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Often unseen yet deeply influential, archives shape how we remember, research, and relate to art and culture. Join us for our next edition of Inner Workings, which explores the art and impact of archiving, highlighting the role museums, universities, and smaller organizations have as caretakers and storytellers. Through this panel conversation, we aim to reveal the creative and ethical dimensions of preserving history—and how inclusive, responsive archival practices can transform the stories we tell. MCASD’s Inner Workings program series pulls back the curtains of the art and museum world, offering a rare glimpse into the often-overlooked roles and disciplines that shape institutions and the broader art industry. Designed to spark curiosity and deepen understanding, this series invites our communities to explore the hidden mechanics of art institutions, shedding light on the expertise and behind-the-scenes activity that bring contemporary artists' work to life. All program RSVPs include admission to the Museum. Program 5:30 p.m.: Doors Open 5:50 p.m.: Introductions 6 p.m.: Discussion with panelists Noel Nguyen, Kishauna Soljour, and Pamela Vadakan, moderated by Nicole Verdés About the Guests Moderator – Nicole Verdés Nicole Verdés (they/she) is the inaugural Managing Director of Lambda Archives, where she works to ensure equity and access in cultural preservation. She serves on the board of the San Diego Regional Arts and Culture Coalition and has held leadership roles with the San Diego LGBT Community Center's Young Professionals Council, Rising Arts Leaders San Diego, and Diversionary Theatre's Community Advisory Committee. Nicole has presented on youth archival futures and ethical advocacy practices at national conferences, including ALMS Berlin and Creating Change 2025. She has reviewed several academic works on LGBTQ+ historic preservation and served on grant panels for the California Arts Council. She holds a Master's Degree in Sociological Practice from Cal State San Marcos and is a graduate of the Western Archives Institute. Panelists – Noel Nguyen, Kishauna Soljour, Pamela Vadakan Noel Nguyen Noel Nguyen (he/him) is a San Diego based artist involved with Scannners Archive, a nonprofit arts organization centered around DIY community and culture. He helps manage the space’s growing zine library and runs a monthly group archiving workshop for the collection. Currently he is earning his Master’s degree in Library and Information Science. Kishauna Soljour Dr. Kishauna Soljour (she/her/ella) is an Assistant Professor at San Diego State University, specializing in Public Humanities and African Diaspora Studies. She was an Andrew W. Mellon Public Humanities Fellow and Visiting Assistant Professor of History at Sarah Lawrence College. Dr. Soljour received her Ph.D. in History from Syracuse University. Soljour’s research concentrates on the nexus of cultural, political, and social change for Diasporic communities in the twentieth and twenty-first centuries. Embracing the mission of public humanities, Dr. Soljour is the Associate Director of the Public & Oral History Center and the Associate Director of the Institute for the Arts, Humanities, and Social Justice at SDSU. She developed several initiatives including curated exhibitions, digital oral history projects, archival & preservation projects, and podcasts; as well as, partnered with Humanities New York, the National Endowment for the Humanities, Old Town State Historic Park, the United Nations Volunteer Program, the Hudson River Museum, and the Yonkers Public Library. Pamela Vadakan Pamela Vadakan (she/her) has been the project coordinator of California Revealed since its inception in 2010 and became the Director in early 2019. She most enjoys working with partner organizations at regional workshops, meeting people and their collections on the ground, and offering guidance and encouragement for long-term collections care. She has a Master of Arts degree in Moving Image Archiving and Preservation from New York University. She is also a core member of the Community Archiving Workshop and serves on the board of the Center for Home Movies. Visit: https://mcasd.org/events/archiving-preserving-history Museum of Contemporary Art San Diego on Facebook / Instagram

