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  • After her father died when she was 24, Catherine Coldstream entered a Carmelite monastery where she lived a life of prayer and obedience for 12 years. Her new memoir is Cloistered: My Years as a Nun.
  • Writers share advice on how to sensitively interview family members about painful or traumatic memories. These conversations may get loved ones to open up — and deepen our connections with them.
  • Noise from roads, airports and equipment like leaf blowers has been linked with serious health impacts. Decades ago, the U.S. government passed a law limiting it, but it has no teeth.
  • A new report by independent experts on famine says half a million people in Gaza are now facing starvation as the aid people depend on has dwindled.
  • The Israel-Hamas war has prompted some of the most volatile campus protests in decades. This summer, student organizers are rethinking strategies, as are counter-protesters and college administrators.
  • Despite leads from the public that have poured in over the last three years, there have been no solid answers regarding the 24-year-old geologist’s disappearance in Arizona on June 23, 2021.
  • A bill to allow local advisory boards to keep COVID remote meeting rules fails in the Legislature. The debate centered over making it easier for board members to participate — or giving Californians the chance to address public officials face to face.
  • Infection preventative measures, including high ventilation standards and universal masking, prevented many SARS-CoV-2 transmissions during the height of the COVID-19 pandemic, a UC San Diego-led study published Tuesday revealed.
  • Without addressing his then-girlfriend Cassie Ventura, who is seen in the video being kicked and dragged in 2016, the hip-hop mogul says, "I was disgusted then when I did it. I'm disgusted now."
  • From the gallery: This exhibition is first and foremost about color derived from nature and how they interact with each other. This series of works started with my desire to weave a “black” square in response to the black squares that infamously flooded Instagram accounts on June 2, 2020. The day became known as Blackout Tuesday and was a public response to the murders of multiple black Americans committed by police amidst the global coronavirus outbreak. These weavings are a meditation, a reaction to, and commentary on performative activism. Seeing millions of people post black squares left me internally asking: Why were people posting this black square? Did people really believe this black square would bring about foundational change, stop police brutality, and end systemic racism? Does the activism stop there? What’s next? These pieces were very therapeutic to create, they became a way for me to process and work through melancholy thoughts. This exhibition also draws inspiration from the rapidly changing digital world we exist in today where artists and creatives are losing their jobs and slowly being replaced by artificial intelligence. I playfully think of these as physical NFTs and really enjoy the juxtaposition of taking an ancient craft and attempting to make it look digital and erred. About the artist: Evan Tyler is an interdisciplinary artist born in Los Angeles, California, currently based in San Diego. His work is inspired by ancient things, mythology, architectures of the old world, and enduring traditional crafts, all of which allow him to harken back to another time and discover the practices of his ancestors. Visiting information: On view Oct. 9 to Nov. 18, 2023. Opening Reception: 5-7 p.m. on Saturday, Oct. 14. Gallery hours: 2-5 p.m. Thursday and Friday or by appointment HERE.
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