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  • Their job is to keep the peace amid a worsening and at times deadly conflict between humans and the world's largest land animal in the town of Livingstone, Zambia.
  • Actor John Lithgow grew up in a theater family but always wanted to be a painter. On Wild Card this week, he opens up what changed his mind.
  • “It was the nightingale, and not the lark, That pierced the fearful hollow of thine ear! Believe me, love, it was the nightingale!" A new musical-theatrical vision brings color, light and drama to our new hall in a delicious melding of the immortal ballet-music of Prokofiev together with the world-famous poetry of Shakespeare’s Romeo and Juliet that inspired it. Chicago-based projections-artist Mike Tutaj will transform the walls and space of the Jacobs Music Center into a magical playground for the imagination. The Russian composer’s glittering orchestration will make our new acoustic chamber tremble like a bell, and a selection of established theatre talents will bring alive the story of this much-loved tragedy of two young lovers destroyed by hate and enmity. Before this, legendary pianist Emanuel Ax will join Rafael Payare and the SDSO for one of the most sumptuous concertos by the most theatrical of all composers, Mozart. A great writer once said, “All Mozart’s concertos are operas in miniature,” and this particular concerto runs the gamut from imperial grandeur and celebration to childlike innocence and sorrow. Visit: https://www.sandiegosymphony.org/performances/where-we-lay-our-scene-a-san-diego-symphony-romeo-and-juliet/ San Diego Symphony on Instagram and Facebook
  • “It was the nightingale, and not the lark, That pierced the fearful hollow of thine ear! Believe me, love, it was the nightingale!" A new musical-theatrical vision brings color, light and drama to our new hall in a delicious melding of the immortal ballet-music of Prokofiev together with the world-famous poetry of Shakespeare’s Romeo and Juliet that inspired it. Chicago-based projections-artist Mike Tutaj will transform the walls and space of the Jacobs Music Center into a magical playground for the imagination. The Russian composer’s glittering orchestration will make our new acoustic chamber tremble like a bell, and a selection of established theatre talents will bring alive the story of this much-loved tragedy of two young lovers destroyed by hate and enmity. Before this, legendary pianist Emanuel Ax will join Rafael Payare and the SDSO for one of the most sumptuous concertos by the most theatrical of all composers, Mozart. A great writer once said, “All Mozart’s concertos are operas in miniature,” and this particular concerto runs the gamut from imperial grandeur and celebration to childlike innocence and sorrow. Visit: https://www.sandiegosymphony.org/performances/where-we-lay-our-scene-a-san-diego-symphony-romeo-and-juliet/ San Diego Symphony on Instagram and Facebook
  • Pride Week is in full-swing, and drag performers will dive into the landscape of drag. Plus, we hear about some summer movie releases. And your weekend arts preview.
  • A new study projects biodiversity threats if global warming speeds up. Under the most extreme scenarios, about one in three species could be facing extinction by the end of the century.
  • The public is racing to find evidence that might lead to the gunman who killed health insurance CEO Brian Thompson. When does crowdsourcing detective work help police, and when can it cause harm?
  • Monday, July 7, 2025, 2025 at 9 p.m. on KPBS TV / Stream now with the PBS app + encore Thursday, July 10 at 9 p.m. on KPBS TV. In the first episode explore the rich and enchanting history of Hotel del Coronado, from its Victorian splendor to its renowned guests, as Elsa Sevilla and her team uncover the untold stories behind its extraordinary restoration and enduring legacy.
  • If you haven't rolled up your sleeve for the jab, you're not alone. In fact, you're in the majority. Here's why doctors think the shot is important.
  • In this adaptation of Burroughs' autobiographical novel, Craig plays an American who falls hard for a younger man in 1950s Mexico City. It's a singular performance, but also a deeply human one.
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