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  • When Alice Barnett returned from Europe and settled in early-20th-century San Diego, the city was a modestly sized but rapidly growing community of approximately 40,000 residents. Amid this evolving cultural landscape, she quickly emerged as a prominent composer, performer, and advocate for the arts. During this time, she divorced and became a single mother and sustained herself and her family through her musical endeavors before remarrying. Her influence was far-reaching: in addition to co-founding the San Diego Symphony Association, she taught at San Diego High School, delivered public lectures, authored program notes, and actively collaborated with fellow musicians and civic leaders. This lecture features performances of Alice Barnett’s compositions from this chapter of her life (some published by G. Schirmer, others preserved only in manuscript), offering a glimpse into the musical and professional world she helped to shape. About Dr. Katina Mitchell Dr. Katina Mitchell is a native of San Diego. She has sung with the San Diego Symphony; lautten compagney BERLIN; MicroFest, Los Angeles; Monday Evening Concerts, Sing-Akademie zu Berlin, Volti, San Francisco; Bach Collegium San Diego, The Da Camera Society, Los Angeles; and more. A favorite engagement was performing with Ensemble Vocatrix in fully staged productions of Hildegard von Bingen’s Ordo Virtutum in Los Angeles and Berkeley. Recently Mitchell has sung as both soloist and chorister with San Diego Master Chorale, Sacra/Profana, and the Schola Cantorum of St. James-by-the-Sea. Her work has been featured at the Velaslavasay Panorama, Los Angeles and the Medieval History Center in Azincourt, France, and in media outlets including the BBC, NPR’s Life in Berlin, and the Los Angeles Times. In 2023, Mitchell began presenting her extensive original research on composer Alice Barnett, giving lectures with the San Diego History Center; the Western History Association, Los Angeles; National Association of Teachers of Singing (NATS), San Diego chapter, at San Diego State University; Palomar College; and Society for American Music, Tacoma, Washington. Katina holds degrees in music from Rice University and the University of Southern California (USC). She is a member of the music faculty at Palomar College, teaches voice at Grossmont College, and maintains a private studio. About Dr. Yewon Lee Dr. Yewon Lee is a frequently sought-after conductor and collaborative pianist on the operatic and concert stage. Prior to relocating to San Diego, Lee was Assistant Music Director of Opera at Baldwin Wallace University and Adjunct Professor at Kent State University. In the operatic world, she coached at Baldwin Wallace Opera Theater, National Opera Center, Aspen Opera Theater Center, and International Vocal Arts Institute in Israel, France, Italy, and Japan. Born in Seoul, South Korea, Lee received a Bachelor of Music in piano performance from Seoul National University, completed her Master of Music in vocal accompanying at Manhattan School of Music, and earned an artist diploma in collaborative piano from The Juilliard School. She earned her Doctor of Musical Arts in choral music at USC. Currently, she is a music director of the San Diego Festival Chorus and the San Dieguito United Methodist Church. She also serves as the Far South Representative for the California Choral Directors Association. Visit: https://www.ljathenaeum.org/events/mitchell-25-0623 Athenaeum Music & Arts Library on Instagram and Facebook
  • Get a gift for a friend or yourself at the Athenaeum's quarterly book sale on our patio! As usual, we will have a large selection of gently used books, CDs, vinyl LPs, and sheet music. Hundreds of recordings of classical, jazz, and popular music are just $1 per disc, making this a music lover’s paradise. Athenaeum Music & Arts Library on Instagram and Facebook
  • It's one of the most famous rock songs ever — Bohemian Rhapsody — and now, for the first time, it's been translated with Queen's blessing into Zulu.
  • The Muse is an archival series of San Diego’s current fashion, art, and music in one unified community. We’re back and better than ever–higher quality production and fostering comm(unity) in an open, safe, and free-flowing space! Come hang out with us and enjoy music by local artists and musicians! The Muse started as an outlet for all creatives to share their unique voice as we were coming out of a tumultuous 2 years in (mostly) solitude. It was a space for reconnecting our social-neural pathways and helped creative individuals find new collaborators to benchmark a new chapter in their creative journeys. Visit: The Muse: Pride Month The Muse San Diego on Instagram
  • With AI music generators widely available, scammers are uploading songs to the pages of inactive artists and dead musicians. Spotify says it is cracking down, but the practice persists.
  • Enjoy a dinner inspired by the cuisine of Macau, curated by Culinary Director Tim Kolanko, Chef Wesley Johnson, and Chef Tony Coito! ARTIFACT+ CRAFT CAFÉ at Mingei on Instagram
  • Free and open to all ages! Join us from 5:30 p.m. – 8 p.m. at the Brooks Theater Gallery (217 N. Coast Highway, Oceanside) for the opening of "Black Perspectives 2" in honor of Juneteenth. Back by popular demand, this powerful exhibition features returning and new POC artists exploring Black history, culture, family, and community through their work. The evening also features the unveiling of "Miss Mary," an upright piano transformed by artist BJ Lane into a vibrant celebration of the performing arts. Part of the Oceanside Public Piano Project by the Oceanside Cultural Arts Foundation, "Miss Mary" will be accompanied by live music from pianist and OCAF VP Robert Parker. Enjoy light refreshments, a guest artist at work, and conversations with the featured artists. Don’t miss this joyful celebration of creativity, community, and culture! Oceanside Theatre Company on Facebook / Instagram
  • A statue of Confederate general Albert Pike, which had been pulled down during the Black Lives Matter movement, has been put back up in Washington, D.C.'s Judiciary Square.
  • It began on the edgy margins of a mainstream festival — which it's now eclipsed. But nearly 80 years on, performers and spectators say rising costs threaten the Fringe's alternative vibe.
  • Los temas recurrentes de la supremacía blanca y los chistes virales irónicos ilustran el proyecto de la administración de redefinir quién pertenece a los Estados Unidos.
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