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  • Rewoven Narratives: Cotton, History, Modernity, and the Black Southern Experience offers a profound exploration of the deep connections between the past and present in the deep rural Texas South. Through North’s artistic lens, visitors are invited to engage with the intricate fabric of family, collective memory, and a heterogeneous culture that defines the region. The exhibit examines the transatlantic slave trade's impact, focusing on Black Atlantic themes and creolization. The Black Atlantic highlights the cultural network formed by the African diaspora, while creolization refers to the blending of African, European, and Indigenous cultures. This fusion shapes the rich traditions of the American South. North's skillful blend of photography, oral histories, artifacts, and cotton creates an immersive experience that transcends time and place. It allows viewers to reflect on the complex layers of Southern heritage. The exhibition serves as both a showcase of North's artistic evolution and a testament to the enduring power of storytelling. Central to the exhibition is an examination of how the legacy of slavery and the cotton industry continues to shape the fabric of modern society in the region. By delving into the economic, social, and cultural impacts of these historical forces, the exhibition sheds light on the enduring inequalities and structures that persist today. Through North's use of cotton as both a medium and a narrative device, visitors are encouraged to contemplate its dual significance: as the economic backbone of the slavery- driven South and as a symbol of resilience and reclaiming Black heritage. This artistic commentary offers a poignant reflection on the intersection of historical trauma and contemporary resilience, emphasizing the ongoing relevance of these narratives in shaping present-day social and cultural dynamics. Related events: Exhibition: July 9 to August 17 2024 Opening Reception: Tuesday, July 9 6:30-8:30 p.m. Gallery hours: Art Produce Gallery Hours: Thursdays & Fridays 2-5 p.m. or by appointment by emailing HERE. About the Artist: Robin North holds a Bachelor of Fine Arts Degree from the University of Houston with a concentration in Photography and Digital Media and a Master of Fine Arts in Art with a program emphasis on Photography and Multimedia from San Diego State University in San Diego, CA. As an interdisciplinary visual artist, educator, and archivist, his passion lies in preserving and celebrating the rich histories of Black families in the rural Deep American South. North delves into the complex histories and contemporary implications of cotton, slavery, modernity, and Black reclamation in the Deep South. North's work often incorporates mixed media, multimedia, and alternative photographic processes such as cyanotypes and platinum/palladium prints. He is known for his experimental narratives and portraits exploring identity and social change themes. His journey began when his grandmother entrusted him with his family's archives in 2006, unveiling a treasure trove of stories from generations past, captured in photographs, documents, and oral histories. Inspired by the resilience, joy, and perseverance within these narratives, Robin embarked on a personal quest to understand and share his family's roots. This journey gained deeper significance in 2016 when his uncle, James North, a fellow artist, shared his battle with Alzheimer’s disease—a poignant reminder of his time serving in the US Air Force during the Vietnam War, where he was exposed to the harmful effects of Agent Orange. During this time, his family and the broader Black Jackson County community asked him to tell their stories through his visual arts practice, family archives and his scholarly work to ensure they were not lost to time. This profound request propelled him to found "Keeper of the Walls"; a digital repository dedicated to collecting, digitizing, mapping, and sharing Black family archives from Jackson County, Texas. This project serves as a virtual space where families like his can contribute their photographs, documents, and stories, ensuring that their legacies endure for future generations. Related links: Art Produce: website | Instagram | Facebook
  • Brian Raymond admitting to drugging, filming and assaulting the women, most of whom didn't know until investigators showed them footage. Several shared their experiences in court as he looked on.
  • UCSD said it had placed some student transcripts and degrees on hold pending an investigation into a violation of the student code of conduct.
  • Each week some revelation about bird flu seems to flutter through the news cycle. Here's what the latest research is saying about how it is spreading and how to keep yourself and your pets safe.
  • Nursing aides feel abandoned as they grapple with mental and physical troubles that stem from their work during the COVID outbreak.
  • The 22-year-old nursing student's death fueled an emotional and politically charged debate over immigration and crime after authorities said the suspect was a man who entered the U.S. illegally.
  • Amnesty International says Israel has sought to deliberately destroy Palestinians in its war with Hamas, by mounting deadly attacks, demolishing vital infrastructure and preventing aid deliveries.
  • LaJuné is a Multidisciplinary Artist, and Educator creating art that integrates performance, extended reality, and physical computing to question our contemporary forms of communication. They are passionate about discovering, learning, manifesting, and stewarding spaces for liberated Black Realities and the Black Imagination. LaJuné has had the opportunity to show and speak about their work at National Sawdust, Tribeca Film Festival, Times Square, and Art & Code's Weird Reality. LaJuné was previously the Director of Skating at Figure Skating in Harlem, where they integrated STEAM and Figure Skating to teach girls of color about movement and technology. They have continued their research on Blackness, movement, and technology during residencies and fellowships at the Jerome Hill Artist Fellowship, Eyebeam, Pioneer Works, NYU ITP, Barbarian Group, and Barnard College. Cosponsored by UCSD Black Studies Project as part of their Black Visual and Performance Art Series. For more information visit: visarts.ucsd.edu Stay Connected on Instagram
  • Officials have not yet released the names of the 14 people killed in the New Orleans New Year's Day truck attack, but their families and friends have started sharing their stories.
  • David DePape, who was sentenced to 30 years in federal prison for attacking Paul Pelosi with a hammer, was sentenced to life without the possibility of parole following a separate state trial.
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