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Sunday, June 22, 9 p.m. - 11:30 a.m. This 2.5-hour workshop will advance your skills and you will carve a small bowl. Each student will be provided a wooden blank ready to power carve. The instructor will show how to form a bowl with power carving tools, as well as creating a unique and personal design to implement into each project. Material fee: $5 payable to the instructor at the start of the workshop. This is an intermediate Power Carving workshop. Students must have completed either the Intro to Power Carving | Sculptural Art &/or Intro to Power Carving | Carving a Spoon before enrolling in this workshop. This workshop is appropriate for ages 18 and older. Prior experience is mandatory. All materials included. • Military & first responders discounts: Email us for more information. • Scholarships available • If this class is full, join the Interest List to be notified. • If you would like to be notified of future offerings, join the Interest List to be notified when new dates or spaces are available. Visit: Intermediate Power Carving | Carving a Bowl San Diego Craft Collective on Instagram and Facebook

From the new Trump administration to mass deportations, coverage of protests has dominated headlines and social media. But two local photographers are choosing to protest in their own way — through art.

Join OMA's Artist Alliance at Sparks Gallery for the reception of "Elemental" on Sunday, May 25, from 5 p.m. – 8 p.m. OMA's artist alliance is thrilled to present 38 artworks in their third exhibition at Sparks Gallery in San Diego’s historic Gaslamp Quarter downtown. Selected by juror Sonya Sparks, many of the artworks are loosely themed to the title, "Elemental," work that explores the vibrancy and vitality of the core elements—earth, air, fire, and water—that shape the world around us. The exhibition aims to evoke the raw, powerful essence of these elements, revealing their interconnectedness with life and the environment. The Elemental theme highlights how these fundamental components permeate our daily existence, inspire creativity, and foster growth, yet also have the capacity for destruction and transformation. Visit: https://sparksgallery.com/product-category/gallery-exhibitions/elemental-oceanside-museum-of-art-artist-alliance?_gl=1 Sparks Gallery on Instagram and Facebook

In this talk, Youngmin delves into the rich tradition and history of bojagi, Korean wrapping cloths, and the enduring practice of creating them. In Korean culture, bojagi are believed to wrap not only objects but also bok—good fortune or happiness. Youngmin will share her personal creative journey and pursuit of happiness, which have connected her to a broader creative community. Through her work, she will discuss how she inspires and educates, helping to ensure that the art of bojagi continues to thrive for future generations. Youngmin Lee is a textile artist specializing in the traditional Korean art of bojagi. Since relocating from South Korea to California in 1996, she has dedicated herself to preserving and innovating within this tradition, which emphasizes sustainability through recycling and upcycling fabric remnants. In 2024, Youngmin published "Bojagi: The Art of Korean Textiles," a book that delves into the beauty and history of bojagi. She also founded the Korean Textile Tour in 2017, creating a platform to introduce a broader audience to Korean traditional textile arts and culture. Copies of "Bojagi: The Art of Korean Textiles" are available for sale in Shop Mingei, and a book signing will take place directly after the talk. This program is presented in conjunction with the exhibition "Blue Gold: The Art and Science of Indigo." Youngmin Lee on Instagram Mingei International Museum on Facebook / Instagram

Join us for the opening night celebration of Ed Whitmore's exhibit "Forging Beauty", at the Lawrence Family JCC in the Gotthelf Gallery. Experience Ed Whitmore's dramatic works of art created using the process of oxidizing metal paints. Each piece invites the viewer to contemplate the beauty that emerges from decay. Ed's paintings tell a story of loss, transformation and resilience, with influences rooted in his family's history of surviving World War Two and the Holocaust. Enjoy delicious food while sipping on wine (available for purchase) as you explore this unique exhibition. Show runs through June 8. RSVP: https://www.lfjcc.org/cjc/gag.aspx

From one of the first woman photographers, Anna Atkins, to lifestyle icon, DIY celebrity Martha Stewart—the Cyanotype Photographic Process continues to fascinate us with its beautiful tones of Prussian Blue colors, by the contact printing of objects (photograms), to using today’s digital negatives. This light sensitive process, activated by the ultraviolet rays of the sun and discovered by Sir John Herschel in 1842, has experienced several revivals since the 19th century. First in the 20th century with its rediscovery as an alternative process within university curricula worldwide to this last turn of century, in the 2000s, creating a revolt by fine art photographers in response to the onslaught of technology and its pesky pixel. In this two-day intensive workshop, we will push the process further by cyanotype printing on fabric, including the latest technique of exposing wet cyanotypes. We will be introduced to the basic procedures using commercially coated fabrics, then move quickly to hand-applied emulsions on various fabrics from cotton to silk. By embedding the photographic image within the “ply-ability” of fabric, we can explore finishing strategies for the image, from sewing, embroidering, quilting, and garment making to creating sculptural forms with the photograph on fabric. Materials: Materials provided with a $40 fee paid to instructor on the first day of class include chemistry and a contact printing frame. Recommended fabrics will be the responsibility of the student. Max students: 12 Visit: https://www.ljathenaeum.org/class/summer-16 Athenaeum Music & Arts Library on Instagram and Facebook

