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  • The tournament will make an exception to its strict all-white clothing rules, after female players described altering their menstrual cycles to not stress about leaking onto their tennis whites.
  • In addition to acting roles, Ricou Browning also collaborated as a writer on the 1963 movie Flipper, and the popular TV series of the same name that followed.
  • Researchers report the first results from a study testing the revolutionary gene-editing technique known as CRISPR for cutting high cholesterol.
  • Pathbreaking folk singer and songwriter Joni Mitchell has been awarded one of the nation's highest honors in songwriting.
  • One of the victims' roommates saw a strange man in the house that night, and a DNA sample from a knife sheath found in a victim's bed appears to be a strong match for Kohberger, investigators say.
  • Bobby Caldwell's smooth soul jam "What You Won't Do for Love" went to No. 9 on the Billboard Hot 100. It became a long-term standard and career-defining hit for Caldwell, who also wrote the song.
  • This weekend in the arts: the third annual North Park Book Fair; "Art for the People" at Oceanside Museum of Art; a City Heights music festival; Black Music Month in Logan Heights; women composers at Le Salon de Musiques; "Destiny of Desire" closes at The Old Globe; and Mass Creativity Day (and a new Painted Object) at The New Children's Museum.
  • Featuring Amadou Fall Senegalese master musician Amadou Fall presents an intimate solo performance of songs on the kora, a plucked, double-bridged, 21-string gourd harp used extensively across West Africa. Amadou has developed his own repertoire on the kora, consisting of the traditional music of Senegal and his own compositions. About Amadou Fall Originally from Senegal, West Africa, Amadou Fall comes from a family of musicians; his father, Mamadou Fall, was a guitarist who played with Baba Maal and several other well-known Senegalese musicians. His family was introduced to the Kora by Amadou when he was 10. The Kora is a 21-stringed fishing line instrument made of wood, calabash (gourd), and cow skin and is commonly referred to as an African Harp. While growing up, Amadou’s family lived close to the city of Griots (West African storytellers and keepers of tradition). He often visited the house in which the Griots lived and was taught how to play a few songs on the Kora there. After falling in love with the instrument, Amadou rebuilt a Kora for himself in his city. From what he had learned, Ame Kora aka Ame Fall embarked on a new journey to master the art of Kora playing. Since he began playing Kora 20 years ago, Amadou has performed with many artists including Baba Maal, Fatou Lowbe, Ibrahim Ba, Djembe Rhythm, and Irene Tassambendo, among others. A number of his concerts have taken place on the African continent (Senegal, Mauritania, Congo, Burkina Faso, Mali, Togo, Benin, and Ivory Coast). Additionally, Amadou has performed in many other parts of the world, including France, Belgium, Italy, Hungary, England, Canada, Mexico, the Czech Republic, and the United States. Additionally, Amadou has been part of several recordings for international musicians. Currently living in Indio [Coachella Valley] California, Amadou Fall hopes to bring people from all walks of life together with African music through the sounds of his Kora. WHEN | Friday, January 20, 2023 from 7:30 p.m. - 8:45 p.m. WHERE | Mingei International Museum ADMISSION | Tickets can be purchased here! Single Ticket General Seating: $35 VIP Seating: $50 Series Pass (3 Concerts) General Season Pass $90 VIP Season Pass $140 The ticket price includes admission to the performance and access to Mingei International Museum’s Gallery Level ($14 value) after 4 P.M. on the day of the performance. The Commons Level is free for all. For additional information about the event and tickets, visit here! STAY SOCIAL! Facebook & Instagram
  • Wall Street executives are pushing vaccinated workers to return to work, and that's good news for vendors and other small businesses in New York that depend on workers from finance.
  • No longer are just books under fire, but also the library administrators, teachers and long-beloved librarians who are defending them.
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