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On April 30, 1993, the World Wide Web was released into the public domain. It revolutionized the internet and allowed users to create websites filled with graphics, audio and hyperlinks.

With ticket sales way down and government relief mostly at an end, business as usual is not an option for nonprofit performing arts groups.

In parts of West Africa, communities have designated biodiversity hotspots sacred and measure their value by the peace of mind they provide, rather than in dollars and cents.

Norwood is best known for developing the Multispectral Scanner System that flew on the first Landsat satellite. That was the first satellite launched to study and monitor Earth's landmasses.

A striking decline in teen mental health has coincided with the rise of smartphones and social media. Is social media causing the mental health challenges? Finally, research can answer that question.

Families can get blindsided by risky behavior with money, sometimes even before a diagnosis. Having tough conversations and setting up guardrails in advance can help prevent disaster.

Questions about the dynastic ruler's children and possible succession scenario arose with the apparent second child's repeated appearances in public in recent months.

In a new special exhibition of works by living artist Fernando Casasempere at San Diego Museum of Art, you'll find four distinct installations, each revolving around Casasempere's use of clay, color and the earth's deeply rooted history — specifically the industrial waste from Chilean copper mines. This exhibition opens in conjunction with Art Alive, the museum's annual floral show, and is Casasempere's first solo exhibition in the U.S. On view in the museum's first floor galleries 4 and 5. Related events: Tuesday, May 3, 2022, 10:00 a.m. to noon: Art and the Environment: An Artist Panel Discussion From the museum: Fernando Casasempere (b. 1958) moved to London from Santiago in 1997 with 12 tons of earth from his native Chile. He uses the earth as his medium as well his subject to explore ideas of landscape, architecture, and history with a foreboding sense of environmental collapse. The four installations of the exhibition include: Reframing Our Relationship with the Earth features a mound of earth with thousands of individually hand-pressed clay components resembling bone fragments that speak to humans’ impact on the planet. Earth Book/The Sphere of Things to Come presents a series of clay books and a spherical structure representing the earth, together making up a physical archive of what may be lost if no change is made. Salares features hanging landscape formations made of clay that pay homage to the salt flats of the Chilean Atacama Desert, as well as enlarged mortar bowls that speak of itinerant diasporas, representing civilizations forced to flee from natural disasters caused by the changing climate. Reminiscences presents ceramic constructions representing fragments of archaeological ruins, gesturing to the threat of cultural loss due to humans’ extractive relationship with the Earth. Read more here. Related links: San Diego Museum of Art on Instagram San Diego Museum of Art on Facebook Visiting information

Biologist Gerald “Jerry” Joyce takes over as Salk president next month with the task of expanding the campus and answering the question: what’s next?

Join music, art, literary, and dance historian Victoria Martino in a five-week lecture series, celebrating the 150th anniversary of Diaghilev by rediscovering and redefining the scope of his immeasurable influence on modern culture. Who was Sergei Diaghilev? What did he do? Condemned by his own country as the ultimate exemplar of bourgeois decadence and depravity, he was excised from Soviet cultural history. Yet, in the international world of art, music, dance, and theater, he was revered, even idolized, as the greatest impresario of all time. Creator, critic, curator, Diaghilev played all these roles, defining for many the very meaning of contemporary art in the 20th century. In his role as founder and director of the legendary Ballets Russes, Diaghilev commissioned and patronized a veritable lexicon of artists, choreographers, composers, dancers, and designers: from Matisse to Picasso, Fokine to Massine, Debussy to Stravinsky, Nijinsky to Pavlova, Bakst to Chanel. Date | Tuesday, April 26, 2022 at 7:30pm Location | Athenaeum Music & Arts Library Purchase tickets here! $16-$21 The lectures will be in person at the Athenaeum Music & Arts Library. There are no physical tickets for these events. Your name will be on an attendee list at the front door. Doors open at 7 p.m. Seating is first-come; first-served. For further information on this event please visit website: https://www.ljathenaeum.org/events/martino-22-0426