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  • The Trump administration is encouraging people to have more children, with baby bonuses and tax breaks. But some families who are practicing pronatalism want alternatives to hospital births.
  • Bishop Michael Pham is the first Vietnamese American to lead a diocese in the United States.
  • The San Diego County Board of Supervisors voted 3-1 Tuesday to advance a proposed action plan in response to the ongoing Tijuana River sewage crisis.
  • Businesses say they’re seeing a drop in customers and fearful communities. As federal operations continue, protests are planned in Escondido and San Diego this weekend. Then, the San Diego City Council voted Tuesday to repeal a controversial footnote in city code, impacting neighborhoods in southeastern San Diego. Plus, Midday Edition host Jade Hindmon spoke with Dr. Jennifer Au from the Scripps Cancer Center about the health impacts of alcohol.
  • The 2025 Songwriter Sanctuary season is in full swing, returning on Friday, March 28 with Aly Rowell, The Wellsprings, and Justin John Rodriguez performing in the round. Songwriter Sanctuary is hosted by the legendary Jeff Berkley and Normal Heights United. (4650 Mansfield St. Suggested Donation $10. All ages. Doors 6:30 p.m., Music 7 p.m.). About the Artists Aly Rowell just wants to make good art. As a kid, the artist and writer often filled notebooks with stories and songs and essays and spent weekends in libraries and banging on her guitar. Unsurprisingly, this is reflected in her music - a wide-eyed sensibility that sees the world for what it is and its untapped potential. Having discovered early 00s indie rock on a church computer (true story), Aly fell headlong into making the sound her own - crafting folky hooks about the nature of being in love, being brown, being sick, being young, earnest, being overlooked (frontman). These days, the Orange County native calls San Diego home, and continues to pursue the honesty and clarity in her music. Like Jane Austen, but indie rock. The Wellsprings: Alex Bergan and Megan Mattix make up the Americana/folk duo, The Wellsprings. Both come from extensive musical backgrounds and when they got married in 2022, the choice to create something new was an obvious one. Even though they’re relatively “fresh” to the scene, they’ve already made their mark. Not only in San Diego, but they tour the country regularly and have built loyal audiences across the United States. During a tour stop in Austin, Texas, they were both invited into Spectra Studios to sing guest vocals on David Ramirez’s upcoming album, “All The Not So Gentle Reminders.” As The Wellsprings have built up their repertoire, they’ve shared stages with artists such as The Wildwoods, Georgia Parker, Nicotine Dolls and Ari Herstand, to name a few. As Alex has had quite the year already, The Wellsprings will build on top of that with a new EP. “When We Go” is expected to release in the summer of 2025 and will be supported by multiple tours across the country. Justin John Rodriguez: A songwriter who’s lived many lives in many places, Justin John Rodriguez writes songs about life, love, regret and redemption as seen through his own unique perspective. Blending elements of country, folk and Americana he’s shared the stage with artists as diverse as Tyler Halverson, Todd Day Wait, Riley Downing, The Wilder Blue, Summer Dean, Sarah Shook & The Disarmers and Whiskey Myers to name a few. With the absence of light there is only darkness and Rodriguez navigates both seamlessly through his storied songs. Making them both personal and relatable to the shared human experience. Event Details Location: Normal Heights United Church 4650 Mansfield St, San Diego, CA 92116. Thank you to our generous venue partner for sharing this beautiful space with the local music community! Time: Doors 6:30 p.m., Show 7 p.m. - 9 p.m. ish. Suggested Donation: $10, but please be generous in your support of these top tier talents whose creative work is their livelihood. 100% donations go to artists. No one turned away for lack of funds. All Ages: Bear in mind we do not censor our artists so please make sure to check out the lineup and make the best decision for your family. Parking: Street parking Food/Drink: Beverages for small purchase, thanks to our sponsors! Duck Foot Brewing Company. Guests are welcome to bring food into the venue (please eat and dispose of waste respectfully) Accessibility: Please direct any venue accessibility requests to Molly Lorden Visit: https://www.eventbrite.com/e/songwriter-sanctuary-march-28-2025-tickets-1266863315279
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
  • Bon Iver's new album, SABLE, fABLE, explores a world of new possibilities for the artist, and in the accumulation of hardships and opportunities that got him to this fresh start.
  • Intelligence officials say the video, which purported to show a Haitian immigrant claiming he had voted multiple times in Georgia, is the product of a Russian propaganda operation.
  • Our top picks for arts and culture this weekend include Small Press Nite, Mission Trails Photo Contest, Museum School Auction, "United Harmonies," Helena Holleran, "One of the Good Ones" and more.
  • Criticized for its high cost but still selling out nearly everywhere, Nintendo's sequel to their popular Switch console releases as a trade war squeezes the video game industry.
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