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  • President Trump argues that the Federal Reserve should cut interest rates to make buying a house cheaper. Former Labor Secretary Robert Reich warns that could backfire.
  • A page published by the White House entitled "President Trump Is Right About the Smithsonian" lists exhibits, educational sites and more that the administration seems to take issue with.
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
  • Join us for our next Paint and Sip at Black Plague Brewery in Oceanside! Sip on tasty beers and munch on juicy burgers as you learn how to paint your own rendition of this fun and vibrant “Sugar Skull”. Local artists will lead you step by step for this beginner friendly project. Expect the skull to be outlined for your guidance and leave the rest to your imagination! Black Plague Brewing is a unique craft brewery in Oceanside, CA!! Their brand represents the misfits, renegades, underdogs, and rebels! You can expect artwork centered around dark aspects of life that people tend to shy away from. You can check out their taproom menu menu before you head over! Additional Information We encourage artistic freedom! You can alter the painting to fit your style and use any of our colors. Things to know: We require a 48-hour notice for cancellations/rescheduling. Refunds must be requested within 3 days of purchase. After 3 days a credit will be given. Check-in begins 15 minutes before the event start time. Give yourself time to park to avoid arriving late. No outside food or drink is allowed. They are available for purchase. Wine is not included in your ticket purchase. If you have any questions about the event, feel free to contact customer service. Visit: Sugar Skull Paint and Sip Black Plague Brewing on Instagram and Facebook
  • A year ago, on Aug. 14, 2024, the World Health Organization declared mpox a Public Health Emergency of International Concern. Why are health experts so frustrated by the world's response?
  • A study of more than 2,100 people ages 60 to 79 found that an intensive two-year program of mental and physical activities, along with a heart-healthy diet, improved memory and thinking.
  • Trump withheld about $7 billion in education funds for various school programs nationwide, including about $800 million for California.
  • The State Department is slashing hundreds of jobs in what's being called its biggest shake-up in decades — drawing sharp criticism from former diplomats who say the cuts risk gutting America's diplomatic muscle.
  • A study analyzed decades of births and found that larger families showed a distinct tendency toward all girls or all boys, rather than a mix.
  • This week's discourse has revolved around the so-called "Gen Z stare" in professional and retail environments. But what are people really talking about?
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