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In the final episode of Cinema Junkie's three-part series focused on Black Com!x Day's Get Shooked! New Masters of Horror panel, Kevin Grevioux talks about his latest projects, owning your own IPs, and monsters.

The Suraj Israni Center for Cinematic Arts is pleased to invite you to the Media Care Talk, "When Does Care Become Cruel? Rethinking Care with Animals in 3 Scenes" with Juno Salazar Parreñas on Tuesday, March 14, 2023 at 5 p.m. at the Public Engagement Building (PEB) 721 in the North Torrey Pines Living and Learning Neighborhood. Speaker: Juno Salazar Parreñas, associate professor of Science and Technology Studies and Feminist, Gender, and Sexuality Studies, Cornell University Respondent: Pascal Gagneux, professor, Department of Anthropology, UC San Diego Hosted by Wentao Ma, Ph.D. student, Department of Literature, UC San Diego Abstract When does care become cruel? Caring for semi-wild orangutans entails hitting them in order to make them averse to human contact because an ideal rehabilitated orangutan should avoid people instead of seeking them out. Caring for ex-circus lions, which are apex predators, hinges on both unequal land ownership and an attitude that some lives are naturally prey. Meanwhile, offering sanctuary to ex-dairy cows extends their lives to unknown durations and unknown geriatric health challenges. All of these cases suggest the difficulty of drawing a line between care and cruelty. This talk cautions against uncritical acceptance of what care is and what actions are done in its name. Biography Juno Salazar Parreñas is an associate professor of Science and Technology Studies and Feminist, Gender, and Sexuality Studies at Cornell University. She is the author of "Decolonizing Extinction: The Work of Care in Orangutan Rehabilitation" (Duke UP, 2018), which received the 2019 Michelle Rosaldo Prize from the Association for Feminist Anthropology. Location + Parking Public Engagement Building (PEB) 721 is located in the North Torrey Pines Living and Learning Neighborhood. The closest visitor parking is located in the Scholars Parking underground parking structure. Weekend parking is $2/hour. About the Media Care Talk Series Dozing at the movie theater, listening to the podcast on the subway, counseling via Zoom appointments, searching immigration policy on the internet…In this increasingly crumbling world, media offer maintenance and sustain our vitality while they also harm our well-being through abuse and addiction. This talk series examines the concept of care and showcases the process of knowledge production surrounding artificial care in media practice. We will browse a range of media objects and platforms - from cinema to teletherapy, from smart drugs to sleep apps - and explore the habitual, affective, and material potential of healing and solidarity within film and media theories. This series is co-organized by the Film Studies Program and the Suraj Israni Center for Cinematic Arts at UC San Diego with generous support from the following: 21 Century China Center, Department of Communication, Department of Visual Arts, Department of Literature, and the Institute of Arts & Humanities. Questions Email surajisranicenter@ucsd.edu. By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.

In an off-year, offseason election, it all comes down to turnout. That's why ahead of Wisconsin's April 4 state Supreme Court election, organizers are getting out the vote in some creative ways.

From The Book Catapult: The Book Catapult is pleased to welcome back GennaRose Nethercott for her debut novel, Thistlefoot on Sunday, January 8 at 5:00 p.m.. Like her previous event at TBC in 2019, the event will feature an intricate shadow-puppetry crankie box which animates segments of the text through scrolling, panoramic hand-cut paper images! In the tradition of modern fairy tales like Neil Gaiman's American Gods and Naomi Novik's Spinning Silver comes a sweeping epic rich in Eastern European folklore - a debut novel about the ancestral hauntings that stalk us, and the uncanny power of story. The Yaga siblings - Bellatine, a young woodworker, and Isaac, a wayfaring street performer and con artist - have been estranged since childhood, separated both by resentment and by wide miles of American highway. But when they learn that they are to receive a mysterious inheritance, the siblings are reunited - only to discover that their bequest isn’t land or money, but something far stranger: a sentient house on chicken legs. Thistlefoot, as the house is called, has arrived from the Yagas’ ancestral home in Russia - but not alone. A sinister figure known only as the Longshadow Man has tracked it to American shores, bearing with him violent secrets from the past: fiery memories that have hidden in Isaac and Bellatine’s blood for generations. As the Yaga siblings embark with Thistlefoot on a final cross-country tour of their family’s traveling theater show, the Longshadow Man follows in relentless pursuit, seeding destruction in his wake. Ultimately, time, magic, and legacy must collide - erupting in a powerful conflagration to determine who gets to remember the past and craft a new future. An enchanted adventure illuminated by Jewish myth and adorned with lyrical prose as tantalizing and sweet as briar berries, Thistlefoot is an immersive modern fantasy saga by a bold new talent. GennaRose Nethercott is a writer and folklorist. Her first book, The Lumberjack’s Dove, was selected by Louise Glück as a winner of the National Poetry Series, and whether authoring novels, poems, ballads, or even fold-up paper cootie catchers, her projects are all rooted in myth—and what our stories reveal about who we are. She tours nationally and internationally performing strange tales (sometimes with puppets in tow) and composing poems-to-order for strangers on an antique typewriter with her team, the Traveling Poetry Emporium. She lives in the woodlands of Vermont, beside an old cemetery. Thistlefoot is her debut novel. (Seen here, GennaRose and her "crankie box" for Thistlefoot.) Related links: The Book Catapult on Instagram

Every year we ask NPR staff and book critics to share their favorite titles in our annual Books We Love guide. Behind the scenes, it's fun to spot trends and see what gets nominated again and again.

Did you know that Big Brother has resulted in more lasting marriages than The Bachelor? The course of true love never did run smooth ... and all the more so for famous people.

Pucker up! Your spice cabinet should include some tart spices. Amchoor (dried green mango), Omani dried limes, li hing (sour plum), sumac and hibiscus are five we use for their sour powers. We rely on them to brighten spice blends and dry-brine mixes. We also turn to them when we want the kick of citrus juice or vinegar but none of the liquid—because it’s frustrating to perfectly fry fish only to render the crust a soggy mess with lemon juice. Sour spices are the solution. Plus, some of our go-to tart spices, like Omani dried limes and li hing, are made from fermented fruit so they also carry a big umami punch, making these spices powerful dual-acting ingredients. Others, like sumac and hibiscus, have very complex red berry flavors that also means they shine when used solo. In this Small Group Workshop, limited to 25 people, we will explore these five sour spices. We’ll consider using them whole and ground, in combination with other spices and in fully developed recipes. You can expect to build your own spice blends, experiment with tasting exercises, make multiple versions of our Tomato-Herb Salad with Sumac and steep a refreshing hibiscus tea with cinnamon, fresh ginger and allspice.

Bankman-Fried built a multibillion crypto business spearheaded by FTX with the help of a group of young colleagues. Now three of his closest associates have turned against him.

Andrea Lankford delves deep into the cases of three men who vanished while hiking, but also explores the history of the PCT and the rich, nuanced subculture, practices and literature that surround it.

China has been trying to woo back foreign investors and businesses after nearly three years of self-imposed isolation, but a quick economic recovery will also hinge on domestic consumption.