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Fresh perspectives of the banjo in the hands of a master performing repertoire drawn from the American Songbook, roots music, hot jazz, tango, Western Swing, classical, and more. Ms. Sayer’s trio will include Corey Gemme (trumpet) & Greg Cohen (string bass). Cynthia Sayer (banjo & vocals) Praised for her “drive and virtuosity” by The New York Times, instrumentalist/vocalist/bandleader Cynthia Sayer is renowned for bringing the swinging sounds of banjo to concert and festival audiences worldwide. A 2023 Steve Martin Banjo Prize winner and an American Banjo Hall of Famer, Sayer is a pioneering artist who pays tribute to America’s musical heritage through her virtuoso playing, engaging vocals, and informative, entertaining anecdotes. Sayer is a multi-instrumentalist heard on feature film and TV soundtracks and has appeared on numerous national TV and radio shows, performed at The White House, played with The New York Philharmonic and The New York Metropolitan Opera Orchestra, and is a longtime founding member of Woody Allen’s New Orleans Jazz Band. She is also an avid educator with a long track record of workshops, lecture/demos, and educational programming for all ages, and is the author of a popular early jazz play-along program for all instruments as well as a book of jazz transcriptions for banjo, mandolin & guitar. Corey Gemme (trumpet) Corey Gemme, a native of Los Angeles, studied music at Pasadena City College and California State University Los Angeles, and found his niche playing early jazz of the 1920s -‘40s. Performances include countless Traditional Jazz Festivals and events throughout the USA and abroad as a featured artist, a bandleader, and with a variety of top bands in that circuit, including LA’s own Conrad Janis & The Beverly Hills Unlisted Jazz Band. Corey currently appears with numerous groups at Disneyland throughout the year. Greg Cohen (string bass) Celebrated jazz bassist Greg Cohen has performed and recorded with a long list of noted artists in numerous genres for over four decades, including John Zorn, Ornette Coleman, Tom Waits, Woody Allen, David Byrne, Elvis Costello, Odetta, Ken Peplowski, Dagmar Krause, David Sanborn, Laurie Anderson, Willie Nelson, Norah Jones, Keith Richards, Donovan, Crystal Gayle, Bob Dylan, Richie Havens, Lou Reed, Loudon Wainwright III, and many others. An esteemed educator as well, Greg was the bass professor and head of the string department at the Jazz Institute Berlin for 10 years and is an honorary professor in contemporary rhythmic music at SDMK, the Danish National Academy of Music. Visit: https://www.museumofmakingmusic.org/events/cynthia-sayer-2024 Cynthia Sayer on Instagram and Facebook

