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  • Join us for the next installment of our Signature Event Series featuring distinguished alumni authors Sarina Dahlan ’98 and S.B. Divya MEng ’00. Drawing from their latest works, “Freeset” and “Loka,” the authors will explore how speculative fiction can address timely societal issues, including identity, memory and technology. The conversation will be moderated and will take place on Wednesday, May 28, from 5:30 to 7:30 p.m. in the Seuss Room at Geisel Library. Admission is free and open to the public with required registration. Books will be available for purchase from the UC San Diego Bookstore during the reception, including the following titles: Sarina Dahlan ’98 “Freeset” “Preset” “Reset” S.B. Divya MEng ’00 “Machinehood” “Runtime” “Meru” (limited quantity) “Loka” (limited quantity) This event is part of the Library’s Signature Event Series, established in 2020 to commemorate the 50th anniversary of Geisel Library and made possible through the generous support of sponsors and Library Associates. About the Authors Sarina Dahlan ’98 is the author of the bestselling Four Cities trilogy — “Reset,” “Preset” and “Freeset” — as well as “Shadow Play: Ten Tales from the In-between.” Born into an Indonesian family in Thailand and immigrating to the United States at age 12, Dahlan brings a global perspective to her work, influenced by folklore, mythology and Japanese manga. A UC San Diego alumna with degrees in psychology and visual arts, her writing explores memory, identity and the cost of utopia. S.B. Divya, MEng ’00 is a Hugo- and Nebula-nominated author whose work bridges hard science and imaginative storytelling. Her novels include “Machinehood,” “Meru” and “Loka,” which examine themes such as automation, cultural identity and artificial intelligence. A former electrical engineer with degrees in computational neuroscience and signal processing from UC San Diego, Divya’s fiction often reflects her technical background and challenges conventional genre boundaries. Partners: UC San Diego School of Arts & Humanities & Jacobs School of Engineering
  • Join us in our 2nd annual Revival Art Exhibition, in celebration of Earth month! Mingle with other creatives, and enjoy beautiful work made by Revision Artists in Residence, along with local artisans, all made from discarded and repurposed items. Featuring the work of artist Rob Tobin, Chad Berwald, Jason Ney, Faye Allen, and more. Participate in a free interactive art activity, led by artist Wendy Morris. Shop a selection of garden chairs, plants, vintage bicycles, inventive jewelry, and more! Visit: https://www.revisionsandiego.com/ Revision on Facebook / Instagram
  • If your child loves the performing arts or wants to build confidence, creativity, and community; this is the summer camp for them! T3 Triple Threat’s Summer 2025 camp participants will rehearse and perform MTI’s Broadway Junior Revue “Raise Your Voice”. T3 partners with the City of San Diego and the North Park Recreation Center, providing training in dance, voice, and acting to produce well-rounded performers. Our Summer 2025 camp is a 7-week theatrical production culminating in a multi-performance run of “Raise Your Voice”. Auditions: Friday, May 23, 5 p.m. – 7:30 p.m. & Saturday, May 24, 2 p.m. – 4:30 p.m. Location: North Park Recreation Center, 4044 Idaho Street, San Diego, CA 92104 Auditions are free, of course! T3 Triple Threat San Diego has a donation-based model, keeping our programs accessible to all. Thanks to a generous grant from the City of San Diego, T3 Triple Threat is proud to offer needs-based scholarships for our summer production of “Raise Your Voice”! No child will be turned away! T3 Triple Threat San Diego on Facebook / Instagram
  • Experience Bridging Communities: "Echoes of Identity & Resistance" at the Brooks Theater (217 N. Coast Highway, Oceanside, CA)—a multidisciplinary performance that centers movement, memory, and cultural resilience to explore what it means to belong, to remember, and to resist. Through dance, spoken word, film, and storytelling, the program amplifies the voices of Asian and Pacific Islander artists and community members, creating a space where diasporic identity and ancestral memory come into dialogue. Weaving together personal histories and collective truths, this powerful event holds space for healing, transformation, and creative expression. In a time when cultural erasure and displacement persist, we return to our bodies, our stories, and each other—using art as a bridge between communities, generations, and geographies." Oceanside Theatre Company on Facebook / Instagram
