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At least two people are dead after severe weather swept across Texas and Oklahoma overnight, causing extensive damage and outages, authorities said.

The move came one day after President Donald Trump signed an executive order intended to ban transgender athletes from girls' and women's sports.

Rather than lowering the price, some universities use online courses to subsidize everything else.

Researchers would like to see more study on how stress, the economy and attitudes toward medicine influence the well-being and longevity of men.

Special educators are more likely to experience violence or aggression from students. That can make hiring a challenge, at a time when schools nationwide are struggling to fill these positions.

Rewoven Narratives: Cotton, History, Modernity, and the Black Southern Experience offers a profound exploration of the deep connections between the past and present in the deep rural Texas South. Through North’s artistic lens, visitors are invited to engage with the intricate fabric of family, collective memory, and a heterogeneous culture that defines the region. The exhibit examines the transatlantic slave trade's impact, focusing on Black Atlantic themes and creolization. The Black Atlantic highlights the cultural network formed by the African diaspora, while creolization refers to the blending of African, European, and Indigenous cultures. This fusion shapes the rich traditions of the American South. North's skillful blend of photography, oral histories, artifacts, and cotton creates an immersive experience that transcends time and place. It allows viewers to reflect on the complex layers of Southern heritage. The exhibition serves as both a showcase of North's artistic evolution and a testament to the enduring power of storytelling. Central to the exhibition is an examination of how the legacy of slavery and the cotton industry continues to shape the fabric of modern society in the region. By delving into the economic, social, and cultural impacts of these historical forces, the exhibition sheds light on the enduring inequalities and structures that persist today. Through North's use of cotton as both a medium and a narrative device, visitors are encouraged to contemplate its dual significance: as the economic backbone of the slavery- driven South and as a symbol of resilience and reclaiming Black heritage. This artistic commentary offers a poignant reflection on the intersection of historical trauma and contemporary resilience, emphasizing the ongoing relevance of these narratives in shaping present-day social and cultural dynamics. Related events: Exhibition: July 9 to August 17 2024 Opening Reception: Tuesday, July 9 6:30-8:30 p.m. Gallery hours: Art Produce Gallery Hours: Thursdays & Fridays 2-5 p.m. or by appointment by emailing HERE. About the Artist: Robin North holds a Bachelor of Fine Arts Degree from the University of Houston with a concentration in Photography and Digital Media and a Master of Fine Arts in Art with a program emphasis on Photography and Multimedia from San Diego State University in San Diego, CA. As an interdisciplinary visual artist, educator, and archivist, his passion lies in preserving and celebrating the rich histories of Black families in the rural Deep American South. North delves into the complex histories and contemporary implications of cotton, slavery, modernity, and Black reclamation in the Deep South. North's work often incorporates mixed media, multimedia, and alternative photographic processes such as cyanotypes and platinum/palladium prints. He is known for his experimental narratives and portraits exploring identity and social change themes. His journey began when his grandmother entrusted him with his family's archives in 2006, unveiling a treasure trove of stories from generations past, captured in photographs, documents, and oral histories. Inspired by the resilience, joy, and perseverance within these narratives, Robin embarked on a personal quest to understand and share his family's roots. This journey gained deeper significance in 2016 when his uncle, James North, a fellow artist, shared his battle with Alzheimer’s disease—a poignant reminder of his time serving in the US Air Force during the Vietnam War, where he was exposed to the harmful effects of Agent Orange. During this time, his family and the broader Black Jackson County community asked him to tell their stories through his visual arts practice, family archives and his scholarly work to ensure they were not lost to time. This profound request propelled him to found "Keeper of the Walls"; a digital repository dedicated to collecting, digitizing, mapping, and sharing Black family archives from Jackson County, Texas. This project serves as a virtual space where families like his can contribute their photographs, documents, and stories, ensuring that their legacies endure for future generations. Related links: Art Produce: website | Instagram | Facebook

The funds, known as “indirect costs,” help universities maintain expensive labs and other infrastructure. Trump’s administration seeks to cut that funding by roughly half the current amount.

Homelessness grew just 3% in California last year, compared to 18% nationwide.

A year after publishing his Surrealist Manifesto, Breton organized the first group exhibition for La peinture surréaliste in the Gallery Pierre in Paris. It included work by Giorgio de Chirico, Paul Klee, Pablo Picasso, Jean Arp, Max Ernst, Joan Miró, André Masson, Man Ray, Jean Tanguy, and Pierre Roy. New members joined the group in 1929: former Dadaist Tristan Tzara, Salvador Dalí, filmmaker Luis Bunuel, and sculptor Alberto Giacometti. A group of talented women artists have long stood in the shadow of their famous male peers. This lecture also explores the contributions of Leonora Carrington, photographer Dora Mar, Lee Miller, and Meret Oppenheim. The beginning of WWII scattered the surrealist group all over the world. About Cornelia Feye: Cornelia Feye has a MA in art history and anthropology from the University of Tübingen, Germany. She traveled around the world for seven years before landing in New York City, where she was an art educator at the Jacques Marchais Museum for Tibetan Art on Staten Island. After moving to San Diego, she added the Museum of Art and the Mingei International Museum to her education résumé, and for 10 years she was Director of the School of the Arts and Arts Education at the Athenaeum of Music & Arts. Feye has taught Western and non-Western art history at colleges and universities in San Diego and continues to lecture at UCSD with an emphasis on women artists and conceptual art. Feye has blended her knowledge of art history with her love of writing in five art mystery novels, including "Spring of Tears," which, along with her short story anthology "Magic, Mystery & Murder" won San Diego Book Awards. As publisher of Konstellation Press, she gives a voice to independent authors. She currently lives in Ocean Beach, California, where she enjoys writing, rollerblading and looking for the green flash. Tickets: $16/21 The lecture will be in person at the Athenaeum Music & Arts Library. There are no physical tickets for this event. Your name will be on an attendee list at the front door. Doors open at 7 p.m. Seating is first-come; first-served. This event will be presented in compliance with State of California and County of San Diego health regulations as applicable at the time of the lecture.

Retailers are warning Americans to be vigilant about their packages and not let porch pirates steal the holiday spirit,