On October 4, Birch Aquarium at Scripps Institution of Oceanography at UC San Diego will unveil their latest exhibition blending art and science into one unique experience with "Embodied Pacific: Ocean Unseen" "Embodied Pacific: Ocean Unseen" invites you to explore Scripps Institution of Oceanography and Indigenous science through the eyes of contemporary artists. These installations offer guests the chance to engage in scientific exploration through immersive, interactive experiences. Collectively, the exhibition asks us to consider how ocean science technology is not just about “high-tech” but also very much about the tools we use to shape our understanding of the ocean’s unseen mysteries. 18 artists across 10 projects come together in one immersive exhibition. Installations include: Archiving an Aquarium, Hans Baumann and James Nisbet + Birch Aquarium Birch Aquarium uses technology to pump, filter and adjust seawater for its animals, simulating a real ocean experience. In this installation, artists Hans Baumann and James Nisbet explore how this technology shapes our understanding of ocean ecologies. Using archival footage and blueprints from the 1992 Hall of Fishes they create a “virtual aquarium” that highlights the evolution of the aquarium's efforts to bring the ocean to the public. Fish Phone Booth, Ash Eliza Smith and Robert Twomey Ash Eliza Smith and Robert Twomey create an interactive audio and sensory media experience where storytelling meets a guided sound bath. This project brings research from ocean acoustics and the internet of animals to life, translating data from outside the limits of human perception into bodily and sonic experiences. How to Look Into the Ocean, Claudine Arendt + Zooglider Large-scale biomorphically shaped sculptures draw us into a dimly lit space. The sculptures, created by Claudine Arendt in collaboration with Scripps Oceanography scientists Mark Ohman (PI of the California Current Ecosystem project) and Sven Gastauer, are snapshots of plankton drifting through ocean water. Guests will interact with these sculptures by touch to bring them into the world of these tiny organisms. Kumeyaay Ha Kwaiyo, Stan Rodriguez with Priscilla Ortiz, Andrew Pittman and Nan Renner In the Ha Kwaiyo installation, a mid-size tule boat (by Priscilla Ortiz) hangs above guests, as if floating on the ocean surface. A nearby film by Andrew James Pittman tells the behind-the-scenes story of how boatmaking embodies Indigenous resilience, resistance and revival. La Jolla Forest, Dwight Hwang and Oriana Poindexter + Mohammad Sedarat of the Smith Laboratory La Jolla Forest is an immersive artwork created by Oriana Poindexter and Dwight Hwang to highlight both the beauty and the fragility of Giant Kelp. The installation draws attention to the biodiversity of La Jolla’s marine ecosystems by blending their expertise in cyanotype creation and traditional Japanese Gyotaku fish printing. Mosaic Ocean, Judit Hersko + Jaffe Laboratory In Mosaic Ocean, Judit Hersko explores the diversity of zooplankton by blending traditional and cutting-edge technology. In this installation, guests view images of plankton through the portals of multiple stereographic lenses, a plankton-observation methodology developed by Scripps Oceanography researcher Jules Jaffe. Our Worlds, Catherine Eng and Kilma Lattin Our Worlds is an immersive storytelling application by Catherine Eng and Kilma Lattin that uses augmented reality technology to overlay interactive Indigenous narratives onto real-world locations. Through this app, guests will unlock stories, videos and 3D models of tule boats and Kumeyaay oceangoing stories, narrated by Embodied Pacific artist and educator Stan Rodriguez. Passengers of Change, Danielle McHaskell, Joe Riley and Audrey Snyder + the Smith Laboratory An invasive species can act as both a “driver” and a “passenger” in ecosystems. In this collaboration with marine ecologist Danielle McHaskell, the artists investigate whether global shipping has turned the algae Wakame into a major invasive species. Guests will explore how human trade affects marine ecosystems and reflect on our role in this process. R/P FLIP R.I.P., Rachel Mayeri + FLIP The FLoating Instrument Platform (FLIP) debuted in 1963 as a first-of-its-kind strategy for understanding ocean water columns. To shed light on FLIP’s second act as a marine acoustics platform, Rachel Mayeri – in collaboration with humanities scholars Deborah Forster and David Serlin and Scripps staff – produced a large-scale triptych video artwork to take us inside the recently decommissioned vessel through new and archival footage. Superradiance. Embodying Earth., Memo Akten and Katie Peyton Hofstader + SOARS Superradiance. Embodying Earth. is a data dramatization of complex ocean simulations, distilled and re-imagined in the form of abstract visuals and sounds inspired by the Scripps Ocean Atmosphere Research Simulator (SOARS). SOARS is a 120-foot-long wave tank researchers use to replicate and study air and sea interactions under controlled laboratory conditions. Unbleached, Scott McAvoy + Sandin and Smith Laboratories Unbleached is a digitization and visualization of key coral reef environments over time. Projected video re-creates coral clusters at Palmyra Atoll, a small island in the central Pacific Ocean, on a 3D printed reef to explore changes to the reef over time. This installation was created in collaboration with the Sandin and Smith Laboratories and archaeologist Dominique Rissolo and the 100 Island Challenge. "Embodied Pacific: Ocean Unseen" is one of the six locations of "Embodied Pacific" which features projects by 30 artists working with researchers in laboratories, field sites and archives in Southern California and the Pacific Islands. This partnership between UC San Diego Visual Arts and Birch Aquarium at Scripps invites immersive engagement in oceanography, Indigenous design and critical craft through exhibitions, workshops and programs. "Embodied Pacific" is among more than 70 exhibitions and programs presented as part of PST ART. PST ART is a groundbreaking cultural collaboration.  Every five years, PST ART unites hundreds of artists around a single, electrifying theme at more than 70 exhibition spaces. While the theme is different each time, the heart of PST ART is always the distinctive cultural identity of Southern California, and the universal hunger for artistic and intellectual discovery. In a region famed for its films and theme parks, PST ART provides a different kind of gripping experience — and the most distinctively Southern Californian of all. Birch Aquarium is open daily and "Embodied Pacific: Ocean Unseen" is included with General Admission. Visit aquarium.ucsd.edu for more information including the Daily Schedule. Birch Aquarium at Scripps on Facebook / Instagram

As sports betting has spread across the U.S., college athletes have increasingly faced harassment from bettors. A federal ban on wagers that concern individual performances could help, the NCAA says.