CHA is proud to announce the opening of its newest WWII exhibit. In honor of this exhibit, join us Thursday, November 6, for an exhibit opening reception and lecture featuring author Kitty Morse. Kitty will discuss her new book, "Bitter Sweet: A Wartime Journal and Heirloom Recipes from Occupied France." This book was written after she discovered her great-grandfather's journal chronicling the advance of the Germans in Le Grand Est (Alsace-Lorraine) between April and December 1940, and two notebooks filled with recipes written in her great-grandmother’s hand in a suitcase left to her by her mother. "Bitter Sweet" takes place in and around her mother’s birthplace, Châlons-sur-Marne (now Châlons-en-Champagne.) Blanche Lévy-Neymarck, Morse's maternal great-grandmother, died at Auschwitz in 1944 along with one of her daughters and her son-in-law. Blanche's husband Prosper, an army surgeon in WWI, was twice the recipient of the Légion d'Honneur. This book is not just the story of a family torn apart by war, but it also features 70 unique recipes that show the rich history of a family. Join us on Thursday, November 6, at 5:30 p.m. for a wine & cheese reception followed by the lecture from 6 p.m. to 7 p.m. Tickets are available now by clicking Register Now above! Member ($15.00 each) Non-Member ($20.00 each) Important Registration Information: Capacity is limited and reservations are required. No walk-ins will be admitted. If you have any questions, please email info@coronadohistory.org or call (619) 435-7242. About the Speaker: Award-winning author Kitty Morse was born in Casablanca, Morocco, to a French mother and a British father. She emigrated to the United States at the age of 17. While studying for her Master’s Degree at the University of Wisconsin-Milwaukee, Kitty catered Moroccan diffas, or banquets, and went on to teach the intricacies of Moroccan cuisine in cooking schools and department stores nationwide. In June 2002, she conducted a Culinary Concert on Moroccan culture and cuisine hosted by Julia Child, as a benefit for the Harry Bell Foundation of the International Association of Culinary Professionals. Kitty’s books have been translated into French, German, Polish, and Czech. In 1984 (and for the next 25 years) she initiated annual gastronomic tours to Morocco that included culinary demonstrations in her family home, a Moorish riad south of Casablanca. Her monthly e-newsletter, The Kasbah Chronicles, in French and in English, is now in its 12th year of circulation. Visit: https://coronadohistory.org/calendar/event/exhibit-opening-reception-lecture-bitter-sweet-with-kitty-morse/ Coronado Historical Association on Facebook

In this talk, Dr. Feldman will discuss his research on the epidemiology, natural history and experimental therapeutics of Alzheimer's disease and dementia. Dr. Feldman is professor of neurosciences at the University of California, San Diego. He was appointed director of the Alzheimer’s Disease Cooperative Study in April 2016. He received his MDCM degree from McGill University in Quebec, Canada in 1978. Dr. Feldman has contributed to discoveries and clinical research studies in aging, mild cognitive impairment, Alzheimer’s disease, and frontotemporal dementia. Visit: https://sandiego.librarymarket.com/event/copy-sdis-monthly-lecture-series-450824

