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When it comes to breaking into the industry, understanding what a casting director (CD) looks for in a headshot and resume is crucial. It’s equally important to familiarize yourself with the best practices for finding and approaching auditions, as well as the nuances between agents and managers—do you need both, or just one? Knowing the differences can significantly shape your path. Additionally, mastering the self-submission process involves being aware of do's and don'ts, along with grasping what a CD expects from your audition, whether it's live or self-submitted. After you've submitted your audition, knowing the next steps can be a game-changer, all while keeping in mind the broader business aspects of the entertainment industry. Instructor’s Bio: D. Candis Paule, CSA, is the owner of Candis Casting. Since 2003, she has been the premier San Diego casting director and has cast over 300 commercials and 400 episodes of TV. Along with many telenovellas for Fox’s My Network, she has been the primary or local casting director on a wide variety of pilots and features and has worked on print jobs, voice-over projects, and industrials. Ms. Paule currently sits on three non-profit boards and is also an Intimacy Coordinator, an award-winning actor, and a private coach.

We will explore the fundamentals of watercolor—adding pen-and-ink as well. The class is designed to break down fear and encourage spontaneity. All levels are welcome in this positive and encouraging class. Materials: Paper: two 22” x 30” sheets of 100%, 140 lb., rag, cold-pressed paper (such as Arches or Fabriano). Brushes: one #8, #10, or #12 round brush (with a good point); one 3/4” or 1” flat brush; one large (2” or 2 1/2”) cheap bristle brush (from hardware store). Other: palette (any palette with eight or more color wells will do); water container; sketchbook; two No. 2 pencils; 3/4” or 1”–wide masking tape; small drawing board (Gatorfoam board or Masonite, 12” x 16” minimum); paper towels (Viva preferred). Paint: Any colors you have. Must-have colors (at least 14 ml) are Daniel Smith New Gamboge; Winsor & Newton Burnt Sienna (do not substitute another brand for this one); Alizarin Crimson Permanent; French Ultramarine Blue; Phthalo Blue; Burnt Umber. Please prepare a selection of photo references. Have ready several still-life or landscape reference photos. Max students: 13 Athenaeum Music & Arts Library on Instagram and Facebook

The beloved annual Art Alive Premiere Dinner is an elegant black-tie affair, celebrating art with a spectacular dinner in the Museum galleries. This year’s event is inspired by the groundbreaking architectural designs of Lord Norman Foster and his internationally renowned studio Foster + Partners. This event offers a first look at the incredible floral designs of Art Alive and a delicious multi-course menu of delectable delicacies and extraordinary entrees, a full bar, and decadent desserts. Become a Premiere Patron to enjoy this glamorous evening of enchantment. Premiere Dinner Schedule of Events 6:30 p.m. Cocktail Hour | John M. and Sally B. Thornton Rotunda 8 p.m. Dinner | Museum Permanent Collection Galleries Premiere Patron benefits include Exclusive access to the Premiere Dinner for 1 person (including hosted valet parking) 2 Bloom Bash tickets per Premiere Patron (including hosted valet parking) 4 Art Alive floral exhibition general admission passes Recognition as a Premiere Patron Reserve your place as a Premiere Patron today! For more information please contact Lani Curtis at 619.696.1940 or lcurtis@sdmart.org The San Diego Museum of Art on Instagram and Facebook

Students at UC San Diego rally in support of their international classmates targeted by the Trump Administration for deportation. Then, cuts to USAID could shutter a Tijuana migrant shelter. Also, Voice of San Diego’s Scott Lewis on the former city executive now suing over alleged discrimination. And hear about a new art installation in Oceanside celebrating neurodivergent artists.

Join us for a fun still-life oil painting workshop inspired by a colorful summer tea party. All aspects of still-life painting will be covered in this two-day workshop: perspective, composition, color, and accuracy will be taught using a tabletop arrangement of cups, saucers, teapots, and flowers. Bright colors and a square format will encourage experimentation. Grab a coffee; we will begin each morning with a PowerPoint lesson followed by a demo on the painting process and technique. Afterward students will paint independently for the remainder of the morning. As the paintings progress, students will learn through discussion of creative issues and group critique. Pat welcomes students of all levels. Materials: A $5 fee will be paid to Pat on the first day of class. Please bring the following supplies: one square canvas or canvas panel: 10” x 10”, 12” x 12”, or 16” x 16”; half-dozen brushes: white bristle flat or filbert, #2, 4, 6; one medium-size palette knife; small, pointed round brush for detail, #2–4; Winsor & Newton Liquin; wooden palette; oil paints: Alizarin Crimson, Cadmium Red Medium*, Cadmium Yellow Medium*, Cadmium Lemon*, Phthalo Blue, Ultramarine Blue, Permalba White, Cadmium Orange*, Red Iron Oxide or Burnt Sienna; paper towels; Gamsol odorless solvent; container for solvent with lid. *Be sure to purchase true Cadmium colors not Cadmium Hue. Max students: 12 Athenaeum Music & Arts Library on Instagram and Facebook

