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  • San Diego Dance Theater is proud to host Mademoiselle Cinema, a dynamic dance company from Tokyo, Japan, founded in 1993 by choreographer Naoko Ito. This summer’s Live Arts Fest celebrates international collaboration through "A Woman’s Journey (Onna wa Tabi de Aru)," a moving work inspired by the historical experience of Japanese “picture brides”—women who immigrated to the United States in the early 20th century with only a photograph of their prospective husbands, in search of new beginnings and uncertain futures. "A Woman’s Journey": "After spending ten years overseas, my grandmother—who lost her husband in America—returned to Japan to entrust her two children to her family. Yet she soon went back to America to work. In 1937, after two decades on that distant shore, she finally left America behind. One can only imagine the tumult of emotions that compelled her to choose homecoming as the ominous drumbeats of war drew near. Now, at the age of eighty, I find myself on a quest to understand what it truly means 'to become an immigrant' in place of the story she never told. This is a narrative dedicated to my 100 year old mother." Mademoiselle Cinema is celebrated for its distinctive dance-theater style, characterized by grounded, low-centered movement, rich visual design, and emotionally resonant storytelling. Blending costume, set, music, and occasional theatrical and cinematic interludes, the company’s performances are drawn from memories of girlhood and the everyday lives of women. Free from conventional modern dance technique, Mademoiselle Cinema creates original works that explore the deeply personal histories each dancer carries within her body, expressing the emotional and physical realities of contemporary life. As the modern age is often described as “the age of women,” Ito consciously works exclusively with female dancers, crafting choreography that weaves personal memory into collective narrative. Since its international debut in Paris in 1999, Mademoiselle Cinema has brought Japanese contemporary dance to global audiences, with appearances across Europe, South America, Africa, and Asia. The company has performed at renowned festivals including the Sibiu International Theatre Festival (2008), the Avignon Festival (2013), and the Gryfin6 International Theatre Festival in Poland (2011), where they received the Audience Award. In recognition of her innovative work, Naoko Ito was honored with the New Artist Award by the Agency for Cultural Affairs of Japan in 2008. Please join us in welcoming Mademoiselle Cinema to San Diego for an unforgettable performance that honors history, memory, and the enduring strength of women. Mademoiselle Cinema on Facebook / Instagram
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  • Mainly Mozart – the San Diego nonprofit behind the acclaimed Mainly Mozart All-Star Orchestra Festival – today announced the return of its Wine Pairing Series, following the enthusiastic response to its 2024 debut. Presented by Jean-Charles Boisett Wineries, this year’s series features four concertmasters across four weekends of performances, an expansion from last year’s three, and adds Saturday concerts alongside Sundays. The series will again be hosted at the Fairbanks Ranch Country Club. The 2025/2026 series showcases four of America’s leading concertmasters: Jun Iwasaki of the Kansas City Symphony (Nov. 15–16, 2025), Nurit Bar-Josef of the National Symphony (Jan. 10–11, 2026), Nathan Cole of the Boston Symphony (Feb. 21–22, 2026), and Frank Huang of the New York Philharmonic (April 11–12, 2026). The Mainly Mozart Wine Pairing Series events begin with an open hors d'oeuvres reception before audiences are seated for an intimate concert and tasting experience. Each piece on the program is paired with curated wines, chosen to mirror the style and emotion of the music. Wines are poured and selection commentary is provided before each musical work, setting the stage for a multi-sensory experience. Tickets are available at www.mainlymozart.org/wine-series. Seating is limited and early purchase is recommended. 2025/2026 Wine Pairing Series Lineup - Kansas City Symphony November 15 and 16, 2025 - Jun Iwasaki, Concertmaster - Sean Chen, Piano - National Symphony January 10 and 11, 2026 - Nurit Bar-Josef, Concertmaster - Loewi Lin, Cello - Erich Heckscher, Bassoon - Boston Symphony February 21 and 22, 2026 - Nathan Cole, Concertmaster - Steve Ansell, Principal Viola - Blaise Dejardin, Principal Cello - New York Philharmonic April 11 and 12, 2026 - Frank Huang, Concertmaster - Cynthia Phelps, Principal Viola Concert Times Saturdays: 5 p.m. Wine Reception | 6 p.m. Wine Pairing Event Begins Sundays: 4 p.m. Wine Reception | 5 p.m. Wine Pairing Event Begins Mainly Mozart® on Facebook / Instagram
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