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The clock is ticking down to a federal deadline Tuesday for California and six other Western states to reach the broad strokes of a deal portioning out supplies from the parched Colorado River.

Marvelous amusement awaits at the 10th edition of Bloom Bash, the vibrant, late-night celebration that kicks off Art Alive weekend. The 2025 edition of Bloom Bash marks ten years of philanthropy and fun. This radiant celebration that kicks off the Art Alive weekend attracts trendsetters and late-night revelers with incredible food and cocktails, unique art experiences and performers. Plus, Bloom Bash attendees can dance the night away while enjoying a first look at the nearly 80 Art Alive floral arrangements throughout the Museum. Bloom Bash features: Divine savory and sweet delicacies from more than 35 of San Diego’s top fine dining eateries A special Bloom Bash 10th edition metamorphosis signature cocktail experience An extravagant selection of custom mixed libations by Harrah’s Resort SoCal, Hendrick’s Gin, Milagro Tequila, Panama 66, and a local brands bar by There San Diego Craft beer by Rincon Reservation Road Brewery Remarkable wines by J. Lohr, the family-owned, award-winning vineyards know for sustainable practices Stunning contemporary art installations by Christopher Schardt and German Corrales After-hours access to the Art Alive floral exhibition Live music, unique performances, and dancing all night Plus the return some attendee-picked favorites from the past 10 years: The Ferris wheel on the plaza sponsored by Harrah’s Resort SoCal Music by DJ Gabe Vega The sax stylings of Erisa Nicole Entertainment by Flashpoint Skate Team San Diego Museum of Art on Facebook / Instagram

Another departure from the Kennedy Center: Composer, pianist, educator and bandleader Jason Moran announced on social media that he is no longer the artistic director for jazz. Moran joined the Kennedy Center in 2011.

Learn to Wet Felt with Wool! Sunday, June 15, 9 a.m. - 12 p.m. Join us for a creative time around wool and fellowship on Sunday for Fiber Fest! In this 3-hour workshop you will learn the ancient art of wet felting — the process of loose wool becoming a fabric (felt). This textile art technique has been used for millenniums in the making of rugs, clothing, and homes (yurts). Instructor Sylviane Collier will demonstrate the technique, taking you step-by-step through the project and providing guidance along the way so you may enjoy the creative process and let your inner artist take the lead. First you will create your own picture by layering wool fibers (you will have a wide selection of dyed merino wool to choose from) to finish with the binding of all the fibers using a wet felting technique. We will use bamboo mats, water and soap for the felting process. It is not a messy process, just a wet one. Towels will be provided. Each student will create a one-of-a-kind 8”x 8” “painting.” Images of flowers, landscapes and animals will be provided for inspiration. Students are also welcome to bring their own. A material fee of $10 (cash only) to be paid to the instructor at the start of the class. No experience necessary. Ages 14+ welcome! All materials included. This workshop is part of Craft Collective’s 2nd annual Fiber Fest! Join in the main day of festivities on Saturday, June 14, for a day filled with fiber fun! • Military, first responders & sibling discount • Scholarships available San Diego Craft Collective on Facebook / Instagram

This class is for teens between the ages of 11-17. Printmaking is an artistic process based on the principle of transferring images from a matrix onto another surface, most often paper or fabric. Traditional printmaking techniques include woodcut, etching, engraving, and lithography, while modern artists have expanded available techniques to include screen printing. Participants will have the opportunity to create multiple prints of different colors and participate in aspects of “social practice,” in which artworks serve to create community spaces through sharing and trading. ArtReach San Diego on Facebook / Instagram

In this class the face is the focus. Using different techniques and mediums, we will find fun ways to approach an often daunting subject. Students will be encouraged to bring photos of family, friends, even pets. We will discuss the best kinds of photos to work with and how to use the ones you have even if they aren’t the best quality. There will be a model for one session, and we will try self-portraiture. This is an interesting way to improve your skills, find some new ones, and have fun while you are at it. Materials: A 9” x 12” pad of mixed-media paper; soft vine charcoal (willow is the best); woodless graphite pencil, 6B, 8B, or 9B (the higher the number the better); pencil sharpener; kneaded eraser. Other materials will be discussed in class, and the instructor will bring some supplies for students to try and share. Max students: 12 Visit: Athenaeum Music & Arts Library

South Dakota Public Broadcasting says there's an ironic result to President Trump's successful attack on public media: It will have to rely more on NPR programs.

In this intimate class of eight, students will engage in two 6-hour poses: female for the first two days and male for the following two. Regardless of drawing ability, participants will advance beyond quick sketches, learning a time-tested method for creating more finished figures and portraits. While six hours may seem short compared to traditional ateliers, it provides ample opportunities for Ken and Stephanie to introduce essential vocabulary and concepts that will significantly enhance your drawing skills beyond the typical 20-minute sessions of most sketch groups. During the first two days, you will learn from Ken, and on Days 3 and 4, from Stephanie. In this workshop, you'll learn to create an accurately angled, well-proportioned figure, transform it into volumetric forms like cylinders, cubes, and spheres, and then add the final touches that change an unfinished drawing into a polished art piece. Beginners will be encouraged to start their drawings on newsprint (using vine charcoal, charcoal pencils, and a kneaded eraser), and to then transfer their rough “starts” onto good quality white or toned paper to attain a more finished version in charcoal or graphite. Intermediate and advanced students are free to start in whatever way they prefer on any quality white or toned paper they are accustomed to, using any medium of their choice, such as pencil, charcoal, pan pastel, watercolor, acrylics, or oils. All levels are welcome, as instruction is individualized. Materials: You don’t need to purchase everything on this list. Only buy materials that are relevant to the medium with which you plan to work. If you’re more experienced, you may choose the medium of your preference. Beginners should start Day 1 with newsprint, a drawing board, vine charcoal, and a kneaded eraser. Drawing pad: 18" x 24” smooth newsprint and a wood or foam core drawing board (one inch larger with four clips). Charcoal: Soft vine charcoal and Conte 3B charcoal pencil or your favorite brand. Graphite: 2B, 4B, and 6B graphite pencils. Sharpener: Single edged razor blade or utility knife and rough sandpaper such as 90 grit. Erasers: Kneaded eraser and Tombow eraser. Blending stumps―large and small. Rags or Viva paper towels. Optional: Strathmore 400 series grey toned paper (24" x 18"); Pan Pastel in black and white; two triangle-shaped sponge applicators with extra sponges; one white, soft pastel. Max students: 8 Athenaeum Music & Arts Library on Instagram and Facebook

Shenel Johns is a dynamic jazz musician whose captivating stage presence and impressive vocal range are rooted in her early exposure to reggae and gospel. A graduate of the Hartt School, where she received mentorship from Jackie McLean’s esteemed alumni, Johns passionately shares her musical gifts globally, mentoring young artists and performing in residencies from Shanghai to Mexico. Winner of the Riga Jazz Stage Vocal Competition, she has collaborated with jazz luminaries like Wynton Marsalis and Damien Sneed, seamlessly blending traditional gospel, jazz, and diasporic influences in renowned venues and festivals worldwide, including recent performances with the Jazz at Lincoln Center Orchestra and in tribute to Max Roach. Shenel Johns on Facebook / Instagram

The program Artist Statement 101 focuses on strategies for writing a dynamic general artist statement. With a combination of presentation and group conversation led by curator and writer Elizabeth Rooklidge, participants will come away from the session with a concrete plan for writing a statement, as well as a store of generative techniques to use now and throughout the future. San Diego Writers, Ink on Facebook / Instagram