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For a decade, political support for Israel has come from conservative Christians. But now isolationism and antisemitism are changing the tone.

Anthony Nel, of Texas, became a U.S. citizen as a teen. But a flaw in a Trump administration citizenship tool flagged him as a potential noncitizen, which led to his voter registration being canceled.

A total of 980,458 participants are registered in San Diego to stop everything for a minute to "drop, cover and hold on" at 10:16 a.m.

The study from UC Merced shows that the decline in labor participation during a week of aggressive enforcement was similar to the first month of the Great Recession.

Scripps Ranch Theatre kicks off their Season 46 with "Kimberly Akimbo," written by David Lindsay-Abaire. Directed by Ted Leib. The prospect of dying by age 16 hardly seems like obvious fodder for comedy. This play, which inspired the musical that took Broadway by storm in 2022, is a haunting and hilarious dark comedy that offers theatre at its most wacky and original. "Kimberly Akimbo" tells the story of a girl with a genetic disorder that accelerates her aging process – she’s going on 16, but has the body of someone four times older. "Kimberly Akimbo" manages to ask the big questions about family and mortality in a funny, zany and heartfelt tone. The New York Times called it “the comedy of the year.” The production runs September 26 - October 19 on the campus of Alliant International University. Performances are Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m. There is a preview performance on Friday September 26 at 7:30 p.m.

Teen Vogue covered fashion and celebrity, but also took in-depth looks at politics and social justice issues. The union representing workers at Condé Nast said six staffers are losing their jobs.

A federal judge ruled against the Federal Trade Commission's antitrust suit alleging that Meta had stifled competition by buying up its rivals.

Step into a world of delightful distortion and curious proportions in this whimsical art class inspired by Alice in Wonderland. Participants will explore the imaginative realm of scale through the playful technique of blind contour drawing, (drawing while looking at the object, but not at the paper) creating expressive and unexpected outlines of figures and objects from the story—think tiny teacups, towering rabbits, and chairs that are comically out of size. Once the drawings are complete, we’ll bring them to life using loose, flowing watercolor washes that celebrate spontaneity and surprise—just like Wonderland itself. This class invites participants to embrace imperfection, play with scale, and enjoy the creative freedom that comes with letting go of expectations. Space is limited, registration is recommended. Please register each participant individually. Registered spots will be released to drop-ins the day of if not checked in within the first 15 minutes of workshop. About the Instructor: Robin Sanford Roberts originally studied architecture at Louisiana State University in Baton Rouge. After completing her studies she worked for several prominent architectural firms in Baltimore, Maryland. Her career took a turn towards a more creative path after a summer of inspirational study at Ecole des Beaux Arts in Fontainbleau, France. Robin then moved to San Diego to pursue a Masters in Fine Arts in Theatrical Set Design at the University of California San Diego. You can find her on Instagram @mizrobin or you can visit her website at robinsanfordrobertsart.com.

Millions of Americans take antidepressants. And like all medication, they come with side effects. Researchers studied 30 different antidepressants and found side effects vary from drug to drug.

In "Reencuentros: allá nos vemos/See you there," seven contemporary lens-based artists encounter time, home, (dis)placement, movement, stasis and becoming against the backdrop of the permeable US-Mexico border. Fedella Lizeth, Celeste Hernández, Jamil G. Baldwin, Aldo Cervantes, Elina Gonzalez, Alkaid Ramirez, and Raylene B. Olalde utilize photography and its intimacy to delve into the ubiquitous nature of family, home and land, examining the separations between people and place–how can home transcend the distinction between here and there? What does it mean to revisit what was once familiar? "Reencuentros: allá nos vemos/See you there" is organized by the SDSU Art Galleries. The exhibition is co-curated by William Camargo and Alexa Ramírez Posada. Programming is supported by the School of Art and Design, the Richard Anthony Marks Endowment and the College of Professional Studies and Fine Arts. SDSU Art Galleries on Instagram and Facebook