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  • The new documentary Agent of Happiness explores Bhutan's efforts to measure its own "gross national happiness." The film follows one not-especially-happy agent who gathers the data.
  • For Over 50 Years, One Story Has Terrified Millions. This October, Witness the Next Chapter of Evil. Universal Pictures Presents "The Exorcist: Believer" Join us on Friday, October 6 from 6-9 p.m. at AleSmith Brewing Company to celebrate the release of @theexorcistbeliever The first 15 people to mention "The Exorcist: Believer" will get a Horny Devil on the house. Possessions may vary & exorcisms not included. There will also be Exorcist trivia and giveaways to get in the spirit! Join us for a devil of a time! This is a free event. No ticket purchase is needed! RATED R. Only in theaters October 6th #TheExorcistBeliever Synopsis: Exactly 50 years ago this fall, the most terrifying horror film in history landed on screens, shocking audiences around the world. Now, on Friday, October 6, a new chapter begins. From Blumhouse and director David Gordon Green, who shattered the status quo with their resurrection of the Halloween franchise, comes The Exorcist: Believer. Since the death of his pregnant wife in a Haitian earthquake 12 years ago, Victor Fielding (Tony winner and Oscar® nominee Leslie Odom, Jr.; One Night in Miami, Hamilton) has raised their daughter, Angela (Lidya Jewett, Good Girls) on his own. But when Angela and her friend Katherine (newcomer Olivia O’Neill), disappear in the woods, only to return three days later with no memory of what happened to them, it unleashes a chain of events that will force Victor to confront the nadir of evil and, in his terror and desperation, seek out the only person alive who has witnessed anything like it before: Chris MacNeil. For the first time since the 1973 film, Oscar® winner Ellen Burstyn reprises her iconic role as Chris MacNeil, an actress who has been forever altered by what happened to her daughter Regan five decades before. The film also stars Emmy winner Ann Dowd (The Handmaid’s Tale, Hereditary) as Victor and Angela’s neighbor, and Grammy winner Jennifer Nettles (Harriet, The Righteous Gemstones) and two-time Tony winner Norbert Leo Butz (Fosse/Verdon, Bloodline) as the parents of Katherine, Angela’s friend. When The Exorcist, based on the best-selling book by William Peter Blatty, was released, it changed the culture forever, obliterating box office records and earning 10 Academy Award® nominations, becoming the first horror film ever nominated for Best Picture. The Exorcist: Believer is directed by David Gordon Green from a screenplay by Peter Sattler (Camp X-Ray) and David Gordon Green, from a story by Scott Teems (Halloween Kills), Danny McBride (Halloween trilogy) and David Gordon Green, based on characters created by William Peter Blatty. The film is produced by Jason Blum for Blumhouse and by David Robinson and James G. Robinson for Morgan Creek Entertainment. The executive producers are Danny McBride, David Gordon Green, Stephanie Allain, Ryan Turek and Atilla Yücer. Universal Pictures presents a Blumhouse/Morgan Creek Entertainment production in association with Rough House Pictures. Screenplay by: Peter Sattler and David Gordon Green based on characters created by William Peter Blatty Story by: Scott Teems, Danny McBride, David Gordon Green Producers: Jason Blum, David Robinson, James G. Robinson Executive Producers: Danny McBride, David Gordon Green, Stephanie Allain, Ryan Turek and Atilla Yücer
  • Russian cellist Anastasia Kobekina releases her Sony Classical debut album — featuring composers from the 17th century to today whose works evoke Venice.
  • Spiderwebs can capture environmental DNA, or eDNA, from vertebrate animals in their area, potentially making them a useful tool in animal monitoring, tracking and conservation.
