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  • In parts of West Africa, communities have designated biodiversity hotspots sacred and measure their value by the peace of mind they provide, rather than in dollars and cents.
  • One of the greatest tennis players, Spaniard Rafael Nadal, isn't at this year's French Open. But world #1 Carlos Alcaraz, also of Spain, is dominating. What is it about the Spanish tennis pipeline?
  • Questions about the dynastic ruler's children and possible succession scenario arose with the apparent second child's repeated appearances in public in recent months.
  • On Feb. 5, 2022, Charles Givens was found unresponsive in his cell at Marion Correctional Treatment Center. An autopsy and other documentation indicate Givens suffered a beating, a lawsuit alleges.
  • Sino Monthly, run by a local couple, stands out among New Jersey's Chinese-language news outlets, most of which are tied to institutions from the Chinese government to the Falun Gong.
  • Biologist Gerald “Jerry” Joyce takes over as Salk president next month with the task of expanding the campus and answering the question: what’s next?
  • Burkina Faso has fallen into conflict and chaos but humanitarian aid for the displaced hasn't kept up. The Norwegian Refugee Council calls it the most neglected displacement crisis.
  • In a new special exhibition of works by living artist Fernando Casasempere at San Diego Museum of Art, you'll find four distinct installations, each revolving around Casasempere's use of clay, color and the earth's deeply rooted history — specifically the industrial waste from Chilean copper mines. This exhibition opens in conjunction with Art Alive, the museum's annual floral show, and is Casasempere's first solo exhibition in the U.S. On view in the museum's first floor galleries 4 and 5. Related events: Tuesday, May 3, 2022, 10:00 a.m. to noon: Art and the Environment: An Artist Panel Discussion From the museum: Fernando Casasempere (b. 1958) moved to London from Santiago in 1997 with 12 tons of earth from his native Chile. He uses the earth as his medium as well his subject to explore ideas of landscape, architecture, and history with a foreboding sense of environmental collapse. The four installations of the exhibition include: Reframing Our Relationship with the Earth features a mound of earth with thousands of individually hand-pressed clay components resembling bone fragments that speak to humans’ impact on the planet. Earth Book/The Sphere of Things to Come presents a series of clay books and a spherical structure representing the earth, together making up a physical archive of what may be lost if no change is made. Salares features hanging landscape formations made of clay that pay homage to the salt flats of the Chilean Atacama Desert, as well as enlarged mortar bowls that speak of itinerant diasporas, representing civilizations forced to flee from natural disasters caused by the changing climate. Reminiscences presents ceramic constructions representing fragments of archaeological ruins, gesturing to the threat of cultural loss due to humans’ extractive relationship with the Earth. Read more here. Related links: San Diego Museum of Art on Instagram San Diego Museum of Art on Facebook Visiting information
  • Amid a major drought in the Western U.S., a proposed solution comes up repeatedly: large-scale river diversions, including pumping Mississippi River water to parched states.
  • He Jiankui, who shocked the world in 2018 by announcing the creation of the first gene-edited babies, tells NPR he's now working on a cure for Duchenne muscular dystrophy.
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