in 2003 Mariachi Juvenil de San Diego became the first and only nonprofit mariachi in San Diego. Members of Mariachi Juvenil de San Diego are required to maintain a certain grade point average during high school to remain a member of the mariachi. To keep students motivated to continue their education after high school, Mariachi Juvenil de San Diego gives members a small scholarship to help pay for their college expenses. Former and current members of Mariachi Juvenil de San Diego have continued their education at institutions such as San Diego City College, San Diego Mesa College, Southwestern College, San Diego State University, California State University Dominguez Hills, University of California San Diego, University of San Diego, George Mason University, University of San Francisco, National University, and Stanford University to name a few. In 2003, Serafin Paredes attended the Tucson International Mariachi Conference, where he saw students interacting and learning from professional mariachi musicians through educational workshops. Being there inspired Paredes to create his own conference in San Diego. For the past 14 years, Mariachi Juvenil de San Diego has being hosting an Annual Mariachi Conference in March, where students from San Diego and other parts of the United States and Mexico get together for two days and showcase their talent. The purpose of this event is to give students a space to master their skills, develop leadership skills, and mainly, to learn to respect the rich and living tradition of Mexican folklore. Throughout the years, Mariachi Juvenil de San Diego has traveled and performed in cities including San Juan Capistrano, Los Angeles, Sacramento, Tucson, Albuquerque, Santa Fe, Tijuana, Baja California, and Guadalajara. In 2018, the group had the privilege to travel to Japan and perform around Nagoya, Osaka, Kyoto, and Tokyo alongside the Greater San Diego Chamber Orchestra, Sergio Caratachea, Javier Rodriguez, and Yoshi Oshima.

With her personal touches on every aspect of this unique evening, award-winning New York City Ballet principal dancer Tiler Peck embraces the role of director for Turn It Out with Tiler Peck & Friends, turning up the heat with innovative, handpicked repertoire performed by some of today’s most exciting talent including fellow NYCB dancers and the reigning diva of tap dance, Michelle Dorrance. The virtuosic program includes Thousandth Orange, set to live music composed by Pulitzer Prize-winner Caroline Shaw; an electric pas de deux choreographed by Alonzo King; and a dynamic finale reflecting Peck’s creative partnership with choreographer William Forsythe, set to music by James Blake. While different in so many ways, all four pieces share a captivating joyfulness—joy for dance, for music, and for the inspiration that comes from surrounding oneself with creative and inspirational friends. Regarded as a “dance luminary” (Washington Post), “pure joy in toe shoes” (Los Angeles Times) and “the ballerina who can stop time (and re-start it too)” (New York Times), Tiler Peck is widely recognised as one of the top American ballerinas of our time. A Principal Dancer with New York City Ballet (NYCB), an actress, choreographer, author and designer, Peck continues to evolve as an artist and add to her extensive repertoire. She added the title of curator when she launched and starred in the Los Angeles Music Center’s presentation of BalletNOW. She was the subject of the Hulu feature documentary, Ballet Now, and also choreographed the box office smash action movie, John Wick: Chapter 3 – Parabellum. Tiler starred in CLI Studios’ A New Stage and the world premiere of William Forsythe’s The Barre Project (Blake Works II), and was Executive Producer on both. She appeared in Season 7 of Ray Donovan opposite Liev Shreiber and the Netflix series Tiny Pretty Things. The first ballerina ever to appear on the Ellen DeGeneres Show, she guested on Dancing with the Stars for three seasons and on Julie Andrews’ Netflix series, Julie’s Greenroom. She also starred in the film Ballet 422. Born in Bakersfield, California, Tiler began her dance training at the age of two at her mom’s dance studio. At 14, she entered the School of American Ballet. The same year, she became an apprentice with NYCB and within a few months was asked to join the corps de ballet. Tiler was promoted to Soloist in 2006 and to Principal Dancer in 2009 where she remains to this day. At 11, Tiler made her Broadway debut in The Music Man and later appeared on Broadway as Ivy Smith in the Tony-nominated On the Town. She played Louise in the Emmy-nominated production of Carousel (New York Philharmonic, Live From Lincoln Center) and more recently played the title role in Susan Stroman’s musical, Little Dancer (Kennedy Center). She is due to star in the production (now called Marie) on Broadway. Tiler had the honour of performing for President Barack Obama at the 2012 and 2014 Kennedy Center Honors. She was the 2004 Mae L. Wien Award winner, the Janice Levin Honoree for 2006–07, winner of the Leonide Massine’s Positano Premia La Danza for International Emerging Artists, and a 2004 recipient of a Princess Grace Foundation–USA Dance Fellowship. In 2013 she was named in Forbes’ “30 under 30 in Hollywood Entertainment” and won the Princess Grace Statue Award. She also received the 2016 Dance Magazine Award. Tiler developed and produces a daily ballet class, #TurnItOutWithTiler, initially aimed at helping people stay connected and moving during the pandemic. The show’s down-to-earth tone coupled with its very necessary purpose attracted the attention of enthusiasts like Jennifer Garner, Sarah Jessica Parker, Leslie Odom Jr, and Josh Groban, who all guested on the show. Tiler curated and directed the inaugural Artists at the Center for New York City Center. Marking her NYC choreographic debut, it also featured premieres from William Forsythe, Alonzo King, Jillian Meyers and Michelle Dorrance. With a passion and keen eye for fashion, Tiler designed the “Love, Tiler” collection for Só Dança and the capsule collection, Tiler Peck X STATESIDE, in collaboration with the popular Los Angeles-based sportswear company. Her second capsule collection was released in early 2023. Her first children’s book, Katarina Ballerina (Simon & Schuster) was published in 2020, and Katarina’s adventures continue in Katarina Ballerina & The Victory Dance (2022), in which she helps a fellow ballet dancer follow his dreams.

The Humanities Center is delighted to welcome as Knapp Chair, Jeff Drazen, PhD, a USD alumnus and professor in the Department of Oceanography at the University of Hawaii, Manoa, and senior fellow of the Joint Institute of Marine and Atmospheric Research. Dr. Drazen’s research has explored the structure of deep-sea and pelagic food webs and has evaluated abyssal fish and scavenger populations in areas that will be mined for metal resources. In this lecture, Dr. Drazen will explore the environmental hazards of deep-sea mining.