  • Gordon Ramsay’s Hell’s Kitchen has partnered with Temecula’s award-winning Doffo Winery for an exclusive Winemaker Dinner where Damian Doffo will present wine pairings as they are poured with each course and share his love of winemaking. Celebrating harvest season, it’s the perfect time to taste some of the newly released wines alongside some delicious Hell’s Kitchen favorites. Menu highlights include Golden Beet Salad with greek yogurt, kumquats, pistachio granola and a white balsamic vinaigrette; Crispy Skin Salmon served with seabean salad, Iberico chorizo and citrus beurre blanc; crowd-favorite Beef Wellington with potato purée, glazed vegetables and red wine demi; and not to forget, the best-selling Sticky Toffee Pudding. Carefully selected wine pairings from Doffo include 2020 Cabernet Sauvignon Reserve, 2019 Mistura bordeaux blend and 2022 Viognier. The dinner is $220 per person, plus tax and gratuity and guests can call 760-751-3100 to make a reservation - space is limited!
  • Alynda Segarra examines our frailty and resilience with an unsparing, yet tender cadence. This week on 8 Tracks, NPR Music producer Lars Gotrich looks at lyrics that stand on their own as poetry.
  • To mark Philip Glass' 87th birthday, the astute pianist Timo Andres stops by to play a contrasting pair of the composer's popular etudes.
  • A federal appeals court has denied a request to revisit a ruling that threatens to make it harder to enforce a key section of the Voting Rights Act, setting up a potential appeal to the Supreme Court.
  • The eldest of the multi-talented, multi-award-winning Kanneh-Mason family, Isata Kanneh-Mason wowed audiences with her debut performance alongside her brother Sheku in the 2021–22 Season. Just days before performing at Carnegie Hall, she returns to The Conrad in a solo showcase with a gorgeous program of piano classics. Pianist Isata Kanneh-Mason is in great demand internationally as a soloist and chamber musician. She offers eclectic and interesting repertoire, with her recital programmes encompassing music from Haydn and Mozart, via Fanny Mendelssohn and Clara Schumann, Chopin and Brahms, to Gershwin and beyond. In concerto, she is equally at home in Felix Mendelssohn and Clara Schumann, whose piano concerto featured on Isata’s chart-topping debut recording, as in Prokofiev and Dohnányi. In 2022/23 Isata stepped into her role as Artist in Residence with the Royal Philharmonic Orchestra, performing three concerti across the season at London’s Cadogan Hall. She returned to Dortmund’s Konzerthaus as one of their Junge Wilde artists and made multiple visits to both the BBC Scottish Symphony Orchestra and the Royal Liverpool Philharmonic. Other highlights of the season include recital performances at the Barbican, Queen Elizabeth, and Wigmore halls in London, the Philharmonie Berlin, National Concert Hall Dublin, Perth Concert Hall, Prinzregententheater Munich, and the Sala São Paulo. As concerto soloist, Isata appears with the Orchestra of Opera North, New World Symphony Miami, City of Birmingham Symphony, Duisburg Philharmonic, Barcelona Symphony, Geneva Chamber Orchestra, Detroit Symphony, and Orchestra of Norwegian Opera. She returns to the Baltimore Symphony and recently made her long-awaited debut with the LA Philharmonic at the Hollywood Bowl. Isata is a Decca Classics recording artist. Her 2019 album, Romance – the Piano Music of Clara Schumann, entered the UK classical charts at No. 1, Gramophone magazine extolling it as “one of the most charming and engaging debuts.” This was followed in 2021 by Summertime, an album of 20th-century American repertoire featuring Samuel Barber’s Piano Sonata and a world premiere recording of Samuel Coleridge-Taylor’s Impromptu in B minor. In November 2021, along with her cellist brother, Sheku Kanneh-Mason, Isata released her first duo album, entitled Muse, beautifully demonstrating the siblings’ musicality and refined skill borne from years of playing and performing together. Her new solo album, Childhood Tales, was released in May 2023. Isata was an ECHO Rising Star in 2021/22, performing in many of Europe’s finest halls and is also the recipient of the coveted Leonard Bernstein Award and an Opus Klassik award for best young artist. Click here to learn more information about this event!
  • The second album from Radiohead offshoot The Smile is very good. But can its singer ever transcend his role in his revolutionary other band?
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