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Makers of the chatbots would also be required to remind users that responses are artificially generated, and to create “reasonable measures” to prevent children from seeing sexually explicit content when using the bots. Kids using the bots would also get reminders to take breaks.

Marcus Brown toiled for 10 years before stumbling into indie stardom. On his thrilling new album, he hears music in every hour worked — day jobs included.

The Life of a Showgirl isn't just a streaming success — it has moved a massive number of vinyl LPs. How massive? Let's do some math.

If your child loves the performing arts or wants to build confidence, creativity, and community; this is the summer camp for them! T3 Triple Threat’s Summer 2025 camp participants will rehearse and perform MTI’s Broadway Junior Revue “Raise Your Voice”. T3 partners with the City of San Diego and the North Park Recreation Center, providing training in dance, voice, and acting to produce well-rounded performers. Our Summer 2025 camp is a 7-week theatrical production culminating in a multi-performance run of “Raise Your Voice”. Auditions: Friday, May 23, 5 p.m. – 7:30 p.m. & Saturday, May 24, 2 p.m. – 4:30 p.m. Location: North Park Recreation Center, 4044 Idaho Street, San Diego, CA 92104 Auditions are free, of course! T3 Triple Threat San Diego has a donation-based model, keeping our programs accessible to all. Thanks to a generous grant from the City of San Diego, T3 Triple Threat is proud to offer needs-based scholarships for our summer production of “Raise Your Voice”! No child will be turned away! T3 Triple Threat San Diego on Facebook / Instagram

Experience Bridging Communities: "Echoes of Identity & Resistance" at the Brooks Theater (217 N. Coast Highway, Oceanside, CA)—a multidisciplinary performance that centers movement, memory, and cultural resilience to explore what it means to belong, to remember, and to resist. Through dance, spoken word, film, and storytelling, the program amplifies the voices of Asian and Pacific Islander artists and community members, creating a space where diasporic identity and ancestral memory come into dialogue. Weaving together personal histories and collective truths, this powerful event holds space for healing, transformation, and creative expression. In a time when cultural erasure and displacement persist, we return to our bodies, our stories, and each other—using art as a bridge between communities, generations, and geographies." Oceanside Theatre Company on Facebook / Instagram

Mary Mattingly is an interdisciplinary artist who cares deeply about water and believes in the power of public art. Mattingly founded "Swale", an edible landscape on a public barge in New York City. Recent public art projects include "Limnal Lacrimosa" in Glacier National Park in Montana; "Public Water" with +More Art in New York; "Vanishing Point" with Metal Southend and "Focal Point Gallery" in the UK. Mattingly has exhibited sculpture and photography at the Cuenca, Istanbul, and Havana Biennials; Storm King Art Center in New York; the International Center of Photography in New York; the Seoul Art Center; the Brooklyn Museum in New York; and the Palais de Tokyo in Paris. She has received grants from the James L. Knight Foundation, the Harpo Foundation, the Jerome Foundation, and the Art Matters Foundation, among others. Her work has been featured in Aperture, Art in America, Sculpture, The New York Times, Le Monde, and on Art21, and included in such publications as Nature – part of the Whitechapel/MIT Press Documents of Contemporary Art series– and Henry Sayre’s A World of Art (8th edition), published by Pearson Education, Inc. In 2022, a monograph of her work, What Happens After, was published by the Anchorage Museum and Hirmer Verlag. Co-sponsored by the Nature, Space and Politics working group of the UCSD International Institute, this lecture is introduced and moderated by Dr. Pinar Yoldas, an infradisciplinary designer/artist/researcher and Associate Professor and head of the Speculative Design Area in the Department of Visual Arts. Respondents: Joe Riley and Sarah Rose of the PhD Program in Art History, Theory and Criticism with a Concentration in Art Practice. Mary Mattingly on Facebook / Instagram

Artists enjoy painting in “the golden hour” because everything becomes progressively more interesting and exciting as shadows lengthen and one is forced to work quickly. Daily demonstrations in acrylic, oil, pastel, and watercolor will be short to allow students time to work. On the first day we will meet at Sunset Point Park on the grass. Subsequent locations will be based on students’ preferences. Please note that there may be locations without immediate access to restroom facilities. Please plan ahead. Since instruction is individual, artists of any level may participate and paint whatever type of scene they prefer. No matter how warm it is when you leave home, bring a jacket anyway. DIRECTIONS to Sunset Point Park: From I-5 take Sea World Drive West to Ingraham Street/West Mission Bay Drive. Take West Mission Drive. Once you are on West Mission Bay Drive, turn right at Dana Landing Road, and then immediately turn left into the Sunset Point Park parking lot. Materials: Students should bring their preferred mediums or buy recommended supplies that follow: Only buy what you plan to use. For those using pastels: Rembrandt, box of 90 or 180, or NuPastel, box of 96; Canson-brand pastel paper #429, 426, or 431 (quartered); foam core drawing board at least 1/2” larger than the size of paper you plan to use; four clips to hold paper; paper towels. For those using oils: French easel or lap easel; stretched canvas or canvas board, up to 16” x 20”; brushes #1, 2, 4, 6, 8 (two of each); odorless Gamsol thinner; small cup or jar; rags; small hand mirror (for seeing errors in reverse); a warm and cool tube of at least seven colors: Cadmium Red Light, Alizarin Crimson, Raw Sienna, Cadmium Yellow Light, Cerulean Blue, Ultramarine Blue, Burnt Sienna, Ivory Black, Titanium White. Optional: Raw Umber, Scarlet Lake. For those using acrylics: at least the same range of colors as the oil painters. For those using watercolors: at least the same range of colors as the oil painters—but white is optional; flat or pointed brushes; watercolor blocks; chair or easel; Kleenex; 1/2 or 3/4” masking tape to crop image. Please be sure to bring an extra canvas or extra paper in case you have time to begin a second painting. Max students: 15 Visit: https://www.ljathenaeum.org/class/summer-11 Athenaeum Music & Arts Library on Instagram and Facebook

Democratic Sen. Tim Kaine of Virginia says shutdown can end if Trump engages more earnestly in negotiations.

How tech companies and government officials handle local impacts will shape the industry's future in the U.S.

Filmmaker M. Night Shyamalan and novelist Nicholas Sparks describe their collaboration to simultaneously craft the new novel and upcoming film Remain as a unique one that's unlikely to be replicated.