  • Join us on Saturday, August 16 at AleSmith Brewing Company to celebrate our fourth annual Tony Gwynn Day. In honor of the Anniversary of Mr. Padre's 2000th and 3000th hits, two special commemorative beers featuring the newest Tony Gwynn artwork by Ground Floor Murals on the labels will be released in 16oz 4-pack cans and on draft in the Tasting Room. Food vendors on-site will be: - The Pastrami Stand - Pretzels and Pints - Zoe's Place - 360 Italian - Big Smash Burger Live music with The Jackson Wagner Band and the Lemon Squeezers, DJ's leading up to game time at 6:10 p.m. as the Padres take on the Dodgers. Paint & Sip activations throughout the day with mural artist Victoria. Victoria will offer a selection of items such as Koozies, Tote Bags, and Canvases to paint Tony Gwynn, Padres, and AleSmith themes onto. Fan club, @KeeptheFaithSD will also be here during the game doing some awesome Padres Swag raffles and Padres Trivia after the game. Try Axe Throwing with Celtic Axe onsite in our barrel room and more! This event is family friendly and open to the public. RSVP'ing does not guarantee access to cans of the released beers. Limited amount of cases will be sold in a pre-sale to those who RSVP a week out to the event. Pre-Sale for beer will start on Wednesday 8/13 at 12 p.m. The remaining cases will be sold out of the AleSmith Gift Shop on Saturday 8/16 starting at 11 a.m. AleSmith Brewing Company on Facebook / Instagram
  • Wicked Tinkers have been playing Tribal Celtic Music (a genre they coined and created) since 1995. The Wicked Tinkers aim to create a sound that is both “ancient and hauntingly familiar” with use of bagpipes, tribal drums, didgeridoos, and a Bronze-Age Irish horn and their Scottish Carnyx (another ancient instrument) paired with a modern, rock-and-roll energy; their music will transport you back in time and get an audience off their feet with a raw, primal, and exciting sound. If the bagpipes stir something within your soul, you will love the tribal connection you will feel listening to Wicked Tinkers Wicked Tinkers on Facebook / YouTube
  • The Frontmen – Larry Stewart (Restless Heart), Richie McDonald (formerly of Lonestar), and Tim Rushlow (formerly of Little Texas) THE FRONTMEN – comprised of three former lead singers, Larry Stewart (Restless Heart), Richie McDonald (Lonestar) and Tim Rushlow (Little Texas) – is country music’s hottest new supergroup. The men have already mastered the stage, succeeded on radio and nightly take sold-out audiences on a rollercoaster of 90’s nostalgic smash hits then transcend their past hit parade with fresh new and original songs that are unmistakably THE FRONTMEN today! The group recently put their massive catalog of hits to work, including “The Bluest Eyes in Texas,” “Amazed” and “God Blessed Texas,” on tour with Alabama and kick started the Harley-Davidson crowd in Deadwood, South Dakota, at the 81st Sturgis Motorcycle Rally. “The thing about the three of us is we are better together than each of us was by ourselves,” McDonald said. “The beauty of the show is that people can come and just sit there for two hours and go, ‘I sang along with every single song. I loved every one of them.’” “There is a common thread that runs through the songs we have all recorded over the years that just fits like a glove,” Rushlow added. “It is quite powerful and certainly is the soundtrack to all of our lives.” THE FRONTMEN’s magic formula harkens back to some of the biggest Rock groups of the 60’s and 70’s like The Doobie Brothers, Fleetwood Mac and The Eagles where multiple lead singers like Joe Walsh, Glenn Frey and Don Henley have separate careers but join to together to create a sum bigger than its parts. They are a new act with a fresh sound but also an arsenal of hits. Tony Conway, manager of Alabama, had this comment about the group: “The Frontmen is a group of some of the best voices in the history of Country Music. Larry, Tim, Richie have each been responsible for some of the greatest songs ever released. When you take their stellar vocals on hits from Restless Heart, Little Texas and Lonestar and put them together on one stage, you have the originals along with being the best of the best, and a new supergroup in the world of