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  • A federal judge sharply questions the Biden administration’s position that it bears no responsibility for housing and feeding migrant children who are waiting for agents in makeshift camps.
  • Premieres Tuesday, April 9, 2024 at 11 p.m. on KPBS TV / PBS App + Encore Thursday, April 11 at 9 p.m. on KPBS 2. Navigate the lives of three people in the face of Parkinson's disease. An optician pursues deep brain stimulation surgery; a mother becomes an advocate for exercise; and a cartoonist contemplates continuing to draw as his motor control declines.
  • The "8 Passengers" mother pleaded guilty to four felony counts for abusing and starving two of her children in a deal with prosecutors. She faces sentences of one to 15 years in prison for each count.
  • After a rocky start, most of the bugs in the app have been fixed. But migrant advocates say it’s created a two-tiered asylum system.
  • Protests on college campuses related to the Israel-Hamas War have many Jews nervous heading into the holiday.
  • A judge has ruled that migrant children in makeshift camps along the border waiting to be processed by Border Patrol are in the agency’s custody.
  • We all feel lonely at some point, but long-term social isolation can damage our mental and physical health. A new book called Project UnLonely shows how creative expression can foster friendships.
  • We asked around the newsroom to find favorite nonfiction from the first half of 2024. We've got biography and memoir, health and science, history, sports and much more.
  • 2023 SDSU Grad Award Exhibit Marinta Skupin’s paintings and drawings probe our relationship with the natural environment. Among the imagery referenced in her work is that of the San Diego landscape. Skupin combines it with language and scientific data in order to examine how we know the world around us. In addition to being inspired by physical features of the natural world, Skupin’s work is informed by her reflections on the history of landscape painting and on issues such as extinction and the predicted climate apocalypse. The title of the exhibition is a quote from the following passage, written by David Benioff and spoken by Brad Pitt’s character in the 2004 film Troy: “Everything is more beautiful because we're doomed. You will never be lovelier than you are now. We will never be here again.” This is Skupin’s first solo exhibition and is the result of a partnership between Art Produce and San Diego State University, through which Art Produce makes an annual award to one student in the University’s School of Art & Design for an exhibition. Reception: Saturday, July 22nd 6-8 p.m. Gallery hours with the Artist: Saturdays 3-5 p.m. General Gallery Hours: Thursday 2-7 p.m.* Friday 2-7 p.m. Saturday 5-7 p.m. Sunday 5-7 p.m. *Entry through Botanica Thursday-Sunday 5-7 p.m. CLICK HERE for the Gallery Guide About the Artist: Marinta Skupin (b. Williston, South Africa) is a Prebys-endowed scholar and MFA candidate at San Diego State University’s School of Art and Design. She has a BA degree in Fine Arts and an MA degree in Arts Administration, both from the University of New Orleans. Prior to returning to the studio full-time, she had a long museum career, most recently as Curator of Education at Laguna Art Museum. Her work has been exhibited at such venues as the Athenaeum in La Jolla, the Institute of Contemporary Art in San Diego, Gallery 825 in Los Angeles, and the Abercrombie Gallery at McNeese State University in Louisiana. Related links: Art Produce website | Instagram | Facebook
  • From the KPBS weekend arts preview: Annalise Neil: "Relational Gradient" is a new solo exhibition at Sparks Gallery. Neil, a San Diego mixed media artist, creates striking cyanotype and watercolor pieces. Blended in her pieces are complex topics and ideas like time and quantum physics with the almost comforting inclusion of familiar subjects like animals, feathers, mushrooms and oceans. —Julia Dixon Evans From the gallery: Sparks Gallery is pleased to show the work of Annalise Neil this summer. We have been exploring the theme of “imagination” in our exhibitions this year, and Neil’s work is a wonderful example of how the development of complex ideas can be brought to physical form through a unique vision. Neil’s cyanotype and watercolor works are conceptually driven, with inspiration coming from both recognizable subjects like nature and animals, to abstract, philosophical topics like quantum theory, perception, and time. In particular, Neil has been investigating the work of physicist Carlo Rovelli, psychologist and economist Daniel Kahneman, Professor of Forest Ecology Suzanne Simard, and essayist Rebecca Solnit. Starting with ideas prompted from research, Neil processes these topics in her sketchbook, writing down quotes and theoretical diagrams, which are then edited down to form the visual composition of the piece. Once she is satisfied with the visualization phase, Neil starts the cyanotype process: “Taking pictures throughout my extensive travels and time spent in nature has allowed me to build a library of images that I have subsequently turned into hand-cut, individual negatives. I have hundreds of them grouped into categories such as mushrooms, birds and plants, which I use to build my cyanotype compositions. After completing the photographic stage of the work–which often involves complex, sequential exposures–I may employ bleaching and toning to shift the color. I then use watercolor paint to sharpen and enhance formal qualities and to weave in narrative elements.” Neil hopes her work will help encourage public discourse around these topics, especially what it means to be human in an interconnected world: “… I am keenly interested in discussing states of awareness and connection. All properties of all things are relational, and life is only possible through a collaborative symphony—nothing exists independently. Every living thing is a complex, multidimensional universe that interacts with others to form a prismatic web of energy. I endeavor to create work that will lead to contemplation and reflection, and that invites a thoughtful examination of our relationship to reality and our surroundings.” ABOUT THE ARTIST: Annalise Neil received a BFA in Printmaking from the College of Saint Rose in Albany, NY, with a minor in Art History (summa cum laude). In this program, Neil gained a strong technical and image planning foundation, along with a penchant for delicate mark-making. In 2010, she worked as an illustrator on packaging and product information campaigns for Anthropologie. She completed an Artist Residency in Motherhood between 2016-2017. Neil is a member of the San Diego Watercolor Society, the Artist Alliance at the Oceanside Museum of Art, and the Los Angeles Art Association. Her work resides in private collections across the U.S. and in Europe. Neil’s works will be on view at Sparks Gallery from August 13 – October 15, 2023 with an opening reception on Sunday, August 13, 2023 from 5-8 p.m. Connect with Annalise Neil on Instagram!
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