Opening Reception | Nolan Oswald Dennis: "Demonstrations (i)": Presented with INSITE Athenaeum Music & Arts Library 1008 Wall Street La Jolla, CA 92037 October 25, 2025–January 17, 2026 Opening Reception: Friday, October 24, 5:30–8 p.m. Conversation with Nolan Oswald Dennis and critic KJ Abudu: 5:30–6:15 p.m. Joseph Clayes III & Carolyn Yorston-Wellcome Rotunda Galleries Nolan Oswald Dennis: "Demonstrations (i)" Presented with INSITE INSITE is pleased to announce Nolan Oswald Dennis: "Demonstrations (i)," opening at the Athenaeum Music & Arts Library in La Jolla, California, this October. Nolan Oswald Dennis (b. 1988, Lusaka, Zambia) is an artist based in Johannesburg, South Africa. Informed by the study of geological and planetary systems—and situated within African and diasporic relations to the land, cosmos, and anti-colonial political structures—Dennis’s work approaches the world as it is while mapping possibilities for transforming it. "Demonstrations (i)" marks the West Coast premiere of Isivivane, an ongoing project by Dennis that replicates rock specimens from geology museums and university departments in South Africa and parts of the world where the work has been shown. Originally commissioned for INSITE Commonplaces in Johannesburg in 2021, this project has since traveled to the Kunstinstituut Melly in Rotterdam, Netherlands; the Swiss Institute in New York; and Gasworks in London. Isivivane is a Zulu word which translates to a "pile of stones,” similar to a cairn, which marks a spiritually or historically significant site. Isivivane also means to make an individual contribution to a collective future. Manufactured daily by a 3D-printer on site, the new rocks become part of what the artist calls a Black Earth Library. This is an effort that has arisen from discussions with geologists and geology museum curators concerning restitution and repatriation of culturally significant objects. In asking the host institution to create digital and physical copies of more or less significant rocks, stones, and other small geological objects, Dennis suggests a geo-social system not built by a single person, but by many over time. Isivivane will be accompanied by related sculptures and drawings, and displays of rocks and minerals selected by the artist from local collections. "Demonstrations (i)" opens to the public at the Athenaeum with a reception on Friday, October 24, from 5:30 to 7:30 p.m. The closing of the exhibition on January 17 will be celebrated with the presentation of INSITE Journal__08: Reverse Forward and All at Once. The publication comprises documentation and essays related to the INSITE "Commonplaces" project curated by Gabi Ngcobo in Johannesburg, with commissioned work by participating artists Nyakallo Maleke and Nolan Oswald Dennis. Further public program announcements to follow. About Nolan Oswald Dennis Nolan Oswald Dennis is an artist based in Johannesburg, South Africa. They hold a bachelor's degree in architecture from the University of the Witwatersrand (Wits) and a master’s degree in art, culture, and technology from the Massachusetts Institute of Technology (MIT). Their work has been the subject of solo exhibitions at Kunstinstituut Melly in Rotterdam, Netherlands; Swiss Institute in New York; Zeitz MOCAA in Cape Town; and Gasworks in London. They have been featured in group exhibitions at FRONT Triennial (Cleveland), Lagos Biennial, Liverpool Biennial, MACBA (Barcelona), Palais de Tokyo (Paris), Seoul Mediacity Biennale, Shanghai Biennale, and Young Congo Biennale, among others. They are a member of the artist groups NTU and Index Literacy Program, research associate with the VIAD Research Centre at the University of Johannesburg, and a member of the Edouard Glissant Art Fund Scientific Committee. About INSITE Since 1992, INSITE has produced more than 250 artists’ projects conceived for specific sites and political-social contexts across San Diego and Tijuana, as well as in Mexico City. INSITE Commonplaces is a curatorial platform established in 2021 for producing work with artists and communities commissioned locally in different regions of the world. In addition to Johannesburg (Reverse Forward and All at Once), these long-term projects have taken place in Lima, Peru (Common Thread), and presently, the transnational region encompassing San Diego County and Baja California, Mexico (The Sedimentary Effect). The exhibition can be viewed in the Joseph Clayes III and Carolyn Yorston-Wellcome Rotunda Galleries at the Athenaeum Music & Arts Library (1008 Wall Street, La Jolla, CA 92037) during open hours, Tuesday through Saturday, from 10 a.m. to 5:30 p.m. Athenaeum Music & Arts Library on Facebook / Instagram