Calling all cinephiles, filmmakers and film festival enthusiasts! The Suraj Israni Center for Cinematic Arts together with Alumni Relations at UC San Diego invites you to an interactive discussion exploring film festivals, featuring a panel of award-winning industry experts and UC San Diego alumni. Hear from panelists as they share their experience working as film festival founders and CEOs, independent filmmakers, producers, distributors, programmers and screeners for events like Slamdance and Sundance. Gain insight on selecting the right film festival opportunities, creating meaningful industry connections and more. Ask questions, network and learn how to navigate a film festival like a pro! This unique event will be held within the 2025 UC San Diego Film Festival, offering an exciting opportunity for attendees to also experience the talent of emerging filmmakers. __________________________________________________________________________________ Panelists/moderator: - Rachel Makana'aloha O Kauikeolani Nakawatase, Co-founder, San Diego Underground Film Festival - Ryan Betschart, Co-founder, San Diego Underground Film Festival - Duy Nguyen, Senior Producer, Picturehead (formerly Technicolor) - Ei Toshinari, Co-founder, Arbelos Films - Tonya Mantooth, CEO and Artistic Director, San Diego International Film Festival - Michael Trigilio, Director, Suraj Israni Center for Cinematic Arts, Professor of Teaching, Department of Visual Arts, Multimedia Artist (film/video, sound, music) Event is free. Please RSVP! __________________________________________________________________________________ About the sponsors: The Suraj Israni Center for Cinematic Arts, part of the School of Arts and Humanities, serves as the university’s hub for creative and academic advancement in culture, music, theater, film and the arts. The center provides access and opportunity for UC San Diego students and scholars to pursue their passion in cinematics arts through research, scholarship, teaching, production and exhibition of film and moving-image arts. Established in 2021, the program honors the memory of aspiring filmmaker Suraj Israni, who pursued film as a way to inspire social change. By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.

Join us in our 2nd annual Revival Art Exhibition, in celebration of Earth month! Mingle with other creatives, and enjoy beautiful work made by Revision Artists in Residence, along with local artisans, all made from discarded and repurposed items. Featuring the work of artist Rob Tobin, Chad Berwald, Jason Ney, Faye Allen, and more. Participate in a free interactive art activity, led by artist Wendy Morris. Shop a selection of garden chairs, plants, vintage bicycles, inventive jewelry, and more! Visit: https://www.revisionsandiego.com/ Revision on Facebook / Instagram

This weekend, Hamilton is in theaters in honor of its anniversary, a new Conjuring horror film opens, and Dylan O'Brien stars in a twisty story about grief.

Artists enjoy painting in “the golden hour” because everything becomes progressively more interesting and exciting as shadows lengthen and one is forced to work quickly. Daily demonstrations in acrylic, oil, pastel, and watercolor will be short to allow students time to work. On the first day we will meet at Sunset Point Park on the grass. Subsequent locations will be based on students’ preferences. Please note that there may be locations without immediate access to restroom facilities. Please plan ahead. Since instruction is individual, artists of any level may participate and paint whatever type of scene they prefer. No matter how warm it is when you leave home, bring a jacket anyway. DIRECTIONS to Sunset Point Park: From I-5 take Sea World Drive West to Ingraham Street/West Mission Bay Drive. Take West Mission Drive. Once you are on West Mission Bay Drive, turn right at Dana Landing Road, and then immediately turn left into the Sunset Point Park parking lot. Materials: Students should bring their preferred mediums or buy recommended supplies that follow: Only buy what you plan to use. For those using pastels: Rembrandt, box of 90 or 180, or NuPastel, box of 96; Canson-brand pastel paper #429, 426, or 431 (quartered); foam core drawing board at least 1/2” larger than the size of paper you plan to use; four clips to hold paper; paper towels. For those using oils: French easel or lap easel; stretched canvas or canvas board, up to 16” x 20”; brushes #1, 2, 4, 6, 8 (two of each); odorless Gamsol thinner; small cup or jar; rags; small hand mirror (for seeing errors in reverse); a warm and cool tube of at least seven colors: Cadmium Red Light, Alizarin Crimson, Raw Sienna, Cadmium Yellow Light, Cerulean Blue, Ultramarine Blue, Burnt Sienna, Ivory Black, Titanium White. Optional: Raw Umber, Scarlet Lake. For those using acrylics: at least the same range of colors as the oil painters. For those using watercolors: at least the same range of colors as the oil painters—but white is optional; flat or pointed brushes; watercolor blocks; chair or easel; Kleenex; 1/2 or 3/4” masking tape to crop image. Please be sure to bring an extra canvas or extra paper in case you have time to begin a second painting. Max students: 15 Visit: https://www.ljathenaeum.org/class/summer-11 Athenaeum Music & Arts Library on Instagram and Facebook

For the 2025 NPR Student Podcast Challenge, we've listened to nearly 2,000 entries from around the U.S., and narrowed them down to 11 middle school and 10 high school finalists.