The series continues on June 11 with former San Diego residents vocalist Gillian Margot and Geoffrey Keezer (piano), featuring music from their eponymous new duo album. For this Athenaeum date, they are joined by Ben Williams on bass and San Diego jazz hero Peter Sprague on guitar. With an exquisite voice, a disarmingly wide vocal range, and a style that is deeply rooted in the tradition of the great jazz vocalists, Margot possesses a gift of storytelling and stunning lyrical delivery. A native of Toronto, Canada, Margot studied under a generation of jazz legends including Oscar Peterson, Freddy Cole, Carol Welsman, and Norman Simmons. Keezer is a GRAMMY-winning pianist, composer, arranger, and producer based in New York City, where he first moved in 1989 to become the final pianist with the legendary Art Blakey and the Jazz Messengers. Keezer has toured and recorded with a galaxy of stars including Ray Brown, Roy Hargrove, Joshua Redman, Diana Krall, Wayne Shorter, Dianne Reeves, Sting, and Christian McBride. Partners in music since 2014 and in life since 2016, both Margot and Keezer share a predisposition to address, in Margot’s words, “different styles, genres, or grooves and feels, and harmonic implications,” an attitude that accounts for the capacious range of repertoire in their performances. A spirit of freedom judiciously balanced with collective consciousness pervades their recent recording, as Keezer and Margot mind meld on a half-dozen “Standard” standards along with authoritatively interpreted songs by Hermeto Pascoal, Peter Gabriel, Chick Corea, and Donald and Dorothy Brown. Visit: https://www.ljathenaeum.org/events/jazz-25-0611 Gillian Margot on Instagram and Facebook Geoffrey Keezer on Instagram and Facebook

Uganda is one of the countries that's greatly affected by the reduction of U.S. foreign aid. Here's how the health care system is responding — with trepidation, innovation and resilience.

One Night Only! Join OnWord Theatre for a wacky evening of performance like you've never seen before, re-imagining [or bastardizing] roles you and love! Think a white male Dreamgirl - is it appropriate? Hell No! But is it a musical beloved by all that many people would like the opportunity to perform? Absolutely! This unique performance opportunity encourages actors to step outside their typical roles and explore characters through songs and monologues that they are deeply passionate about but rarely, if ever, get the chance to perform. Included in the flat ticket price of $50 is the performance, a "mashtini" mashed potato bar, and drinks. Numerous auction items will be available for bids throughout the event; all auction purchases qualify as tax-deductible donations. This one night only performance will take place September 19 at 6 p.m. OnWord Theatre acknowledges that we create and perform on the unceded land of the Kumeyaay people, who have nurtured this region since time immemorial. In gratitude and recognition, we are honored to offer complimentary attendance to all First Nations people with proof of ID. Please contact info@OnWordTheatre.com to reserve your ticket. OnWord Theatre on Facebook / Instagram

Painting using imagery in art is a fun way to tell a visual story. We use black and white photocopies of ancestors (found or real) as the underlying source to paint. This is a way of creating expressiveness with a subject built in. This way of art making can stand up to any art form found in galleries. In this workshop, learn how to incorporate painted photocopies in your work. Also, learn how to properly adhere paper seamlessly (to a canvas or board) without causing bubbles or creases. Students walk away with several paintings and a good understanding of this fun process. Materials: The $40 fee paid to the instructor at first class includes images, mediums, varnish, and 8" x 10" canvases and use of brushes, palette knife, markers, burnishing tool, gloves, paints. Not provided: aprons, palette paper, paper towels and water cans. Feel free to bring your own brushes, paints, palette paper, or any of the above-listed supplies. You may bring your own black and white images to fit 8" x 10" canvases or email jpegs of your images to Lisa to prepare. Images need to be sent to Lisa (lisabebi@gmail.com) by June 14. If you prefer to work with larger than 8" x 10", you must send your selected jpgs to Lisa two weeks prior to the workshop (by June 3) so she can send them out for processing. Email her immediately to let her know your plan and the size of your image(s). There may be an added cost. For those working in a larger format, they must bring their own proper-sized canvas. Max students: 12 Athenaeum Music & Arts Library on Instagram and Facebook