Hours: 11 a.m. - Midnight Yard House – celebrated for its world-class beer selection, diverse food menu, and classic rock vibes – is thrilled to announce the grand opening of its newest location in Chula Vista on Sunday, September 28. Located in the Otay Ranch Town Center at 2015 Birch Rd Suite 803, the restaurant marks Yard House’s third San Diego-area location. Each Yard House is centered around its expansive bar, and the Chula Vista location is no exception. There are 90 unique taps featuring American craft and imported beers, as well as local and regional pours that are hand-picked by the restaurant’s management team. A glass-enclosed keg room showcases hundreds of steel barrels containing as much as 4,000 gallons of beer that flow to the center-island bar through an extensive network of tubing positioned overhead, pouring each beer at a perfect 36 degrees. The menu boasts over 80 unique dishes, featuring twists on American and global favorites. Guest favorites include signature Poke Nachos, Nashville Hot Chicken, Tacos, and proprietary-blend USDA prime burgers. Gluten-sensitive, vegan, and vegetarian options are also available, ensuring something for everyone. Led by General Manager Jason Carr, the 9,160 square-foot restaurant will feature flat screen TVs with DirecTV to catch every game. Yard House Chula Vista will open daily 11 a.m. – 12 a.m. for lunch, dinner, and late-night gatherings. The restaurant also offers an unbeatable happy hour from Monday through Friday, 3–6 p.m., with half-price appetizers and $1–$4 off beer, wine, and cocktails. For more information, visit yardhouse.com, or connect with us on Instagram, Facebook and X.

The Library's Autumn Concert Series takes place on Fridays from September 5 to October 31. Each concert will begin at 1 p.m. in the Winn Room. Doors will open 15 minutes prior to the performance. On October 24, we will have Sophie Webber on the cello. "outstanding... every note has meaning rather as a look or a touch does; the resulting conversations she has with the music are endlessly absorbing... Her subjective narrative suggests the freedom with which Pablo Casals brought the music back to life a century ago." ~Laurence Vittes | Gramophone Cellist Dr. Sophie Webber, whose "every note has meaning rather as a look or a touch does" (Gramophone) is an internationally acclaimed soloist, chamber musician, arts activist, and educator. Praised as "an exceptional and creative musician" (Interlude) and "sublime to hear" (Time Out Chicago), she has released three critically acclaimed albums, "Escape: Bach's Six Suites for Solo Cello" (2018), "B2C: Bach to Choir" (2020, featuring Bach's Cello Suites Nos.1 and 3, alongside Sophie's original choral accompaniment with vocables by former Kings Singer baritone and arranger, Phil Lawson, performed by the Chicago Choir of the Church of Ascension) and most recently, "Roots: Transcriptions of Romantic Works for Cello and Piano" with pianist Ines Irawati (2022). Her former teachers include Janos Starker, Tsuyoshi Tsutsumi, and Helga Winold at Indiana University Jacobs School of Music, and Richard Markson at Trinity College of Music, London, from where she graduated with a First Class Honors degree, as well as the Sir John Barbirolli memorial prize for cello. A dedicated educator, Sophie has served as cello faculty at Southeast Missouri State University, Jacobs School of Music Summer Clinic, Oxford Cello School, Trinity College of Music Junior Department, Lake Forest College and the Music Institute of Chicago. She is a keen music theorist and pianist, and held a position as Music Theory Instructor at Indiana University for four years. She has taught a variety of university level courses, and is frequently invited to give guest masterclasses at universities across the States. Following the pandemic's push to move more music teaching online, Dr. Sophie has also given regular online cello lessons and classes for the past five years. In 2024, Sophie began teaching an online cello course, “Dr. Sophie Cello Lab,” including group and individual instruction, international guest cellist clinicians, and with a strong community component. Sophie's students have served as section and principal cellists in the Chicago and San Diego Youth Symphony Orchestras, have won or been placed in regional and national competitions (such as State Youth Concerto Competitions, the Society of American Musicians Competition, MidWest Young Artists Discover National Chamber Music Competition, Confucius Chinese Fine Arts Society Competition, and the Walgreen National Concerto Competition) and have gone on to study cello performance at some of the nation's top music schools. In 2009, she founded Fused Muse Ensemble, an IL non-profit with a mission to amplify voices too often left unheard through music and mixed media. Sophie's music has been featured on BBC Radio 3, Southern California's Classical KUSC 91.5FM, Chicago's WFMT 98.7FM, Seattle's King FM 98.1, Iowa Public Radio, Tampa Bay (Florida)'s WUSF Public Media, Rochester (New York)'s WXXI Classical 91.5, North Carolina's WCPE The Classical Station 89.7FM, Portland's All Classical 89.9 KQAC FM, amongst others. Visit: https://coronado.librarycalendar.com/event/autumn-concert-series-hold-34517 Dr Sophie Webber on Instagram and Facebook

