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  • Facilitated by Direct Divine Light Healers “Spiritual energy is the single biggest key to building and sustaining health, because it connects you to your source of health.” - Barbara Martin & Dimitri Moraitis – The Healing Power of Your Aura Experience a Direct Divine Light healing performed in a supportive group setting led by SAI faculty teachers Neil Mintz and Melissa Love and facilitated by certified SAI healers. Whether you are seeking physical, mental or emotional transformation, Divine Light healing is a full-spectrum aura therapy. It offers spiritual upliftment in every area of life including a greater sense of self-reliance and self-confidence, release of past traumas and negative habits, accelerated development of talent and abilities and greater harmony in all types of relationships. The aura is a crucial to healing because it is the place where you generate the spiritual energy to manifest health. Built on the clairvoyant experiences of renowned teachers Barbara Y. Martin and Dimitri Moraitis, these healing techniques have been endorsed by medical luminaries C. Norman Shealy and Dr. Richard Gerber. Offered on New Moon or Full Moon evenings. Included are breathwork, affirmations, and visualizations to support your healing journey. Offered in-person Spiritual Arts Institute 527 Encinitas Blvd, Suite 206 Encinitas, CA 92024 2023 Dates, 6:30 p.m. PT Friday, April 21 Cost: $20 As we are a non-profit, donations welcomed. Stay Connected on Social Media! Facebook | Instagram | Twitter
  • Actress Rachel Weisz talks about giving David Cronenberg's film a gender flip and challenging the status quo.
  • The White House says there's no immediate threat to safety. National security adviser Jake Sullivan is briefing a small group of lawmakers on Thursday.
  • Harvard professors wanted to flood social media with evidence-based information about conditions like anxiety and depression. So they turned to the people who already know how to go viral.
  • King's first novel, Carrie, turns 50 in 2024, and in honor of her birthday we asked you to share your favorite Stephen King story. More than 1,000 replies poured in in just a few days.
  • A mobile medical clinic offering mental health care has sought to help Palestinians dealing with war-related anxiety, especially vulnerable communities, such as Bedouin tribes.
  • In rural and conservative-leaning towns and cities across California, LGBTQ+ student groups are small in number and face homophobic and transphobic incidents.
  • On Dec. 13, 2013, Beyoncé fans got a holiday gift no one expected. A decade later, the artistic and economic impact of her fifth album is still reverberating.
  • The San Diego Early Music Society presents Italian lutenist Simon Vallerotonda in a program exploring the metaphysical and sensual world of seventeenth century French lute music. The program consists of four suites in four different keys, each associated with a season and with one of the four ‘humors’ (melancholic/autumn, sanguine/spring, phlegmatic/winter, choleric/summer) that were said to characterize human beings in their temperament and physical traits. An anatomy of the human soul, passing from the rarefied and reflective atmosphere of Charles Mouton’s prélude non mesuré through Jacques Gallot’s dizzying rondeaux , Valentin Strobel’s skipping, exotic canaries, the eulogies of Robert de Visée’s tombeaux, where the notes resonate like prayers and tears for the deceased, to the bizarre, asymmetrical courantes of Dubut le Père. A journey at the conclusion of which we find human beings described in their different and contrasting passions by means of music – music whose colors, though centuries old, portray them with extraordinary modernity. Simone Vallerotonda appears courtesy of the Italian Cultural Institute of Los Angeles and CIDIM (Comitato Nazionale Italiano Musica).
  • Ligia Lewis works as a choreographer conceiving and directing experimental performance. Lewis’s works, often marked by physical intensity and humor, seek to animate subjects through a process that disrupts normative conceptions of the body while negotiating the ghostly traces of history, memory, and the unknown. Through her choreographic scores and compositions, she develops expressive concepts that give form to movements, speech, affects, thoughts, relations, utterances, and the bodies that hold them. Thus her work slides between the familiar and the unfamiliar. Held together by the logic of interdependence, disorder, and play, she creates space(s) for the emergent and the indeterminate while tending to the mundane. In her work, sonic and visual metaphors meet the body, materializing the enigmatic, the poetic, and the dissonant. Lewis’s work continues to evoke the nuances of embodiment. Co-sponsored by the Black Studies Project Black Studies Project, UCSD on Facebook
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