country music.” “We have a great time,” Larry Stewart says. “There’s no egos. We just enjoy doing it. It’s easy for us to work together. We know what to expect. It must’ve been meant to be.” Stewart’s Restless Heart launched in 1984 with their self-titled debut album and went on to collect eight No. 1 hits and sing-along favorites, including “The Bluest Eyes in Texas,” “I’ll Still Be Loving You,” “Why Does It Have to Be (Wrong or Right),” “Wheels,” “Fast Movin’ Train” and “A Tender Lie.” They were named Top Vocal Group by the Academy of Country Music in 1989. Rushlow’s "Little Texas" kicked off in 1991 with Top 10 hits “Some Guys Have All the Love” and “First Time for Everything,” then followed up with its debut album of the same name. Subsequent hits include ”God Blessed Texas,” “Kick a Little,” “My Love,” “What Might Have Been” and “Amy’s Back in Austin.” Little Texas won the Academy of Country Music’s Top Vocal Group in 1993. McDonald joined Lonestar in 1992, and the group achieved nine No. 1 songs, including: “No News,” “Come Cryin’ to Me,” “What About Now,” “I’m Already There,” “My Front Porch Looking In,” “Mr. Mom” and “Amazed” — an eight-week No. 1 song and the most popular country song of 1999. “Amazed” was the Academy of Country Music’s Single and Song of the Year in 1999, and Lonestar was the Top Vocal Group for the ACM and the Country Music Association in 2001. During periods of downtime over the years, and THE FRONTMEN organically built a concept they’ve been working toward for more than a decade. McDonald and Stewart first connected when they played a radio show in Louisiana. McDonald broached the idea with Stewart: three lead singers, one band and nothing but hits. Rushlow joined soon after, and the trio went on an extended international tour of military bases. The soldiers’ reaction affirmed what they already thought – people want to hear their songs.” It’s these iconic songs that have been a part of people’s lives over the past 20 or 30 years, and we saw the effect that it had on these men and women fighting for our freedom,” McDonald said. “We knew we had to do it.” THE FRONTMEN played sporadic shows together over the years while each continued with their various bands. When the pandemic struck, McDonald reevaluated how he wanted to spend his time. Stewart had recently stepped away from Restless Heart, and Rushlow shifted focus to THE FRONTMEN. With that, their side project became their main gig. “We jumped in with both feet,” McDonald said. “I always tease Larry during the show and tell him, ‘I grew up listening to your music.’ He’ll laugh and say, ‘Man, you make me feel really old.’ Larry and Restless Heart really opened the door for Lonestar and Little Texas. We really respect one another. It’s just a blast to be on stage every night to sing our hits and, and to harmonize with one another.” Each man has a turn in the spotlight splitting vocal duties but all three sing non-stop throughout the entire set showcasing harmonies that only this combination of talent could achieve. “Splitting the lead singing up keeps our vocal chords in tip top shape for all the harmonies in the set,” Stewart said. Audiences receive a night of boot-scootin,’ heart-popping nostalgia. In 2023, THE FRONTMEN signed a major record deal with BBR Music Group / BMG Nashville. Stewart, McDonald and Rushlow, all major hit songwriters, released their debut album, THE FRONTMEN, in early 2024 with multi-genre musical heavyweight producer Mickey Jack Cones helming the project. The Frontmen’s debut self-titled album features nine original songs, as well as three Lonestar, Little Texas and Restless Heart No. 1 hits, re-recorded Frontmen-style. The trio tag team lead vocals throughout. GRAMMY-nominated Cones had this to say about the group: “Larry, Richie and Tim are icons in the industry whose voices helped shape country music we know it. Not only are they three of the most phenomenal vocalists in the genre, they are even better humans. I couldn’t be more honored and enamored to be working with them.” With brand new fresh music and a combined massive catalog of hits, and THE FRONTMEN are off to the races… again The Frontmen on Facebook / Instagram