All are welcome to the opening reception of the "Coronado Plein Air Art Exhibition"! Meet the artists, listen to live music, and enjoy light refreshments. Meet the winner of the Coronado Art Prize, Artist Mary Hale! Exhibit will feature artists: Mary Hale, Jim Nix, Katie Karosich, Connie Spitzer, Jody Esquer, Doris Rice, Joan Nie, Matt DeGree, Nathan McCall, and Tina Christiansen Cellist Peter Ko will perform from 2 p.m. to 3 p.m. Exhibit is curated by the Coronado Art Colony and runs August 5 - November 1. Coronado Public Library on Facebook / Instagram

"The Many Worlds and Identities of Guadalupe" with Alberto López Pulido / "Los Muchos Mundos e Identidades de Guadalupe" con Alberto López Pulido Over the years, Mexicanos and Chicane/a/os have been preoccupied with questions of identity in relation to its fluid and multidimensional nature. Through the power of Chicana and Chicano Art, "The Many Worlds and Identities of Guadalupe" explores Guadalupe as an embodiment of these worlds in an attempt to better understand Chicana/o culture and identity in our contemporary world Alberto López Pulido is the founding chair of the Department of Ethnic Studies at the University of San Diego, where he has taught since 2003. A native of San Diego’s South Bay, his upbringing between borders shaped his fronterizo perspective. He began his education at Southwestern College before earning degrees in Sociology and Chicano Studies from UC San Diego. He later completed graduate studies at the University of Notre Dame under the mentorship of Dr. Julian Samora. Pulido’s research explores the intersection of Chicana/o/x communities, spirituality, and cultural expression. His award-winning work on Our Lady of Guadalupe Church in Logan Heights is among his important works of scholarship. A trained sociologist, he has published widely on ethnic studies, Chicano/a studies in higher education, and material culture. Mingei International Museum on Facebook / Instagram

John Gutmann (1905–1998) and Max Yavno (1911–1985) were photographers who spent most of their careers in California’s two largest cities of the mid-twentieth century. Gutmann fled Nazi persecution in Germany and immigrated to San Francisco in 1933 while Yavno, a native New Yorker, moved to California in 1945, living in San Francisco and Los Angeles. These contemporaries photographed prominent aspects of modern American life, especially in their adopted home state of California. From a pervasive car culture to street life, signage, architecture, and sports and entertainment, they emphasized urban grit and energy while revealing distinct ways of seeing. Trained as an Expressionist painter in Germany, Gutmann approached these themes as a European in a new country, using the strong diagonals and daring, often low angles he learned from popular magazines in interwar Berlin to defamiliarize the everyday. Yavno’s more plainspoken and detached observations, by contrast, embody the prevailing direction of American photography of this era and his greater sociological impulse. Taken together, Gutmann and Yavno demonstrate how California was home to interconnecting, even conflicting strains in modern photography of the American scene. On Display: Aug. 9, 2025–Jan. 11, 2026 Visit: https://www.sdmart.org/exhibition/john-gutmann-max-yavno-california-photographers/ First Floor: Galleries 14/15: Mrs. Thomas J. Fleming Sr. Foyer San Diego Museum of Art on Facebook / Instagram

A university report found a sharp rise in first-year students lacking high school math proficiency. At UCSD, where more than half of undergraduate students are pursuing STEM degrees requiring math coursework, that's a problem.