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The 2025 San Diego Fringe Festival runs through May 25, with performances at nine venues, including a new film showcase at SDSU.

Los temas recurrentes de la supremacía blanca y los chistes virales irónicos ilustran el proyecto de la administración de redefinir quién pertenece a los Estados Unidos.

Los temas recurrentes de la supremacía blanca y los chistes virales irónicos ilustran el proyecto de la administración de redefinir quién pertenece a los Estados Unidos.

La DEA anunció una nueva “iniciativa binacional” con México para combatir a los guardianes de los cárteles en la frontera. Horas después, la presidenta Claudia Sheinbaum desmintió a la agencia.

San Diego New Music invites composers to apply to the Emerging Composers Workshop in spring 2025. In this program, students will participate in a three-part seminar with San Diego State University (SDSU) music composition and theory professor, Dr. Texu Kim. The workshop will culminate in a public reading session of new works by selected high school students on Wednesday, May 7, at the Athenaeum Art Center in Logan Heights. This workshop is free to attend. This concert is underwritten by the Sleet Music Performance Fund in memory of San Diegans Don Sleet (jazz trumpeter), Marshall Sleet (band leader and composer), Anna Mae Sleet (vocalist), and Jeffery Sleet (concert cellist). Submit a statement demonstrating eligibility and interest in the workshop, including which school they currently attend Submit a brief recommendation from a music teacher or professional musician who knows of their work and ambition Submissions are requested to be sent to: ericstarr@sandiegonewmusic.com In 1994, the only place in San Diego where you could hear an entire concert of 20th-century music was on a college campus. San Diego New Music pitched the idea of a concert series devoted to modern music and 20th-century classics at the Athenaeum. The concerts of modern music perfectly complement the exhibitions of modern art held in the Athenaeum’s galleries. In 1996, San Diego New Music presented its first season. The series was called "Noise at the Library," and the ensemble would later adopt the name, as well. San Diego New Music and the Athenaeum have been happily co-presenting concerts of new music ever since. Get Tickets San Diego New Music on Instagram and Facebook

Bill McKibben says solar is a "last chance for the climate." T. Kingfisher offers a dark retelling of Snow White. Nicholas Boggs tells James Baldwin's story. Plus new debut fiction.

"New Music for Two Voices" is a collaboration between sopranos Susan Narucki and Kirsten Ashley Wiest, featuring performances of commissioned works alongside iconic modern works from the 20th century and from earlier historical periods. The April 16 concert features the world premiere of NauðaR Níu [The Nine Needs] for two sopranos and percussion by American composer Jeffrey Holmes. Nauðar Níu refers to a particular magic charm, evoked through ancient Runic ritual and incantation. Holmes' text utilizes Runic inscriptions and carvings from the 5th to 12th centuries, eliciting an icy landscape of mythical beings, evoked through a unique compositional language: modal melodies, unique microtonal tunings and writing for the singing voice that is compelling and powerful. Both singers will play a variety of small percussion instruments made of natural materials upon which Runic inscriptions were carved: wood, stone, skin, iron, and bone. Nauðar Níu [The Nine Needs] weaves together past and present, logic and magic, in an otherworldly musical journey. The concert also includes music by Hildegard von Bingen, selections from Pascal Dusapin's Two Walking, and music by Henry Purcell accompanied by pianist Kyle Adam Blair. UC San Diego Department of Music on Facebook / Instagram

NPR marks World Photography Day with images of everyday moments of gathering from communities across the U.S. taken by photographers from the network's member stations.

A study in Poland found that doctors appeared less likely to detect abnormalities during colonoscopies on their own after they'd grown used to help from an AI tool.

A lot of companies want the EPA in charge of setting national climate regulations because it helps shield them from lawsuits and creates a predictable environment in which to make investments.