  • Artists enjoy painting in “the golden hour” because everything becomes progressively more interesting and exciting as shadows lengthen and one is forced to work quickly. Daily demonstrations in acrylic, oil, pastel, and watercolor will be short to allow students time to work. On the first day we will meet at Sunset Point Park on the grass. Subsequent locations will be based on students’ preferences. Please note that there may be locations without immediate access to restroom facilities. Please plan ahead. Since instruction is individual, artists of any level may participate and paint whatever type of scene they prefer. No matter how warm it is when you leave home, bring a jacket anyway. DIRECTIONS to Sunset Point Park: From I-5 take Sea World Drive West to Ingraham Street/West Mission Bay Drive. Take West Mission Drive. Once you are on West Mission Bay Drive, turn right at Dana Landing Road, and then immediately turn left into the Sunset Point Park parking lot. Materials: Students should bring their preferred mediums or buy recommended supplies that follow: Only buy what you plan to use. For those using pastels: Rembrandt, box of 90 or 180, or NuPastel, box of 96; Canson-brand pastel paper #429, 426, or 431 (quartered); foam core drawing board at least 1/2” larger than the size of paper you plan to use; four clips to hold paper; paper towels. For those using oils: French easel or lap easel; stretched canvas or canvas board, up to 16” x 20”; brushes #1, 2, 4, 6, 8 (two of each); odorless Gamsol thinner; small cup or jar; rags; small hand mirror (for seeing errors in reverse); a warm and cool tube of at least seven colors: Cadmium Red Light, Alizarin Crimson, Raw Sienna, Cadmium Yellow Light, Cerulean Blue, Ultramarine Blue, Burnt Sienna, Ivory Black, Titanium White. Optional: Raw Umber, Scarlet Lake. For those using acrylics: at least the same range of colors as the oil painters. For those using watercolors: at least the same range of colors as the oil painters—but white is optional; flat or pointed brushes; watercolor blocks; chair or easel; Kleenex; 1/2 or 3/4” masking tape to crop image. Please be sure to bring an extra canvas or extra paper in case you have time to begin a second painting. Max students: 15 Visit: https://www.ljathenaeum.org/class/summer-11 Athenaeum Music & Arts Library on Instagram and Facebook
  • Guitar slung low, microphone turned up, and emotion overflowing, Joe Samba taps into rock ‘n’ roll spirit and reggae soul all at once. The Massachusetts-born singer, songwriter, and guitarist sonically teeters on an axis of island-inflected grooves and gritty guitar-craft balanced by his dynamic vocals. He finds the sweet spot between smoked-out Caribbean bliss and sweat-soaked punkified energy. It’s why he’s quietly emerged as a phenomenon, toppling charts at #1 and performing alongside everyone from The Dirty Heads to Pepper. Joe Samba on Facebook / Instagram
  • Mary Mattingly is an interdisciplinary artist who cares deeply about water and believes in the power of public art. Mattingly founded "Swale", an edible landscape on a public barge in New York City. Recent public art projects include "Limnal Lacrimosa" in Glacier National Park in Montana; "Public Water" with +More Art in New York; "Vanishing Point" with Metal Southend and "Focal Point Gallery" in the UK. Mattingly has exhibited sculpture and photography at the Cuenca, Istanbul, and Havana Biennials; Storm King Art Center in New York; the International Center of Photography in New York; the Seoul Art Center; the Brooklyn Museum in New York; and the Palais de Tokyo in Paris. She has received grants from the James L. Knight Foundation, the Harpo Foundation, the Jerome Foundation, and the Art Matters Foundation, among others. Her work has been featured in Aperture, Art in America, Sculpture, The New York Times, Le Monde, and on Art21, and included in such publications as Nature – part of the Whitechapel/MIT Press Documents of Contemporary Art series– and Henry Sayre’s A World of Art (8th edition), published by Pearson Education, Inc. In 2022, a monograph of her work, What Happens After, was published by the Anchorage Museum and Hirmer Verlag. Co-sponsored by the Nature, Space and Politics working group of the UCSD International Institute, this lecture is introduced and moderated by Dr. Pinar Yoldas, an infradisciplinary designer/artist/researcher and Associate Professor and head of the Speculative Design Area in the Department of Visual Arts. Respondents: Joe Riley and Sarah Rose of the PhD Program in Art History, Theory and Criticism with a Concentration in Art Practice. Mary Mattingly on Facebook / Instagram
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