Ken Martin helped turn around the Minnesota Democratic-Farmer-Labor Party's finances and secure a streak of statewide wins for the party over 18 years. Now, he wants to do the same thing for the Democratic National Committee.

Rupert Wates was born in London and studied at Oxford University. He has been a full-time songwriter since the late 1990s, and then he moved in the United States in 2006. He is now based in New York City and Colorado. Since then, he has won more than fifty songwriting and performing awards. His music is an eclectic mix of acoustic, melodic art/folk, with flavors of jazz, vaudeville, and cabaret. He has released twelve solo CDs while playing 120 live shows every year, in acoustic venues in every state in America, in Canada, and in Europe. He has a new album, Elegies, which showcases his great guitar work and masterful songwriting. It has been a very long time since David Stuart Howard performed on our stage. You might remember him as “Dave Howard”. David released a strong string of albums from the 1990s until the twenty-teens, when other matters required his attention. He is now jumping back on the music train, with a retrospective album, fresh performances, and, some new material. David was a mainstay of the vibrant 1990s local coffeehouse scene, and later fronted the Blackout Blues Band and The Shamey Jays. A three-time nominee for the San Diego Music Awards, he has written and performed with A.J. Croce, Berkley Hart, Lisa Sanders, and Joe Rathburn, as well as having his songs covered by a who’s-who of our favorite artists including Gregory Page and Peter Bolland. rupertwatesmusic.com davehoward.bandcamp.com

Each week, guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: JamesEarl333 on TikTok, The Dick Van Dyke Show and the songs "Young Lion" and "Kid on Christmas."

Few bills fail in the Legislature because lawmakers publicly vote “no.” Instead, most bills die when they are shelved, without lawmakers having to take tough votes.

About Justin & Melonie Grinnell MELONIE GRINNELL is an active as an educator and performer. She began studying piano at an early age and has since been recognized for her skills as a pianist, and her abilities as a vocalist, music educator, and musical director. Melonie received her Bachelors of Music degree in Music Education with jazz emphasis from the University of Miami and a Masters of Music performance degree in Jazz Studies from San Diego State University. Additionally, she is on the faculty for the Francis Parker/KSDS 88.3 Summer Jazz Workshop where she teaches jazz piano and co-directs middle school to high school student ensembles. She is also active as an adjudicator for instrumental jazz festivals including the Coronado/COSA Jazz Festival and the KSDS Jazz 88/CMEA festival. JUSTIN GRINNELL is a San Diego-based freelance jazz bassist and music educator. More importantly, he is a husband to pianist/educator Melonie Grinnell and father to their two sons. In addition to performing, Justin maintains an active teaching schedule as adjunct faculty at University of San Diego and Grossmont College, and as faculty for the Francis Parker Annual Summer Jazz Workshop. He has also served as an adjudicator and clinician at local music festivals, such as the Coronado Jazz Festival and the San Diego Bass Fest. Justin received his Bachelor's and Master's Degrees in Jazz Performance from San Diego State University while studying with bassists Gunnar Biggs and Bert Turetzky. Justin also achieved ABD (all but dissertation) status for a doctoral degree in Jazz Studies at the University of Southern California. Besides studying privately with Los Angeles' first-call jazz bassist, Darek Oles, Justin's enrollment at USC gave him the opportunity to study with internationally-recognized jazz artists Peter Erskine, Russ Ferrante, Bob Mintzer, and Alan Pasqua. See More Events www.booksandrecrodsbar.com www.bardicmanagement.com/events

TikTok has been facing down a January divest-or-be-banned deadline. The company filed a lawsuit challenging the law, which was heard before a federal appeals court in Washington, D.C.

Vice President Harris and Trump's former chief of staff say Trump fits the definition of "fascist." Scholars who agree say the term is useful as a distress signal for the threat to democracy.